Al Jolson, star of the world's first talking picture and self-proclaimed world's greatest entertainer, blazed many trails through show business. He was also the first to appear on American television and the first to release a long-playing record in Britain.

With a sure eye for the revealing anecdote, Goldman chronicles each step of Al Jolson's colorful life: his early struggles with his brother, Harry, on the vaudeville and burlesque circuit; his rise to stardom on Broadway, which prompted a Variety writer to proclaim, "The Shuberts may run the Winter Garden, but Al Jolson owns it"; his glory at the pinnacle of national fame, which came with his appearances in the movies The Jazz Singer (the first "talking picture") and The Singing Fool; his subsequent decline and brief resurgence after the film biography The Jolson Story was released in 1946; and his final round of appearances in 1950, entertaining American troops in Korea just before his death. Goldman explores the complexities of the Jolson personality, as revealed in his four stormy marriages and his relations with his family, business associates, friends, and enemies.

Tells the story of the film's making and contextualizes it within African-American and cinematic historical contexts.

A comprehensive study of legendary stage, film, record, and radio entertainer Jolson's (1886-1950) career and touring data. The volume provides extensive data on each of the performances, including dates, location, and accompaniment. The identities of the musicians and their respective instruments have also been included, along with all other performers involved (e.g. chorus members). All known recordings are listed by label name, catalog numbers, size, speed, and format. Additionally, the disposition of unissued "takes" and record company comments are included. With loads of great illustrations. Annotation copyright by Book News, Inc., Portland, OR

The Man Behind the Nose is the autobiography of the man who was Bozo. For 50 years Larry Harmon was the face—and the nose—of Bozo the Clown, the most well-known, beloved clown of them all, the precursor for every successful modern-day harlequin to come, from Ronald McDonald to Krusty. A warm, surprising, and endlessly entertaining life story filled to the brim with “Assassins, Astronauts, Cannibals, and Other Stupendous Tales,” The Man Behind the Nose is a rollicking ride through the world of a true American icon in greasepaint.

Provides a sketch of the life and a comprehensive record of the career of "The World's Greatest Entertainer" (c.1886-1950). Following a 37- page biography and an 8-page chronology, are chapters devoted to Jolson's stage, film, recording, and broadcast career. Each of these chapters contains annotated entries for Jolson's performances. A bibliography includes entries for books, periodicals, and newspaper articles. Appendices list stage shows based on Jolson's life, along with newsreels, cartoons, awards, and endorsements related to his career. Annotation copyright by Book News, Inc., Portland, OR.

The Irish writer Clare Boylan has been publishing compelling and captivating work for over twenty years. Though she is the author of six critically acclaimed novels, she remains one of the most original and exciting short-story writers of our time. Like Alistair MacLeod, Alice Munro, and her compatriot William Trevor, her stories are universal. Hers is an imagination that is able, magically and marvelously, to transform everyday experience into something quite unexpected. As perceptive as Colette, as darkly witty as Dorothy Parker, she waves a flag for the dispossessed and the marginalized and gleefully pulls love from behind its romantic facade. She makes the reader laugh out loud while at the same time compelling an uncomfortable self-examination. Plumbing the inner workings of marriage, aging, family dynamics, and the cost of love, her richly sardonic humor and acutely merciless observations may seem gentle, but look again, for they are edged with razors. Celebrating twenty years of rare accomplishment, The Collected Stories introduces American readers to a luminous and unforgettable writer of short fiction.

By the 1920s, Jews were--by all economic, political, and cultural measures of the day--making it in America. But as these children of immigrants took their places in American society, many deliberately identified with groups that remained excluded. Despite their success, Jews embraced resistance more than acculturation, preferring marginal status to assimilation. The stories of Al Jolson, Felix Frankfurter, and Arnold Rothstein are told together to explore this paradox in the psychology of American Jewry. All three Jews were born in the 1880s, grew up around American Jewish ghettos, married gentile women, entered the middle class, and rose to national fame. All three also became heroes to the American Jewish community for their association with events that galvanized the country and defined the Jazz Age. Rothstein allegedly fixed the 1919 World Series--an accusation this book disputes. Frankfurter defended the Italian anarchists Sacco and Vanzetti. Jolson brought jazz music to Hollywood for the first talking film, The Jazz Singer, and regularly impersonated African Americans in blackface. Each of these men represented a version of the American outsider, and American Jews celebrated them for it. Michael Alexander's gracefully written account profoundly complicates the history of immigrants in America. It challenges charges that anti-Semitism exclusively or even mostly explains Jews' feelings of marginality, while it calls for a general rethinking of positions that have assumed an immigrant quest for inclusion into the white American mainstream. Rather, Alexander argues that Jewish outsider status stemmed from the group identity Jews brought with them to this country in the form of the theology of exile. Jazz Age Jews shows that most Jews felt culturally obliged to mark themselves as different--and believed that doing so made them both better Jews and better Americans.