One morning in August of 2007, Didier Pourquery’s daughter, Agathe, only a few days away from her twenty-third birthday, stopped breathing. Seven years after her death, her father tells her story, based on his notes taken during the last three weeks of her life. He shares not only his sadness and loss, but also the joy that characterized his relationship with his daughter. At her birth, Agathe’s doctors said the average life expectancy for a child born with cystic fibrosis was twenty-five years. Once he learned his daughter only had a few weeks left to live, Didier Pouquery began writing daily about her last weeks. The notes he took then became the source of this book: a homage that is full of hope and light, even as it boldly highlights deep human frailty and the pain of losing a child. Pourquery alternates between an account of Agathe’s physical condition and a letter addressed to her after her death. We get to know her—and her father—through this lyrical and poignant portrait and ode. Who was this joyful and straight-talking girl? How did she grow up in the shadow of this looming disease? How was she able to help those around her, even as she faced a certain and early death? Although Agathe’s Summer is one father’s testimony to the short life of a child grown into a young woman, it is also the story of the love, hope, fear, and joy that speaks to all parents.

From the author of 'A Man without Qualities,' a novel about spirituality in the modern world. Agathe is the sister of Ulrich, the restless and elusive “man without qualities” at the center of Robert Musil’s great, unfinished novel of the same name. For years Agathe and Ulrich have ignored each other, but when brother and sister find themselves reunited over the bier of their dead father, they are electrified. Each is the other’s spitting image, and Agathe, who has just separated from her husband, is even more defiant and inquiring than Ulrich. Beginning with a series of increasingly intense “holy conversations,” the two gradually enlarge the boundaries of sexuality, sensuality, identity, and understanding in pursuit of a new, true form of being that they are seeking to discover. Robert Musil’s The Man Without Qualities is perhaps the most profoundly exploratory and unsettling masterpiece of twentieth-century fiction. Agathe, or, The Forgotten Sister reveals with new clarity a particular dimension of this multidimensional book—the dimension that meant the most to Musil himself and that inspired some of his most searching writing. The outstanding translator Joel Agee captures the acuity, audacity, and unsettling poetry of a book that is meant to be nothing short of life-changing.

Breathing and its rhythms—liminal, syncopal, and usually inconspicuous—have become a core poetic compositional principle in modern literature. Examining moments when breath's punctuations, cessations, inhalations, or exhalations operate at the limits of meaningful speech, Stefanie Heine explores how literary texts reflect their own mediality, production, and reception in alluding to and incorporating pneumatic rhythms, respiratory sound, and silent pauses. Through close readings of works by a series of pairs—Jack Kerouac and Allen Ginsberg; Robert Musil and Virginia Woolf; Samuel Beckett and Sylvia Plath; and Paul Celan and Herta Müller—Poetics of Breathing suggests that each offers a different conception of literary or poetic breath as a precondition of writing. Presenting a challenge to historical and contemporary discourses that tie breath to the transcendent and the natural, Heine traces a decoupling of breath from its traditional association with life, and asks what literature might lie beyond.

The Sound of Music endeared Georg von Trapp (1880?1947) and his singing family to the world, and it also showed how desperately the Nazis wanted Captain von Trapp for their navy. In To the Last Salute we learn why. Trapp?s own story of his exploits as a submarine commander during the First World War is as exciting as it is instructive, bringing to stirring life a little-known chapter in the naval history of that war. In his many guises, Trapp describes life as captain of Austro-Hungarian U-boats in the Mediterranean and Adriatic seas, emerging by turn as the Imperial Austrian naval officer, the witty observer of international politics, and the indefatigable and ultimately heartbroken patriot opposing the Allied enemy. He relates deadly duels with submarine sweepers, narrow escapes and excruciatingly close calls, and the spectacular sinking of cargo and war ships?all while maintaining a keen sense of the camaraderie of seamen from every corner of the Austro-Hungarian Empire. Trapp?s story, in English for the first time, offers a rare combination of human interest, historical insight, and true life-and-death adventure.