Essays explore the influence of art in twentieth-century American culture, including jazz, basketball, professional wrestling, magic, gambling, entrepreneurship, series television and automotive design.

You've encountered them at every concert: The Chatty Cathie, The Beer Whoo Crew, The Unauthorized T-Shirt Guy, The Other Lead Singer, and of course the dreaded Makeout Couple. As much a part of any concert as the band itself, these prototypical concert goers shape our concert experiences. Steve Weinberger, extreme concert goer and author of No Air Guitar Allowed, knows this better than anyone, having attended over 1,000 concerts and counting. He has been interviewed on countless radio stations across the country and on national television.

Freddie Mercury did it. Hormone-addled adolescents do it. Grown men do it in the privacy of their own homes (and, sometimes, in dark public gatherings)—and now you, too, can take your first step toward becoming a master axeman. All you need to know is here: Dos and don'ts (and even accessories—from how to choose the "axe" that's best for you, to onstage tips) A user's guide to the key air guitar moves, and more—graded by difficulty, from learner to master axeman level. 50 fret-fondling favorites to play—plus ten to avoid at all costs... REMEMBER, IT'S NEVER TOO EARLY OR TOO LATE TO START STRUMMING. ALL YOU NEED IS A COPY OF THIS BOOK, AND A BELIEF IN THE POWER OF ROCK!

“Make Air, Not War” is the personal motto of Dan Crane, the musician who decided to put his “there” guitar aside and reinvent himself as Björn Türoque: the take-no-prisoners future of competitive air guitar. Jeopardizing love and livelihood to join the ruthless international circuit of the World Air Guitar Championships, Björn Türoque (pronounced “b-yorn too-RAWK”) began a three-year odyssey to secure what was rightfully his (and America’s!)—the air guitar world crown. To Air is Human is the riotous tale of one man’s journey through a world of wheelchair-bound Christian air rockers, spandex-jumpsuit fittings, Finnish stunt wolves, catatonic ‘80s guitar heroes, air groupies, Aireoke™, Air Supply, dry-ice injuries, and ultimately, good vs. evil (in the form of Björn’s rival pretender to the air guitar throne). But it is also a sincere and penetrating account of the pursuit of an elusive, intangible, and perhaps nonexistent goal: to achieve “airness”—that is, when air guitar transcends the “real” art that it imitates and becomes an art form in and of itself. “Björn Türoque is so good that people with real guitars now have contests to see who can do the best imitation of his air guitar imitation.”—Malcolm Gladwell, author of Blink and The Tipping Point

A hilarious illustrated book for adults, the authors document not only the history and health benefits of air guitar, but also teach readers how they can become rock legends in only four easy lessons.

Regarded as both a legend and a villain, the critic Dave Hickey has inspired generations of artists, art critics, musicians, and writers. His 1993 book The Invisible Dragon became a cult hit for its potent and provocative critique of the art establishment and its call to reconsider the role of beauty in art. His next book, 1997’s Air Guitar, introduced a new kind of cultural criticism—simultaneously insightful, complicated, vulnerable, and down-to-earth—that propelled Hickey to fame as an iconoclastic thinker, loved and loathed in equal measure, whose influence extended beyond the art world. Far from Respectable is a focused, evocative exploration of Hickey’s work, his impact on the field of art criticism, and the man himself, from his Huck Finn childhood to his drug-fueled periods as both a New York gallerist and Nashville songwriter to, finally, his anointment as a tenured professor and MacArthur Fellow. Drawing on in-person interviews with Hickey, his friends and family, and art world comrades and critics, Daniel Oppenheimer examines the controversial writer’s distinctive takes on a broad range of subjects, including Norman Rockwell, Robert Mapplethorpe, academia, Las Vegas, basketball, country music, and considers how Hickey and his vision of an “ethical, cosmopolitan paganism” built around a generous definition of art is more urgently needed than ever before.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

In ways both mundane and sensational, listening can be an expressive act, enabling people to stage consumption as a public practice -- what author Byrd McDaniel calls "spectacular listening." With a range of compelling ethnographic case studies, McDaniel investigates a broad shift in contemporary listening norms and the stakes for listeners with disabilities. He reveals how listening-as-performance can be an opportunity for play, as well as a critical practice that exposes ableism in music institutions, technologies, and discourse.