A pioneering analysis of agonistic democracy, its history, central thinkers and contribution to contemporary political theory.

The Ancient Greek notion of agonism, meaning struggle, has been revived in radical legal and political theory to rethematize class conflict and to conceptualize the conditions of possibility of freedom and social transformation in contemporary society. Insisting that what is ultimately at stake in politics are the terms in which social conflict is represented, agonists highlight the importance of the strategic, affective and aesthetic aspects of politics for democratic praxis. This volume examines the implications of this critical perspective for understanding law and considers how law serves either to sustain or curtail the democratic agon. While sharing a critical perspective on the deliberative turn in legal and political theory and its tendency to depoliticize social conflict, the various contributors to this volume diverge in arguing variously for pragmatic, expressivist or strategic conceptions of agonism. In doing so they question the glib assumptions that often underlie a sometimes too easy celebration of conflict as an antidote to de-politicizing consensus. This thought provoking volume will be of interest to students and researchers working in legal and political theory and philosophy.

This book explores the implications of agonistic democratic theory for political practice. Fuat Gürsözlü argues that at a time when political parties exacerbate political division, political protesters are characterized as looters and terrorists, and extreme partisanship and authoritarian tendencies are on the rise, the agonistic approach offers a much-needed rethinking of political practice to critically understand challenges to democracy and envision more democratic, inclusive, and peaceful alternatives. Inspired by Chantal Mouffe’s agonistic theory and drawing on insights of other prominent agonistic scholars, Gürsözlü offers a distinctive approach that develops the connections between the agonistic approach and political practice. His main claim is that approaching democratic politics from an agonistic perspective changes the way we understand the nature of democratic society, the place of political protest in democracy, the nature of adversarial engagement, and the democratic function of political parties. The book also advances an account of agonistic peace that is best fitted to the pluralistic and inherently conflictual nature of democratic societies. This book should be of interest to anyone working in the field of contemporary political theory, political philosophy, peace studies, and philosophy of peace.

From the theory of 'deliberative democracy' to the politics of the 'third way', the present Zeitgeist is characterized by attempts to deny what Chantal Mouffe contends is the inherently conflictual nature of democratic politics. Far from being signs of progress, such ideas constitute a serious threat to democratic institutions. Taking issue with John Rawls and Jrgen Habermas on one side, and the political tenets of Blair, Clinton and Schrder on the other, Mouffe brings to the fore the paradoxical nature of modern liberal democracy in which the category of the 'adversary' plays a central role. She draws on the work of Wittgenstein, Derrida, and the provocative theses of Carl Schmitt, to propose a new understanding of democracy which acknowledges the ineradicability of antagonism in its workings.

We are currently witnessing in Western Europe a “populist moment” that signals the crisis of neoliberal hegemony. The central axis of the political conflict will be between right- and left-wing populism. By establishing a frontier between “the people” and “the oligarchy,” a leftpopulist strategy could bring together the manifold struggles against subordination, oppression and discrimination.This strategy acknowledges that democratic discourse plays a crucial role in the political imaginary of our societies. And through the construction of a collective will, mobilizing common affects in defence of equality and social justice, it will be possible to combat the xenophobic policies promoted by right-wing populism.

In Choreographing Agonism, author Goran Petrović Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrović Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ‘agonistic choreo-political practice,’ a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.

Chantal Mouffe presents a timely and stimulating account of the current state of democracy, exploring contemporary examples such as the Iraq war, racism and the rise of the far right.

During the past two decades there has been increasing dissatisfaction with established political categories, on the grounds that they no longer fit many of the facts of contemporary life, or adequately express many contemporary political ideals. Political Theory in Transition explores the principal reasons for this dissatisfaction and outlines some of the most influential responses to it. Key features of this textbook: * covers many of the important areas in political theory including: Communitarianism; Identity; Feminism; Liberalism; Citizenship; Democracy; Power; Authority; Legitimacy; Nationalism; Globalization; and the Environment * includes chapters written by some of the foremost authorities in the field of political theory * divided into four useful sections, beginning with the concept of the individual, and progressing to beyond the nation-state.

Chantal Mouffe’s writings have been innovatory with respect to democratic theory, Marxism and feminism. Her work derives from, and has always been engaged with, contemporary political events and intellectual debates. This sense of conflict informs both the methodological and substantive propositions she offers. Determinisms, scientific or otherwise, and ideologies, Marxist or feminist, have failed to survive her excoriating critiques. In a sense she is the original post-Marxist, rejecting economisms and class-centric analyses, and also the original post-feminist, more concerned with the varieties of ‘identity politics’ than with any singularities of ‘women’s issues’. While Mouffe’s concerns with power and discourse derive from her studies of Gramsci’s theorisations of hegemony and the post-structuralisms of Derrida and Foucault, her reversal of the very terms through which political theory proceeds is very much her own. She centres conflict, not consensus, and disagreement, not finality. Whether philosophically perfectionist, or liberally reasonable, political theorists have been challenged by Mouffe to think again, and to engage with a new concept of ‘the political’ and a revived and refreshed notion of ‘radical democracy’. The editor has focused on her work in three key areas: Hegemony: From Gramsci to ‘Post-Marxism’ Radical Democracy: Pluralism, Citizenship and Identity The Political: A Politics Beyond Consensus The volume concludes with a new interview with Chantal Mouffe.

Recent political thought has grappled with a crisis in philosophical foundations: how do we justify the explicit and implicit normative claims and assumptions that guide political decisions and social criticism? In The Practice of Political Theory, Clayton Chin presents a critical reconstruction of the work of Richard Rorty that intervenes in the current surge of methodological debates in political thought, arguing that Rorty provides us with unrecognized tools for resolving key foundational issues. Chin illustrates the significance of Rorty’s thought for contemporary political thinking, casting his conception of “philosophy as cultural politics” as a resource for new models of sociopolitical criticism. He juxtaposes Rorty’s pragmatism with the ontological turn, illuminating them as alternative interventions in the current debate over the crisis of foundations in philosophy. Chin places Rorty in dialogue with continental philosophy and those working within its legacy. Focused on both important questions in pragmatist scholarship and central issues in contemporary political thought, The Practice of Political Theory is an important response to the vexed questions of justification and pluralism.