‘‘We ourselves, at the outset of the war, received from a responsible Serbian source this frank announcement: “We will extirpate the Albanians.” Now that this system of annihilation is being persisted in without modification, despite all European protests, we deem it our duty to reveal the designs of the gentlemen of Belgrade without more ado... In this matter facts speak more loudly than any confessions could. Since Serbian troops crossed the borders last autumn and occupied districts there inhabited by Albanians, one blood-bath has followed another in sequence. In isolated cases the conqueror may have been forced in self-defence to proceed with all martial vigour against an Albanian village from which his troops were perhaps fired on from behind. But to raze hundreds of villages to the ground, to butcher tens of thousands of non-combatants, men, women, and children, these are deeds which no martial law, no precept of self-preservation enjoins...”

Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction Shortlisted for the 2021 Costa Biography Award The Sunday Times Best Book of the Year in Biography and Memoir A Financial Times Best Book of 2021 (Critics' Picks) The New Yorker, Best Books We Read in 2021 Times Literary Supplement Book of the Year 2021 A Guardian Best Book of the Year A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans. For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

In High Albania, Victorian anthropologist and travel writer M (Mary) Edith Durham presents a vivid and fascinating insight into the culture, customs, people, and the lands of Northern Albania as it was in the early 20th century.

67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.

An author subject index to selected general interest periodicals of reference value in libraries.

"The death of head of state Enver Hoxha and the loss of his father leave Bujar growing up in the ruins of Communist Albania and of his own family. Only his fearless best friend, Agim--who is facing his own realizations about his gender and sexuality--gives him hope for the future. Together the two decide to leave everything behind and try their luck in Italy. But the struggle to feel at home--in a foreign country and even in one's own body--will have corrosive effects, spurring a dangerous search for new identities"--

The remarkable tale of a series of journeys through remote, extraordinary Albania in the brief period between Communism and anarchy before it was again closed to Western travellers. Travelling by bus, on foot, by mule and horse, staying with Albanians in their houses and crumbling Stalinist tower blocks, Robert Carver meets Vlach shepherds and village intellectuals, ex-Communist Special Forces officers and juvenile heroin smugglers, missionaries with jeeps and light planes, and ex-prisoners of Enver Hoxha who have spent 45 years in the Albanian gulag. In the remote villages of the Accursed Mountains of the far north, he is the first Briton seen since the Second World War, when Intelligence officers were parachuted in to help fight the German occupiers. On his journey to Lake Gashit, high above the snowline on the Serb-Montenegrin border, Carver survives murder attempts and suicidal bus rides. He sees villages last visited by outsiders in 1933, which had effectively been hermetically sealed off from the rest of the world. In Tirana he experiences the contrasting side to life in Albania when he finds himself in the diplomatic set, inadvertantly consorting with Balkan highlife and involved with eccentrics worthy of an Evelyn Waugh novel. High adventure, danger and comedy alike are recounted in this sharp and spirited narrative, a highly original experience of a mysterious mountain land.