Drawing on the remembrances of elders who were born in the early 1900s and saw the last masked Yup’ik dances before missionary efforts forced their decline, Agayuliyararput is a collection of first-person accounts of the rich culture surrounding Yup’ik masks. Stories by thirty-three elders from all over southwestern Alaska, presented in parallel Yup’ik and English texts, include a wealth of information about the creation and function of masks and the environment in which they flourished. The full-length, unannotated stories are complete with features of oral storytelling such as repetition and digression; the language of the English translation follows the Yup’ik idiom as closely as possible. Reminiscences about the cultural setting of masked dancing are grouped into chapters on the traditional Yup’ik ceremonial cycle, the use of masks, life in the qasgiq (communal men’s house), the supression and revival of masked dancing, maskmaking, and dance and song. Stories are grouped geographically, representing the Yukon, Kuskokwim, and coastal areas. The subjects of the stories and the masks made to accompany them are the Arctic animals, beings, and natural forces on which humans depended. This book will be treasured by the Yup’ik residents of southwestern Alaska and an international audience of linguists, folklorists, anthropologists, and art historians.

Shamanism can be defined as the practice of initiated shamans who are distinguished by their mastery of a range of altered states of consciousness. Shamanism arises from the actions the shaman takes in non-ordinary reality and the results of those actions in ordinary reality. It is not a religion, yet it demands spiritual discipline and personal sacrifice from the mature shaman who seeks the highest stages of mystical development.

Shamanism can be defined as the practice of initiated shamans who are distinguished by their mastery of a range of altered states of consciousness. Shamanism arises from the actions the shaman takes in non-ordinary reality and the results of those actions in ordinary reality. It is not a religion, yet it demands spiritual discipline and personal sacrifice from the mature shaman who seeks the highest stages of mystical development.

Returns explores homecomings--the ways people recover and renew their roots. Engaging with indigenous histories of survival and transformation, James Clifford opens fundamental questions about where we are going, separately and together, in a globalizing, but not homogenizing, world. It was once widely assumed that tribal societies were destined to disappear. Sooner or later, irresistible economic and political forces would complete the destruction begun by culture contact and colonialism. But aboriginal groups persist, a reality that complicates familiar narratives of modernization. History is a multidirectional process where the word "indigenous," long associated with primitivism and localism, takes on unexpected meanings. In these probing essays, native people in California, Alaska, and Oceania are shown to be agents, not victims, struggling within and against dominant forms of cultural identity and economic power. Their returns to the land, performances of heritage, and diasporic ties are strategies for moving forward, ways to articulate what can paradoxically be called "traditional futures." With inventiveness and pragmatism, often against the odds, indigenous people are forging original pathways in a tangled, open-ended modernity. Third in a series that includes The Predicament of Culture and Routes, this volume continues Clifford's signature exploration of intercultural representations, travels, and now returns.

The Yup'ik people of southwestern Alaska were some of the last Arctic peoples to come into contact with non-Natives, and as a result, Yup?ik language and many traditions remain vital into the twenty-first century. Wise Words of the Yup?ik People documents their qanruyutet (adages, words of wisdom, and oral instructions) regarding the proper living of life. Throughout history, these distinctive wise words have guided the relations between men and women, parents and children, siblings and cousins, fellow villagers, visitors, strangers, and even with non-Natives. Yup?ik elders have chosen to share these wise words during Calista Elders Council gatherings and conventions since 1998 for instrumental reasons?because of their continued relevance and power to change lives. ø The Calista Elders Council, which represents some thirteen hundred Yup'ik elders, recently spearheaded efforts at cultural revitalization through gatherings with younger community members. In describing the content of traditional instruction as well as its central motivation??We talk to you because we love you??elders not only educate Yup?ik young people but also open a window into their view of the world for all of us. ø Wise Words of the Yup?ik People will serve as a valuable resource for the Yup'ik people and those who wish to learn more about their lives and values.

Mission of Change is an oral history describing various types of change—political, social, cultural, and religious—as seen through the eyes of Father Astruc and Paul Dixon, non-Natives who dedicated their lives to working with the Yup’ik people. Their stories are framed by the an analytic history of regional changes, together with current anthropological theory on the nature of cultural change and the formation of cultural identity. The book presents a subtle and emotionally moving account of the region and the roles of two men, both of whom view issues from a Catholic perspective yet are closely attuned to and involved with changes in the Yup’ik community.

Marshall Sahlins (b. 1930) is an American anthropologist who played a major role in the development of anthropological theory in the second half of the twentieth century. Over a sixty-year career, he and his colleagues synthesized trends in evolutionary, Marxist, and ecological anthropology, moving them into mainstream thought. Sahlins is considered a critic of reductive theories of human nature, an exponent of culture as a key concept in anthropology, and a politically engaged intellectual opposed to militarism and imperialism. This collection brings together some of the world’s most distinguished anthropologists to explore and advance Sahlins’s legacy. All of the essays are based on original research, most dealing with cultural change - a major theme of Sahlins’s research, especially in the contexts of Fijian and Hawaiian societies. Like Sahlins’s practice of anthropology, these essays display a rigorous, humanistic study of cultural forms, refusing to accept comfort over accuracy, not shirking from the moral implications of their analyses. Contributors include the late Greg Dening, one of the most eminent historians of the Pacific, Martha Kaplan, Patrick Kirch, Webb Keane, Jonathan Friedman, and Joel Robbins, with a preface by the late Claude Levi-Strauss. A unique volume that will complement the many books and articles by Sahlins himself, A Practice of Anthropology is an exciting new addition to the history of anthropological study.

This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.