Alan of Lille was renowned for his learning, his contributions to systematic theology, and his Latin poetry. The works included in this volume give imaginative expression to the main tenets of Alan's theology, but the original forms in which his vision is embodied are informed by a rich awareness of poetic tradition.

Alan of Lille was a notable figure in the second half of the twelfth century as a theologian and as a poet and he has seemed as rich and individual a writer to modern scholars as he did to his own contemporaries. This study examines his work as a whole, in an attempt to set his well-known literary achievement in the context of his theological writings. He was in many ways a pioneer, an experimenter with several of the new genres of his day, an innovator both as a teacher and as an author. He was not an original thinker so much as an eclectic, drawing on a wide range of the sources available to his contemporaries. He shows us what might be done by a lively-minded scholar with the resources of the day, within the schools of late twelfth-century France, to bring theology alive and make it interesting and challenging to his readers.

The complaint of nature, Yale studies in English, v. 36 (1908), Translation of De planctu natura. by Douglas M. Moffat. Pagination preserved in etext form.

'Nature' is a highly important term in the ethical discourse of the Middle Ages and, as such, a leading concept in medieval literature. This book examines the moral status of the natural in writings by Alan of Lille, Jean de Meun, John Gower, Geoffrey Chaucer, and others, showinghow-particularly in the erotic sphere-the influences of nature are not always conceived as wholly benign. Though medieval thinkers often affirm an association of nature with reason, and therefore with the good, there is also an acknowledgement that the animal, the pre-rational, the instinctivewithin human beings may be validly considered natural. In fact, human beings may be thought to be urged almost ineluctably by the force of nature within them towards behaviour hostile to reason and the right.

This study examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181-3), and John Gower's English poem, the Confessio Amantis (1390-3). James Simpson locates these works in a cultural context dominated by two kinds of literary humanism, in which the concept of self is centered in the intellect and the imagination respectively, and shows the very different modes of thought that lie behind their conceptions of selfhood and education.

In this reexamination of what it means to have a tradition, Catholic and otherwise, Mark D. Jordan offers a powerful and provocative study of the sin of erotic love between men. The Invention of Sodomy reveals the theological fabrication of arguments for categorizing genital acts between members of the same sex.

Guynn offers an innovative new approach to the ethical, cultural, and ideological analysis of medieval allegory. Working between poststructuralism and historical materialism, he considers both the playfulness of allegory and its disciplinary force.