The book contains a collection of chapters written by experts from the fields of philosophy, law, logic, computer science and artificial intelligence who pay tribute to Professor Risto Hilpinen's impressive work on the logic of induction, on deontic logic and epistemology, and on philosophy of science. In addition to an introduction by the editors, a section on Professor Hilpinen’s positions, professional services and honors, as well as a complete bibliography of his writings, the editors, McNamara, Jones and Brown, have compiled a multidisciplinary global cross-section of academic contemporaries that provides insights and perspectives on Hilpinen's influence and legacy. The essays reflect central aspects of Risto Hilpinen's research interests, and offer further contributions to some of the philosophical fields for which he is best known: applied modal logic, including deontic logic (from the ancient Greek δέον déon, pertaining to the concepts of duty and obligation), the semantics of normative language, the logic of action, and the theory of practical reasoning; the analysis of the concept of artifact; and the theory of semiotics in the tradition of Charles Peirce. The presence in the collection of several papers relating to deontic logic underlines Hilpinen's importance in that area, in which his publications have long been recognized as standard works. The book is an essential collection of ideas for all those who feel at home in a variety of formal disciplines, from propositional logic to the logic of artificial intelligence.

Perhaps the most fundamental question of epistemology asks on what grounds our knowledge of the world ultimately rests. The traditional Cartesian answer is that it rests on indubitable facts arrived at through rational insight or introspection. Coherentists reject this answer, claiming instead that knowledge arises from relations of coherence or mutual support: if our beliefs cohere, we can be sure that they are mostly true. The first part of this Element introduces the reader to the main ideas and problems of coherentism. The next part describes the 'probabilistic turn', leading up to recent demonstrations that coherence fails to be conducive to truth. The final part reassesses the current debate about the proper definition of coherence from the standpoint of Rudolf Carnap's methodology of explication. The upshot is a tentative and qualified defence of one of the early coherence measures.

This edited volume advances the new subdiscipline of metaepistemology by drawing on the sophisticated frameworks that have been developed in metaethics concerning practical normativity. Chapters examine whether these theories can be applied to epistemic normativity and consider what this may tell us about both epistemic and practical normaitivity.

Capitalist Sorcery neither sets out a new political programme nor offers a new theory. Rather, it aims to encourage all those who are resistant to resignation and inertia, whose stories of partial successes must be told, celebrated and shared.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

Stella's Secret is the inspirational memoir of how a young girl and her mother survive the most hellish conditions of the ghetto and the deathcamps at Auschwitz, Birkenau and Bergen Belsen. But it is Stella's voice, the amazing way that she tells her story, that makes this Holocaust story so unique, powerful and endearing. The reader listens to Stella's stunning simplicity of expression, her use of Polish and Yiddish phrases, her humor, her all-so-frequent grammatical errors and is charmed. It is a story that only Stella Yollin can tell, and it can only be told in Stella's sweet and incomparable way.

This anthology brings together twenty-seven authors from a wide range of experiences that offer new perspectives on the Iranian American story. Altogether, the narratives capture the diversity of the Iranian diaspora and complicate the often-narrow view of Iranian culture represented in the media. The stories and novel excerpts explore the deeply human experiences of one of the newest immigrant groups to the United States in its attempts to adjust and assimilate in the face of major historical upheavals.

The first intensive analysis of sense of place in American mining towns, Hard as the Rock Itself: Place and Identity in the American Mining Town provides rare insight into the struggles and rewards of life in these communities. David Robertson contends that these communities - often characterized in scholarly and literary works as derelict, as sources of debasing moral influence, and as scenes of environmental decay - have a strong and enduring sense of place and have even embraced some of the signs of so-called dereliction. Robertson documents the history of Toluca, Illinois; Cokedale, Colorado; and Picher, Oklahoma, from the mineral discovery phase through mine closure, telling for the first time how these century-old mining towns have survived and how sense of place has played a vital role. Acknowledging the hardships that mining's social, environmental, and economic legacies have created for current residents, Robertson argues that the industry's influences also have contributed to the creation of strong, cohesive communities in which residents have always identified with the severe landscape and challenging, but rewarding way of life. Robertson contends that the tough, unpretentious appearance of mining landscapes mirrors qualities that residents value in themselves, confirming that a strong sense of place in mining regions, as elsewhere, is not necessarily wedded to an attractive aesthetic or even to a thriving economy.

This book is concerned with two intimately related topics of metaphysics: the identity of entities and the foundations of classification. What it adds to previous discussions of these topics is that it addresses them with respect to human-made entities, that is, artefacts. As the chapters in the book show, questions of identity and classification require other treatments and lead to other answers for artefacts than for natural entities. These answers are of interest to philosophers not only for their clarification of artefacts as a category of things but also for the new light they may shed on these issue with respect to to natural entities. This volume is structured in three parts. The contributions in Part I address basic ontological and metaphysical questions in relation to artefact kinds: How should we conceive of artefact kinds? Are they real kinds? How are identity conditions for artefacts and artefact kinds related? The contributions in Part II address meta-ontological questions: What, exactly, should an ontological account of artefact kinds provide us with? What scope can it aim for? Which ways of approaching the ontology of artefact kinds are there, how promising are they, and how should we assess this? In Part III, the essays offer engineering practice rather than theoretical philosophy as a point of reference. The issues addressed here include: How do engineers classify technical artefacts and on what grounds? What makes specific classes of technical artefacts candidates for ontologically real kinds, and by which criteria?​