Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn

This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Ain’t No Black in the Union Jack provided a powerful new direction for race relations in Britain. Still dynamite today and as relevant as ever, this Routledge Classics edition includes a new introduction by the author.

Zomorod (Cindy) Yousefzadeh is the new kid on the block...for the fourth time. California’s Newport Beach is her family’s latest perch, and she’s determined to shuck her brainy loner persona and start afresh with a new Brady Bunch name—Cindy. It’s the late 1970s, and fitting in becomes more difficult as Iran makes U.S. headlines with protests, revolution, and finally the taking of American hostages. Even puka shell necklaces, pool parties, and flying fish can't distract Cindy from the anti-Iran sentiments that creep way too close to home. A poignant yet lighthearted middle grade debut from the author of the bestselling Funny in Farsi. California Library Association’s John and Patricia Beatty Award Winner Florida Sunshine State Young Readers Award (Grades 6–8) New York Historical Society’s New Americans Book Prize Winner Middle East Book Award for Youth Literature, Honorable Mention Booklist 50 Best Middle Grade Novels of the 21st Century

African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.

David Allyn (Albert DeLella) was raised in the depression years. His father was a French horn player. His mother studied voice as a child in Naples Italy. No doubt a musical family. He was forced to work at odd jobs to keep food on the table and to pay for clothes. Sang on all the radio stations Hartford Connecticut had to offer. WTHT, WTIC, WDRC and on a neighboring town of New Britain with the call letters of WNBC, until FCC changed them. Joined Jack Teagarden in 1940, was drafted into the 1st Army Division, fought in North Africa, fought in Kasserine Pass, the Armys first defeat. Received a Purple Heart at El Guetlar, Tunisia. Sent home, joined Van Alexanders band at Roseland Ballroom. Joined Boyd Raeburn and became an heroine addict for 9 years. Was arrested for forging scripts served 23 months in Sing Sing and Dannamour prisons. Upon release made albums with Johnny Mandel, did Steve Allen shows with whom he wrote a few songs. Also became an addiction counselor on four programs, still continuing to sing and write music. His book covers most of the glory, and pains of hell, in his life.

“It takes true brilliance to lift the arid tellings of lexicographic fussing into the readable realm of the thriller and the bodice-ripper….David Skinner has done precisely this, taking a fine story and honing it to popular perfection.” —Simon Winchester, New York Times bestselling author of The Professor and the Madman The captivating, delightful, and surprising story of Merriam Webster’s Third Edition, the dictionary that provoked America’s greatest language controversy. In those days, Webster’s Second was the great gray eminence of American dictionaries, with 600,000 entries and numerous competitors but no rivals. It served as the all-knowing guide to the world of grammar and information, a kind of one-stop reference work. In 1961, Webster’s Third came along and ignited an unprecedented controversy in America’s newspapers, universities, and living rooms. The new dictionary’s editor, Philip Gove, had overhauled Merriam’s long held authoritarian principles to create a reference work that had “no traffic with…artificial notions of correctness or authority. It must be descriptive not prescriptive.” Correct use was determined by how the language was actually spoken, and not by “notions of correctness” set by the learned few. Dwight MacDonald, a formidable American critic and writer, emerged as Webster’s Third’s chief nemesis when in the pages of the New Yorker he likened the new dictionary to the end of civilization.. The Story of Ain’t describes a great cultural shift in America, when the voice of the masses resounded in the highest halls of culture, when the division between highbrow and lowbrow was inalterably blurred, when the humanities and its figureheads were shunted aside by advances in scientific thinking. All the while, Skinner treats the reader to the chippy banter of the controversy’s key players. A dictionary will never again seem as important as it did in 1961.

Elected six times to the House from the state of Georgia, Cynthia McKinney cut a trail through Congressional deceit like a hot ember through ash. She discovered legislators who passed laws without reading them. Party leaders who colluded across party lines against their constituents' interests. Black-skinned individuals shilling for the white status quo. She excoriated government lassitude over Hurricane Katrina, uncovering dark secrets. She held the only critical Congressional briefing on 9/11, introducing counter- testimony of scholars, investigators, former intelligence agents. As a member of the House Armed Services Committee, she held Rumsfeld to account for malfeasance by military contractors and missing billions in the Pentagon’s budget. Then she hammered him on the reasons for the failure of NORAD air defenses on 9/11. She read truth into the Congressional Record, held town halls and hearings, led protests, showed up while others played along to get along, took the side of the people against the will of the Party. And when she got too truth seeking and speaking, the Republicans rigged the Democratic primaries to boot her out, leaving behind a trail of achievements mostly won singlehandedly as a result of her service on the House International Relations, House Agriculture, House Armed Services, and Budget Committees and the Select Committee on Hurricanes Katrina and Rita But McKinney rose again like a Phoenix, answering the call to run as 2008 Green Party candidate for President, challenging the corrupt two-party stranglehold on American democracy. Then it was on to the Freedom Flotilla to Gaza, to be seized on the high seas and imprisoned in Israel. On to Tripoli, to serve as witness to the NATO terror bombing of Libya. On to Malaysia to serve on the War Crimes Commission... Often introduced as the Sojourner Truth, the Harriet Tubman of our age, McKinney reflects here on the Biblical figures of Esther, Deborah and Naomi. This is the Cynthia McKinney saga as it stands to date-- what she saw, what she learned, and how she fought for change.

Growing up in an Italian-American household was special. It was particularly memorable for a boy who was given way too much freedom by his grandparents, Giuseppe and Maria, who treated him like a young Italian prince. There were fun and escapades galore, many of which could have ended in jail time for the young prince and his friends had it not been for sheer luck and Grandma’s influence. Add to the mixture, a slightly gritty, multicultural city on the banks of Lake Erie as well as the chance association with rare and eccentric people, young and old, all who teamed up to make the total experience magical. Memories of those days, long past, unfold taking the reader back to a time when ethnic families welcomed friends to Sunday meals while their kids played outside away from technology occupied instead with breaking windows, setting off incendiary devices, pelting each other with slingshots and formulating gang fights. Mangia e mille grazie!!!

What if you spent years of your life seeking spiritual enlightenment, but were looking in the wrong place over a long time? It’s happening right now to millions of seekers around the world. That’s why Dr. Robert Forman has written his revolutionary book. Told in often poetic prose, it offers new direction for people looking for a sane and healthy spiritual pathway in our increasingly confusing world. Traditional spiritual models are giving seekers a wrong and frustrating impression about spiritual enlightenment. By exploring his own 39 year experience of spiritual enlightenment, Dr. Forman offers a remedy to folks who are: Convinced they don’t have the right stuff to achieve enlightenment in this lifetime: Disillusioned by spiritual teachers who don’t live up to their lofty self-portraits: Worried that choosing a spiritual life means leaving their everyday life behind: Hungry for a different way to be, but unable to express it. Through metaphor, humor, vulnerability and achingly beautiful prose, Dr. Forman’s book offers newfound hope to spiritual seekers everywhere.