A TEMPEST UNLEASHED… Maggie O’Connell, a well-known Houston photographer, is being followed. Desperate for help, she hires Trace Rawlins, a former army ranger turned private investigator. When Trace meets Maggie, he knows she’s trouble. He takes her case anyway, thinking it will be an easy job. However, he soon senses that something’s wrong—and it becomes clear Maggie isn’t telling him everything. If the menacing calls and messages are real, why won’t the police help her? And if they aren’t real, what is she hiding? As Trace digs deeper to find the source of Maggie’s threats, he discovers a secret that no one was meant to uncover. And the only puzzle left to be solved is whether the danger comes from an unknown stalker…or from the woman he’s trying his hardest not to fall for. “Kat Martin is a fast gun when it comes to storytelling, and I love her books.”—#1 New York Times bestselling author Linda Lael Miller FREE BONUS STORY INCLUDED IN THIS VOLUME! Wanted Woman by New York Times bestselling author B.J. Daniels Maggie Randolph is on the run. She didn’t plan on meeting a man she could trust. Except Timber Falls deputy sheriff Jesse Tanner must catch her first—before it’s too late. Previously Published.

Riding the Storm by Brenda Jackson released on Oct 16, 2017 is available now for purchase.

The fifth daughter in a patriarchal society, and an indigenous Bedouin in Israel, Amal came into this world fighting for her voice to be heard in a community that did not prize girls. At birth it was only her father who looked at her and said "I see hope in her face. I want to call her Amal [hope] in the hope that Allah will give us boys after her." Five brothers were indeed to follow.Hope is a Woman's Name is a rare look at Bedouin life from the even rarer perspective of a Bedouin girl. Amal challenged authority from birth, slowly learning where her community's boundaries lay and how to navigate them.As a shepherd at the age of 6, Amal led her flock of sheep across the green mountains of Laqiya, her village in the Negev in southern Israel. Given such responsibility, though rarely recognition, Amal came to understand her community and forge her skills as a leader. Aged 13 and frustrated by the constraints put on her education as a girl, Amal set up literacy classes for the adult women in her village. She aimed to teach them not only how to read, but to value education itself: "I wanted them to taste an education so that they would never again deprive their daughters of one." This was the beginning of a lifelong career initiating projects that would help create change for the Bedouin – a minority within Israel's Palestinian minority – and for their women in particular. She established economic empowerment programmes for marginalized women, helped found an Arab-Jewish school, and created organizations to promote shared society. At every turn she had to face the challenges of tradition – as well as the prejudices of Israeli society – to create new possibilities that would allow women to empower themselves.Amal has learnt to embrace every aspect of her complicated identity – Bedouin, Arab, woman, Palestinian and Israeli citizen – to help create social change, build bridges with other communities and inspire hope. Hope is a Woman's Name is an intimate portrayal of a little-known culture and its strengths, values, morals and boundaries. It is a rare and moving story.

So there was all that: the ordinary twill of life; the ho-hum sturm und drang of the workplace: the ubiquitous absurdities, the annoying co-workers, the bloody deadlines and even bloodier bottom lines; the bland, eternal, Sisyphean, absolute, unrelenting, surreal certainty of the day-in-and-day-out of it all. Life as a slice of white bread, moistened with spit and rolled into a messy glob, a doughy ball that couldn’t make the slightest dent in the iron gates of life. But then, suddenly, on August 27, 2002, all that changed. Suddenly, Rae-Jean’s uneventful life began to leaven and swell with hypotheticals. 'What if' grabbed a hold of it and pumped it a few times in its death grip. The world in Sara Pritchard's book is a known world and yet a strange place, with a cast of homeless characters who wander in and out of the stories of the collection, all set in the same university town. The linked stories take place during the time when gender discrimination in the American workplace was blatant, and when classified ads were labeled "male" or "female" accordingly. Sara Pritchard is the author of the novel-in-stories Crackpots, a New York Times Notable Book of the Year, and the critically acclaimed linked-story collection Lately. She's lived in West Virginia for over thirty years and teaches in the Wilkes University Low-Residency MA/MFA Creative Writing Program.

"The Rainbow" tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire. The book covers a period from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialization of Britain. The first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond these two counties; while the last, Ursula, his granddaughter, studies at university and becomes a teacher in the progressively urbanized, capitalist and industrial world. "Women in Love" is a sequel to novel The Rainbow, and follows lives of the Brangwen sisters, Ursula a schoolteacher, and Gudrun a painter. They meet two men who live nearby, school inspector Rupert Birkin and Gerald Crich, heir to a coal-mine, and the four become friends. Ursula and Birkin begin a romantic friendship, while Gudrun and Gerald eventually begin a love affair. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. All four are deeply concerned with questions of society, politics, and the relationship between men and women. The novel ranges over the whole of British society before the time of the First World War and eventually concludes in the snows of the Tyrolean Alps.

Invisible Stars was the first book to recognize that women have always played an important part in American electronic media. The emphasis is on social history, as the author skillfully explains how the changing role of women in different eras influenced their participation in broadcasting. This is not just the story of radio stars or broadcast journalists, but a social history of women both on and off the air. Beginning in the early 1920s with the emergence of radio, the book chronicles the ambivalence toward women in broadcasting during the 1930s and 1940s, the gradual change in status of women in the 1950s and 1960s, the increased presence of women in broadcasting in the 1970s, and the successes of women in broadcasting in the 1980s and 1990s. The second edition is expanded to include the social and political changes that occurred in the 2000s, such as the growing number of women talk show hosts; changing attitudes about women in leadership roles in business; more about minority women in media; and women in sports and women sports announcers. The author addresses the question of whether women are in fact no longer invisible in electronic media. She provides an assessment of where progress for women (in society as well as broadcasting) can be seen, and where progress appears totally stalled.

e-artnow presents to you the world's iconic women characters in fiction and the real-life heroines in this power-packed meticulously edited and formatted collection:_x000D_ Fiction:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Corbett)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber)..._x000D_ Memoirs:_x000D_ Madame Vigée Lebrun _x000D_ Jane Austen _x000D_ Caroline Herschel _x000D_ Mrs. Seacole _x000D_ Elizabeth Cady Stanton_x000D_ My Own Story (Emmeline Pankhurst)_x000D_ Mother Jones_x000D_ Margaret Sanger_x000D_ Helen Keller_x000D_ Biographies:_x000D_ Lucretia_x000D_ Sappho_x000D_ Aspasia of Cyrus_x000D_ Portia_x000D_ Octavia_x000D_ Cleopatra_x000D_ Mariamne_x000D_ Julia Domna_x000D_ Zenobia_x000D_ Valeria_x000D_ Hypatia_x000D_ The Lady Rowena_x000D_ Roswitha the Nun_x000D_ Marie de France_x000D_ Laura de Sade_x000D_ Joan of Arc _x000D_ Catharine of Arragon_x000D_ Anne Boleyn_x000D_ Margaret Roper_x000D_ Mary, Queen of Scots_x000D_ The Pocahontas _x000D_ Queen Anne_x000D_ Maria Theresa_x000D_ Marie Antoinette_x000D_ Florence Nightingale _x000D_ Maria Mitchell _x000D_ Harriet Tubman_x000D_ Madame de Stael…

"The Rainbow" tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire. The book covers a period from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialization of Britain. The first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond these two counties; while the last, Ursula, his granddaughter, studies at university and becomes a teacher in the progressively urbanized, capitalist and industrial world. "Women in Love" is a sequel to novel The Rainbow, and follows lives of the Brangwen sisters, Ursula a schoolteacher, and Gudrun a painter. They meet two men who live nearby, school inspector Rupert Birkin and Gerald Crich, heir to a coal-mine, and the four become friends. Ursula and Birkin begin a romantic friendship, while Gudrun and Gerald eventually begin a love affair. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. All four are deeply concerned with questions of society, politics, and the relationship between men and women. The novel ranges over the whole of British society before the time of the First World War and eventually concludes in the snows of the Tyrolean Alps.