A deep dive into the groundbreaking and bestselling video game series The critically acclaimed first-person shooter franchise Borderlands knows it's ridiculous. It's a badge of pride. After all, Borderlands 2 was promoted with the tagline "87 bazillion guns just got bazillionder." These space-western games encourage you to shoot a lot of enemies and monsters, loot their corpses, and have a few chuckles while chasing down those bazillion guns. As Kaitlin Tremblay explores in Ain't No Place for a Hero, the Borderlands video game series satirizes its own genre, exposing and addressing the ways first-person shooter video games have tended to exclude women, queer people, and people of colour, as well as contribute to a hostile playing environment. Tremblay also digs in to the way the Borderlands game franchise Ñ which has sold more than 26 million copies Ñ disrupts traditional notions of heroism, creating nuanced and compelling storytelling that highlights the strengths and possibilities of this relatively new narrative medium. The latest entry in the acclaimed Pop Classics series, Ain-t No Place for a Hero is a fascinating read for Borderlands devotees as well as the uninitiated.

The life of a 13-year-old Harlem black boy, on his way to becoming a confirmed heroin addict, is seen from his viewpoint and from that of several people around him.

Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' co-creator and the actors behind Soldier Boy and Stormfront. Supes Ain’t Always Heroes offers a fresh look at The Boys, delving into the show’s unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more: The true difference between Homelander and Billy Butcher—and who the show’s biggest villain really is What Soldier Boy’s characterization says about how we define masculinity How today’s media landscape has contributed to The Boys’ success What the evolutions of Hughie, Starlight, A-Train, Mother’s Milk, and other show standouts reflect about addiction, family, identity, and self-acceptance PLUS: Exclusive interviews with The Boys comics co-creator Darick Robertson and actors Jensen Ackles (Soldier Boy), Jim Beaver (Robert Singer a.k.a. Dakota Bob), Aya Cash (Stormfront), and Nathan Mitchell (Black Noir) provide a unique glimpse behind the scenes. Comments from editor interviews with more of the show’s stars give further insight into their experiences in bringing these complex characters to life.

"Nelson the Newsboy" relates the adventures of a wide-awake lad in the great metropolis. The youth is of unknown parentage and is thrown out upon his own resources at a tender age. He becomes at first a newsboy, and from that gradually works up to something better. He is often tempted to do wrong—the temptation becoming particularly hard on account of his extreme poverty—but there is that in his make-up which keeps him in the right path, and in the end he becomes a victor in more ways than one. So much for the seamy side of life in New York, which, alas! is by far the greater side. On the other hand, there are those who are well-to-do and aristocratic who are interested in learning what has become of the boy, and these furnish a view of life in the upper society of the metropolis. How the youthful hero fares in the end is told in the pages which follow. In its original form Mr. Alger intended this story of New York life for a semi-juvenile drama. But it was not used in that shape, and when the gifted author of so many interesting stories for young people had laid aside his pen forever, this manuscript, with others, was placed in the hands of the present writer, to be made over into such a volume as might have met with the noted author's approval. The other books having proved successful, my one wish is that this may follow in their footsteps. Arthur M. Winfield. June 15, 1901.

Action-packed western adventure from the author of Crow Creek Crossing. MILITIA MADNESS Up in the Montana mountains, Canyon Creek is the perfect little town for Simon Fry and his men to hole up for the winter. The folks are friendly enough to open their homes to eight perfect strangers—and gullible enough to believe that Fry’s gang is a militia sent to protect them from hostile Indians. Jim Culver is new in town, but he knows something isn’t right about Simon Fry’s “militia.” They seem more interested in intimidating people than helping them. Anyone who questions them ends up dead or driven out. Someone has to step forward to protect the people of Canyon Creek from their new “protectors.” That someone is Jim Culver. And this sleepy town is about to wake up with a bang.

'I'm No Hero' is the story of Charlie Plumb, but it is also the story of all POWs who faced an isolated world of degradation, loneliness, tedium, hunger, and pain. It is no pretty story. It tells of the torture room with walls built to muffle human screams, of the 'rope trick' and 'fanbelt' techniques designed to make a man talk, of illness, of insanity. But it also tells of the ingenuity and creativity which allowed the men to outsmart their guards and to set up communication systems, classes, escape plans, and to maintain their chain of command. It is a revealing story. It pictures men who are reduced to the basics physically, mentally, emotionally, and spiritually. It shows how these situations can be survived with individual integrity and pride intact. It tells of growing relationships with God which came as a result of desperate need. It outlines a closed society's methods of developing rules which allow members to live together in harmony. It is a story of hope, for it suggests that the techniques used by POWs to survive their conditions can be used by others to overcome similar situations faced in day-to-day living.

“What do you think a hero is? It’s just the right person in the right place making the right choice at the right time. Heroes aren’t born. They’re made.” A demonic assassin. A half-orc boxer. A ratman necromancer. Though they take many different shapes and forms, there are heroes all around us. Bravery can be found in the most unexpected places: a subterranean dwarven city; the sands of a temple courtyard in Ancient Egypt; a besieged castle, a Victorian brothel, a goblin warren, the post-apocalyptic ruins of a demon-infested village. Heroes dwell in the shadows as well as the light; you just have to look a little harder to find them. Who do they fight? Some heroes challenge injustice in all its numerous guises, while others hunt monsters both human and bestial. Others battle inner demons, the ghosts of their past, their deepest nightmares – or even the gods themselves. Why do they fight? For glory? Sometimes. For honor? Perhaps. There are those who instinctively strive to protect those weaker than themselves, and there are others emboldened only by a sense of obligation, or the promise of wealth. Whether by the blade or other means, they endeavor to take down all who threaten what is good and right in their world. By hook or by crook, through cunning or combat, with tooth and claw or iron and steel, they are all united in one goal, willingly or not: to live – and die, if necessary – a hero. Choose your weapon. Fight for what you believe in. Never give up. Nineteen fantasy writers gather to bring nineteen tales to life, each one a unique glimpse into a wholly original world.