There is nothing new in the world except the history we do not know. Alchemy and Artifacts (Tesseracts Twenty-Two) is a collection of twenty-three amazing stories based on historical artifacts combined with fantastic historical fiction. The stories meld culture, concept and incident into a rich collection of 'what if' speculations that provide warnings yet revel in the cultural celebrations we continue to observe today. They are the touchstones that resonate with all who listen to and learn from the past. For, once the instigators are dead, the wars ended, and the political machines decayed, only artifacts remain. And it's through these cultural artifacts that we glimpse the possibility of what may have occurred in the past and may yet occur in the future. You are invited to delve into the motivations behind the events of the past, the quests for power, the fights against repression, and the sacrifices to a greater cause -- human dramas that reflect the worst and best of who we are -- to see what satisfaction comes from sudden insight and awe. Featuring works by these Canadian writers: Colleen Anderson, Lara Apps, Leslie Brown, Katherine Cameron, Chris Patrick Carolan, Geoff Gander & Fiona Plunkett, Bev Geddes, Mary-Jean Harris, Geoffrey Hart, Kate Heartfield, R. W. Hodgson, Kurt Kirchmeier, Jason Lane, Halli Lilburn, Cat McDonald, Tony Pi, Mike Rimar, Bianca Sayan, Holly Schofield, Michael Skeet, Erik Jon Spigel, Liz Westbrook-Trenholm, Michal Wojcik The stories in Alchemy and Artifacts (Tesseracts Twenty-Two) nourish those who wander in today's wilderness, and who, without the benefit of the past, are destined to plunge blindly along a path of ignorance, destroying all that has been, everything that is true and beautiful and that which nourishes our global community.

There is nothing new in the world except the history we do not know. Alchemy and Artifacts (Tesseracts Twenty-Two) is a collection of twenty-three amazing stories based on historical artifacts combined with fantastic historical fiction. The stories meld culture, concept and incident into a rich collection of 'what if' speculations that provide warnings yet revel in the cultural celebrations we continue to observe today. They are the touchstones that resonate with all who listen to and learn from the past. For, once the instigators are dead, the wars ended, and the political machines decayed, only artifacts remain. And it's through these cultural artifacts that we glimpse the possibility of what may have occurred in the past and may yet occur in the future. You are invited to delve into the motivations behind the events of the past, the quests for power, the fights against repression, and the sacrifices to a greater cause -- human dramas that reflect the worst and best of who we are -- to see what satisfaction comes from sudden insight and awe. Featuring works by these Canadian writers: Colleen Anderson, Lara Apps, Leslie Brown, Katherine Cameron, Chris Patrick Carolan, Geoff Gander & Fiona Plunkett, Bev Geddes, Mary-Jean Harris, Geoffrey Hart, Kate Heartfield, R. W. Hodgson, Kurt Kirchmeier, Jason Lane, Halli Lilburn, Cat McDonald, Tony Pi, Mike Rimar, Bianca Sayan, Holly Schofield, Michael Skeet, Erik Jon Spigel, Liz Westbrook-Trenholm, Michal Wojcik The stories in Alchemy and Artifacts (Tesseracts Twenty-Two) nourish those who wander in today's wilderness, and who, without the benefit of the past, are destined to plunge blindly along a path of ignorance, destroying all that has been, everything that is true and beautiful and that which nourishes our global community.

A literary history of the old, broken, rusty, dusty, and moldy stuff that people dug up in England during the long eighteenth century. In the eighteenth century, antiquaries—wary of the biases of philosophers, scientists, politicians, and historians—used old objects to establish what they claimed was a true account of history. But just what could these small, fragmentary, frequently unidentifiable things, whose origins were unknown and whose worth or meaning was not self-evident, tell people about the past? In Artifacts, Crystal B. Lake unearths the four kinds of old objects that were most frequently found and cataloged in Enlightenment-era England: coins, manuscripts, weapons, and grave goods. Following these prized objects as they made their way into popular culture, Lake develops new interpretations of works by Joseph Addison, John Dryden, Horace Walpole, Jonathan Swift, Tobias Smollett, Lord Byron, and Percy Bysshe Shelley, among others. Rereading these authors with the artifact in mind uncovers previously unrecognized allusions that unravel works we thought we knew well. In this new history of antiquarianism and, by extension, historiography, Lake reveals that artifacts rarely acted as agents of fact, as those who studied them would have claimed. Instead, she explains, artifacts are objects unlike any other. Fragmented and from another time or place, artifacts invite us to fill in their shapes and complete their histories with our imaginations. Composed of body as well as spirit and located in the present as well as the past, artifacts inspire speculative reconstructions that frequently contradict one another. Lake's history and theory of the artifact will be of particular importance to scholars of material culture and forms. This fascinating book provides curious readers with new ways of evaluating the relationships that exist between texts and objects.

Dice and Glory is a complete, self-contained pen & paper role-playing system for those yearning for more creativity and flexibility. This book provides all the basic parts of the D&G system to craft your own unique worlds. This game system was designed to be ultimately flexible for any campaign type needing no rewrites to the core system to function in either sci-fi or high fantasy settings or in any other imaginable setting! It was also written with maximum customization of all characters in mind allowing Players almost complete freedom in customizing their own characters. It boasts a detailed but easy-to-use Combat system using its own class-like level system. A skill system that is easy to use and adapt to any situation. A unique and in depth Magic system which allows for custom Player-made spells and a skill based Psionics system that distinguishes itself from the magic system! Also there is a full chapter on constructing monsters and races for GM's.

I wasn’t even remotely interested in collecting the third instrument of assassination. It was far better for everyone involved — and for Warner, specifically — if I just let it be. And since I was the only one who could retrieve the artifacts, I figured it was my call to make. I was wrong. And though that wasn’t unusual, I was just so … so … wrong … about everything. I was wrong about who I was protecting and why. I was wrong about who and what I could control. And I was wrong about who I was becoming. Baker of cupcakes, maker of trinkets, half-witch, half-dragon, dowser, alchemist … Why couldn’t I just be Jade? Artifacts, Dragons, and Other Lethal Magic is the sixth book in the Dowser series, which is set in the same universe as the Oracle, Reconstructionist, Amplifier, Archivist, and Misfits of the Adept Universe series. While it is not necessary to read all the series, in order to avoid spoilers the ideal reading order of the Adept Universe begins with Cupcakes, Trinkets, and Other Deadly Magic (Dowser 1).

FOREMOST among the alchemists of the Hellenized world, the "divine" Zosimos practiced a sacred art in which metaphysical and metallurgical realities were fundamentally intertwined. Rather than being an exclusive product of Alexandrian syncretism, however, the dual spiritual and material emphasis of this alchemy reveals much deeper roots than expected: roots which extend deep into the religious cultures of the Ancient Near East. Through the methods of "cultural biography" and "thick description," Becoming Gold guides the reader deep into the temple culture of Roman Egypt, where the role of scribal priest intersects explicitly with the metallurgical craft traditions. Going beyond generalizations, Grimes explores the metal-coloring techniques developed in Egyptian polychromic statuary, as well as the rituals of statue animation performed by the priests of the House of Life. In this light, Zosimos is increasingly revealed as a scribal priest responsible for preserving and translating ancient Egyptian metallurgical recipes; a high-ranking goldsmith who oversaw temple statue makers. Against the wider backdrop of late antique religion and philosophy, Grimes also details the fascinating connections between alchemy, theurgy, and gnosticism. Here, Zosimos's spiritual attitudes are explored through the daimonic versus astrological influences upon alchemical operations; meditative practices using mirrors of electrum to attain divine gnosis; and the overarching imperative to transform the bonds of embodiment into vehicles for divinity. Zosimos reveals an alchemy in which spiritual and material realities are ultimately nondual; in which metals becomes living bodies for divine spirits; and in which the immortal soul--luminous and golden--radiates through its material forms.

From the New York Times bestselling author of The Zookeeper's Wife, an ambitious and enlightening work that combines an artist's eye with a scientist's erudition to illuminate, as never before, the magic and mysteries of the human mind. Long treasured by literary readers for her uncommon ability to bridge the gap between art and science, celebrated scholar-artist Diane Ackerman returns with the book she was born to write. Her dazzling new work, An Alchemy of Mind, offers an unprecedented exploration and celebration of the mental fantasia in which we spend our days—and does for the human mind what the bestselling A Natural History of the Senses did for the physical senses. Bringing a valuable female perspective to the topic, Diane Ackerman discusses the science of the brain as only she can: with gorgeous, immediate language and imagery that paint an unusually lucid and vibrant picture for the reader. And in addition to explaining memory, thought, emotion, dreams, and language acquisition, she reports on the latest discoveries in neuroscience and addresses controversial subjects like the effects of trauma and male versus female brains. In prose that is not simply accessible but also beautiful and electric, Ackerman distills the hard, objective truths of science in order to yield vivid, heavily anecdotal explanations about a range of existential questions regarding consciousness, human thought, memory, and the nature of identity.

Alchemy, the Noble Art, conjures up scenes of mysterious, dimly lit laboratories populated with bearded old men stirring cauldrons. Though the history of alchemy is intricately linked to the history of chemistry, alchemy has nonetheless often been dismissed as the realm of myth and magic, or fraud and pseudoscience. And while its themes and ideas persist in some expected and unexpected places, from the Philosopher's (or Sorcerer's) Stone of Harry Potter to the self-help mantra of transformation, there has not been a serious, accessible, and up-to-date look at the complete history and influence of alchemy until now.

Unparalleled Sovereign Ye Dongfeng was only an inch away from the Misty Heavenly Dao, but at the critical moment, he was plotted against and reincarnated at the starting point of everything. In this life, Ye Dongfeng had created a perfect dao heart. He slowly got up, used his cold talent to sweep the world, turned his hand into a cloud, and used his own strength to trample all around, suppressing the current era. The regret and unwillingness from his past life had been completely wiped out. His name shook the Primordial Era, and with war as the way, he finally became a Saint Lord.

Named 'Top 6' South Asia studies publications of 2016 by the British Association for South Asian Studies The Alchemy of Empire unravels the non-European origins of Enlightenment science. Focusing on the abject materials of empire-building, this study traces the genealogies of substances like mud, mortar, ice, and paper, as well as forms of knowledge like inoculation. Showing how East India Company employees deployed the paradigm of alchemy in order to make sense of the new worlds they confronted, Rajani Sudan argues that the Enlightenment was born largely out of Europe’s (and Britain’s) sense of insecurity and inferiority in the early modern world. Plumbing the depths of the imperial archive, Sudan uncovers the history of the British Enlightenment in the literary artifacts of the long eighteenth century, from the correspondence of the East India Company and the papers of the Royal Society to the poetry of Alexander Pope and the novels of Jane Austen.