‘Kalki’ R. Krishnamurthy, one of the pioneering giants of the Tamil press in the tumultuous times of the nationalist movement, was a versatile and prolific writer, inscribing the urgencies of his time in his fiction. This collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day. Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

Whirlwinds, the exciting second part of Kalki R Krishnamurthy's historic magnum opus Ponniyin Selvan, our hero Vallavarayan Vandhiyathevan's adventures continue as he rides into marshy quagmires, befriends a mysterious girl, becomes the object of intense suspicion by the wily Pazhuvettarayars - and meets the hero of his dreams. Meanwhile, Kundhavai Piratti, princess of the Chozha empire is thrown into confusion and outrage, while the beautiful but poisonous Nandhini Devi weaves more deceitful webs to ensnare her enemies. She will stop at nothing to bring about the downfall of the Chozhas ... but will the scions of that royal clan escape in time? Read on to find out as the epic continues.

In the Vishnudharmottara Purana, when Vajra asks about the art of sculpting deities, Markandeya responds that understanding sculpture first requires knowledge of painting. When Vajra seeks the rules of painting, Markandeya further explains that painting itself cannot be understood without knowledge of dance. To grasp choreography, one must first comprehend music, and true understanding of music is only possible through mastery of singing. This interdependence of art, the insight into the essence of art, is not only attractive but also worth deploring especially when over-specialization is the norm of our age. The essays in this book are a reflection of that ideal, seeking to explore and touch even a small part of this artistic interdependence.

On 17 September 1949, C.N. Annadurai (Anna) founded the DMK after his split with Periyar E.V. Ramaswamy. The DMK slowly but surely caught the imagination of the Tamil masses. In 1962, faced with the prospect of a ban, the party shed its separatist agenda and in 1967, the DMK attained power for the first time in Tamil Nadu. Since then, it has remained a potent political force, first under M. Karunanidhi and recently under M.K. Stalin, who succeeded him. Weathering many a political storm, including the 1972 split when its mascot, M.G. Ramachandran (MGR) broke away levelling corruption charges, its ejection from power in 1976 during the Emergency, the second dismissal in 1991 for its alleged dalliance with the Tamil Tigers of Sri Lanka, and the debilitating split in 1993, the party has proved resilient. It was voted back to power in Tamil Nadu in 2021. The DMK’s pioneering public distribution system and welfare populism have been a model for other states. Of late, the party has touted its ‘Dravidian Model’ of development as a viable national alternative. Its renewed emphasis on Tamil cultural nationalism and cooperative federalism aims to counter the current majoritarian political narrative. Yet, seventy-five years later, the DMK is more than ever under assault from caste and ultra-nationalist elements and persisting charges of unjust enrichment and dynastic politics. At this pivotal moment in history, as the ethos of Indianness is being redefined, veteran political observer and commentator R. Kannan explores the trajectory of the DMK and its future direction. Drawing on a substantial body of first-hand accounts, The DMK Years narrates the story of the party objectively and in its entirety, making this volume essential to understanding the contours of Tamil Nadu politics.

A fractured country on the verge of freedom finds its people navigating the slippery crevices of love, morality and nationalism. To escape the despair of his all-consuming, failed relationship with Dharini, Raghavan agrees to meet Lalita for an arranged match. Finding Lalita's cousin, the vivacious and captivating Sita, a far more amenable fit, he marries her instead. With a charming wife and a powerful government job in pre-Partition Delhi adding to his smugness and conceit, Raghavan turns a blind eye to the evils of the British Raj. Along comes Sita's cousin Surya, a dauntless revolutionary burning to right the wrong. His commitment to the socialist credo leads him to Dharini, a young and spirited party member, the woman Raghavan continues to long for. Cracks appear in the brittle foundations of their lives as the characters move from rural Thanjavur, Madras, Bombay, Karachi, New Delhi, Agra and Calcutta to Lahore. With poignant detail and lyrical prose, Kalki's tour de force lays bare the emotions of ordinary people grappling with extraordinary changes, their circumstances riven with misfortunes, disasters and the carnage of Partition. The Sound of Waves is an impassioned tribute to everyday citizens and their woes, and an acute commentary on the aspirations of an emerging nation. This book by Gowri Ramnarayan is the English translation of the bestselling Tamil novel Alai Osai by freedom fighter and novelist Kalki Krishnamurthy (1899-1954).

The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.

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This book is about the most vibrant yet under-studied aspects of Indian writing today. It examines multilingualism, current debates on postcolonial versus world literature, the impact of translation on an “Indian” literary canon, and Indian authors’ engagement with the public sphere. The essays cover political activism and the North-East Tribal novel; the role of work in the contemporary Indian fictional imaginary; history as felt and reconceived by the acclaimed Hindi author Krishna Sobti; Bombay fictions; the Dalit autobiography in translation and its problematic international success; development, ecocriticism and activist literature; casteism and access to literacy in the South; and gender and diaspora as dominant themes in writing from and about the subcontinent. Troubling Eurocentric genre distinctions and the split between citizen and subject, the collection approaches Indian literature from the perspective of its constant interactions between private and public narratives, thereby proposing a method of reading Indian texts that goes beyond their habitual postcolonial identifications as “national allegories”.