This book is a look at the 4th and 5th chapters of the Book of Revelations through the lens of the holy Qur'an and the teachings of Imam W. Deen Mohammed.

This pamphlet or booklet is a humble attempt by the author to shine the light of Al-Islaam, the Holy Qur'an and the language of Imaam W. Deen Mohammed on the Book of Revelations. It is my sincere belief that the Holy Scriptures are interconnected and that the Holy Qur'an is the last chapter and the key to understanding all scriptures. I believe the vision seen by Dr. King in his "I have a Dream" speech will only be fulfilled in the religion of Al Islaam (Islam). The Islamic faith in my opinion is the New Zion. In this book I use the spelling Imaam for Imam, Islaam for Islam because I believe it gives the novice a better sense of how the words should be pronounced.

This book is a look at the Book of Revelations thru the lens of the Holy Qur'an and the teachings and language of Imam W. Deen Mohammed.

The family of Brad and Angelina and mysteries of the 7 seals and the Sefirot of the Tree of Life. A slain Lamb and the 7 Angels of the Presence. The heel of Achilles and the wisdom of Brad Pitt. The ark of the Covenant and necklace Star of Jolie. «World War Z» and «Maleficent» – the confrontation between the conscious and the unconscious. «Ad Astra» – a meeting in space as access to the 4th layer of reality. Transitions between layers, tips-keys, exit of the labyrinth. A «reboot» of the world.

"While the Hebrew Bible and the New Testament are understood to be related texts, the sacred scripture of Islam, the third Abrahamic faith, has generally been considered separately. Noted religious scholar Gabriel Said Reynolds draws on centuries of Qur'anic and Biblical studies to offer rigorous and revelatory commentary on how these holy books are intrinsically connected."--Dust jacket.

This work marks the meeting point of three different traditions of the Shi‘i-Islamic thought: philosophical, mystical, and theological. In this book, Mulla Sadra masterfully analyses the creed of false mystics and those groups of philosophers whom he named as disgraceful impious sophists. The work deals with the most crucial issues of metaphysics, encompassing ontology, cosmology, epistemology, psychology and spiritual wayfaring, the attributes of the pious, and some homiletic advice. It stresses the importance of virtue and spiritual exercises on the true Sufi path while presenting Mulla Sadra’s own metaphysical commentary inspired by the Holy Qur’an.

This edited volume aims to advance a Muslim-centered perspective on the study of Islam in Europe. To do so, it brings together a range of case studies that illustrate how European Muslims engaged with their Sacred Scripture while being part of a Christian-dominated social and political space. The research presented in this volume seeks to analyse Muslims’ practices of translating, interpreting and using the Qur’an as a sacred object and, thus, pursues three main research agendas. Part I focuses on the issues of Muslim-Christian relations in Europe and studies how these relations have engendered discursive connections between Muslim- and Christian-produced texts related to the study and interpretation of the Qur’an. Part II aims to bring scholarly attention to the under-represented cases of Muslim communities in Europe. This part introduces new research on Polish-Belarusian, Daghestani, Bosnian and Kazan Tatars and examines local traditions of producing vernacular Qur’ans and commodification of Qur’anic manuscripts. The final section of the volume, Part III, contributes to filling in the gaps related to the theoretical and conceptual framing of Muslim translation activities. The history of religious thought and practice in European history is in many ways still uncharted territory. This book aims to contribute to a better understanding of the cultural history of the Qur’an and Muslim agency in interpreting, transmitting and translating the Sacred Scripture.

Veils and Clothing Government Economics and Commerce Medicine and Healing.

This collection examines the roots of the artistic renaissance of Sufism from the twelfth to the fifteenth centuries.