Ain't No Grave: The Life and Legacy of Brother Claude Ely is written as an oral, biographical history taken from the recorded interviews of over 1,000 people in the Appalachian Mountains who personally knew Brother Claude Ely in various phases of his life. Brother Claude Ely, coined as the King Recording Label's "Gospel Ranger" of the Appalachian Mountains, was well-known and loved by many in the earlier part of the twentieth century as both a religious singer/songwriter and a Pentecostal-Holiness preacher. Few people, however, knew the personal details of his childhood, military service, and years of hard work in the coal fields of Southwestern Virginia. Now, decades after his legendary death, many fans still seem mesmerized and touched by this humble man's quick wit and sincere desire to share the Gospel's "Good News" with everyone who would listen to his message of hope and love. - Jacket flap.

From a National Jewish Book Award finalist: A Jewish man and a Black woman find love against all odds, in this novel set during the Leo Frank trial in the twentieth-century American South. “A fabulous, significant, beautifully rendered addition to historical fiction.” —Elizabeth Millane, author of Sixty Blades of Grass Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can’t imagine a world where they aren’t together. Unfortunately, no one—not their families, nor anyone else in rural Georgia in 1906—wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It’s only a matter of time before fate will separate the two. And that day comes on the eve of Ruby’s womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta. Max moves to Atlanta a few years later, still longing for the girl he has never forgotten. He is soon taken under the wing of Harold Ross, star reporter for the Atlanta Journal. But when Max is assigned to a controversial murder case that pits the Black and Jewish communities against each other, he’s unexpectedly reunited with Ruby. The bond between them is still strong, but with the trial igniting racial tension throughout Atlanta and across the nation, do Max and Ruby dare dream of a future together? “Mary Glickman is a wonder.” —Pat Conroy, #1 New York Times–bestselling author of The Prince of Tides and The Boo “Mary Glickman used the history of the Old South to tell a powerful love story that was not supposed to happen.” —John Reynolds, author of The Fight for Freedom “This beautifully written, historically important story will have you enthralled until the very last page.” —Roccie Hill, author of The Blood of My Mother “Meticulously researched, fast-paced, and thoroughly original, Ain't No Grave is a moving, satisfying read.” —Sandra Brett, ADL Southeast board member “This epic journey for love feels like an instant classic.” —Steve Anderson, author of the Kaspar Brothers series

Ryder seeks out Death in the city of Cypress, but quickly realizes that Death is on the hunt for her as well. SheÕs a wanted woman and every bullet in this dark place is looking to put her in a grave.

Ryder is aboard a riverboat where she must gamble her fate against the mysterious Madam Gates. If she plays her cards right, Death will be within her sights. If not, this will be her last trip down any river.

MINISERIESÊFINALE Ryder challenges Death and it accepts, but is she ready to lose whatÕs at stake if her aim is not steady and true? Will the life sheÕs led inform the death she wantsÉor deserves?

MINISERIES PREMIERE Eisner Award-winning writer SKOTTIE YOUNG and Eisner Award-nominated artist JORGE CORONA, the team behind the hit series MIDDLEWEST and THE ME YOU LOVE IN THE DARK, are back together with an all-new miniseries, AINÕT NO GRAVE! This Unforgiven-style journey is an original macabre Western/fantasy tale for mature readers, told through a Guillermo Del Toro-esque lens. Ryder put her violent past behind her when she fell in love and became a mother. But that was before she learned it was all going to be taken away. Now sheÕll have to pick up her guns once again and ride to kill the one whoÕs behind the threat. Which just happens to be Death. The genre-bending adventure begins in this DOUBLE-LENGTH FIRST ISSUE, with forty pages of story and no ads!

Ryder washes up on the shores of an abandoned mine and finds herself buried under her past, present, and future in this hauntingly loud silent issue.

The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.

Blues Hall of Fame Inductee—Named a "Classic of Blues Literature" by the Blues Foundation, 2019 This remarkable book recovers three invaluable perspectives, long thought to have been lost, on the culture and music of the Mississippi Delta. In 1941 and ’42 African American schol-ars from Fisk University—among them the noted composer and musicologist John W. Work III, sociologist Lewis Wade Jones, and graduate student Samuel C. Adams Jr.—joined folklorist Alan Lomax of the Library of Congress on research trips to Coahoma County, Mississippi. Their mis­sion was “to document adequately the cul­tural and social backgrounds for music in the community.” Among the fruits of the project were the earliest recordings by the legendary blues singer and guitar­ist Muddy Waters. The hallmark of the study was to have been a joint publica­tion of its findings by Fisk and the Library of Congress. While this publication was never completed, Lost Delta Found is com­posed of the writings, interviews, notes, and musical transcriptions produced by Work, Jones, and Adams in the Coahoma County study. Their work captures, with compelling immediacy, a place, a people, a way of life, and a set of rich musical tra­ditions as they existed in the 1940s. Illustrated with photos and more than 160 musical transcriptions.