A social comedy about "a company of giddyheads" and their wanderings in London's Bohemia.

Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. In Afternoon Men, the earliest and perhaps most acid of Powell’s novels, we meet the museum clerk William Atwater, a young man stymied in both his professional and romantic endeavors. Immersed in Atwater’s coterie of acquaintances—a similarly unsatisfied cast of rootless, cocktail-swilling London sophisticates—we learn of the conflict between his humdrum work life and louche social scene, of his unrequited love, and, during a trip to the country, of the absurd contrivances of proper manners. A satire that verges on nihilism and a story touched with sexism and equal doses self-loathing and self-medication, AfternoonMen has a grim edge to it. But its dialogue sparks and its scenes grip, and for aficionados of Powell, this first installment in his literary canon will be a welcome window onto the mind of a great artist learning his craft.

From the prizewinning author of Europe, a riveting account of the heroic Second Light Battalion, which held the line at Waterloo, defeating Napoleon and changing the course of history. In 1815, the deposed emperor Napoleon returned to France and threatened the already devastated and exhausted continent with yet another war. Near the small Belgian municipality of Waterloo, two large, hastily mobilized armies faced each other to decide the future of Europe-Napoleon's forces on one side, and the Duke of Wellington on the other. With so much at stake, neither commander could have predicted that the battle would be decided by the Second Light Battalion, King's German Legion, which was given the deceptively simple task of defending the Haye Sainte farmhouse, a crucial crossroads on the way to Brussels. In The Longest Afternoon, Brendan Simms captures the chaos of Waterloo in a minute-by-minute account that reveals how these 400-odd riflemen successfully beat back wave after wave of French infantry. The battalion suffered terrible casualties, but their fighting spirit and refusal to retreat ultimately decided the most influential battle in European history.

The first-ever biography of the seminal American director whose remarkable life traces a line through American entertainment history Acclaimed as the ultimate New York movie director, Sidney Lumet began his astonishing five-decades-long directing career with the now classic 12 Angry Men, followed by such landmark films as Serpico, Dog Day Afternoon, and Network. His remarkably varied output included award-winning adaptations of plays by Anton Chekhov, Arthur Miller, Tennessee Williams, and Eugene O’Neill, whose Long Day’s Journey into Night featured Katharine Hepburn and Ralph Richardson in their most devastating performances. Renowned as an “actor’s director,” Lumet attracted an unmatched roster of stars, among them: Henry Fonda, Sophia Loren, Marlon Brando, Anna Magnani, Sean Connery, Ingrid Bergman, Paul Newman, Al Pacino, Ethan Hawke, and Philip-Seymour Hoffman, accruing eighteen Oscar nods for his actors along the way. With the help of exclusive interviews with family, colleagues, and friends, author Maura Spiegel provides a vibrant portrait of the life and work of this extraordinary director whose influence is felt through generations, and takes us inside the Federal Theater, the Group Theatre, the Actors Studio, and the early “golden age” of television. From his surprising personal life, with four marriages to remarkable women—all of whom opened their living rooms to Lumet’s world of artists and performers like Marilyn Monroe and Michael Jackson—to the world of Yiddish theater and Broadway spectacles, Sidney Lumet: A Life is a book that anyone interested in American film of the twentieth century will not want to miss.

“Slippery, provoking and very timely.” —Wall Street Journal When an old flame accuses him of sexual assault, expat English journalist Marco Rosedale is brought rapidly to the brink of ruin. Marco confides in a close friend, the unnamed narrator, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth—until the question of his own complicity becomes impossible to avoid.

A Stylist Best New Fiction of 2021 Selection, this stunning 1950s set debut mystery is a perfect summer read. 'A remarkably assured debut. A tale of inequality, broken dreams and quiet desperation behind a picture-perfect facade' Guardian 'A clever and absorbing debut by Inga Vesper, who bricks Joyce up in her perfect house, then smashes it to pieces with aplomb' The Times ________ Yesterday, I kissed my husband for the last time . . . It's the summer of 1959, and the well-trimmed lawns of Sunnylakes, California, wilt under the sun. At some point during the long, long afternoon, Joyce Haney, wife, mother, vanishes from her home, leaving behind two terrified children and a bloodstain on the kitchen floor. While the Haney's neighbours get busy organising search parties, it is Ruby Wright, the family's 'help', who may hold the key to this unsettling mystery. Ruby knows more about the secrets behind Sunnylakes' starched curtains than anyone, and it isn't long before the detective in charge of the case wants her help. But what might it cost her to get involved? In these long hot summer afternoons, simmering with lies, mistrust and prejudice, it could only take one spark for this whole 'perfect' world to set alight . . . A beguiling, deeply atmospheric debut novel from the cracked heart of the American Dream, The Long, Long Afternoon is at once a page-turning mystery and an intoxicating vision of the ways in which women everywhere are diminished, silenced and ultimately under-estimated. Everyone is talking about The Long, Long Afternoon 'Beguiling and evocative. This vivid and atmospheric pageturner will keep readers guessing all the way to its satisfying finale' Sunday Express 'Beautifully crafted, claustrophobic and compelling. As delicious as a long drink on a hot day' Stacey Halls, Sunday Times bestselling author of The Familiars and The Foundling 'Such a vivid atmosphere of stifling LA heat and stifling 50s domesticity' Clare Chambers, author of Small Pleasures 'Breathtakingly stylish, hypnotic and masterfully gripping' Chris Whitaker, author of We Begin at the End, Waterstones Thriller of the Month 'A triumph. What a pleasure to read something fresh and original. For once the hype is justified and Inga Vesper's gripping page turner must surely now be bound for Netflix' Evening Standard 'A tasty, tense, page-turning combo of James Ellroy and Kate Atkinson with a bit of Mad Men thrown in' Liz Hyder 'For fans of Revolutionary Road and Mad Men, this is an atmospheric tale of repression and style at the heart of the American Dream' Stylist

The first comprehensive undercover look at the terrorist movement no one is talking about. Men Who Hate Women examines the rise of secretive extremist communities who despise women and traces the roots of misogyny across a complex spider web of groups. It includes eye-opening interviews with former members of these communities, the academics studying this movement, and the men fighting back. Women's rights activist Laura Bates wrote this book as someone who has been the target of many hate-fueled misogynistic attacks online. At first, the vitriol seemed to be the work of a small handful of individual men... but over time, the volume and consistency of the attacks hinted at something bigger and more ominous. As Bates went undercover into the corners of the internet, she found an unseen, organized movement of thousands of anonymous men wishing violence (and worse) upon women. In the book, Bates explores: Extreme communities like incels, pick-up artists, MGTOW, Men's Rights Activists and more The hateful, toxic rhetoric used by these groups How this movement connects to other extremist movements like white supremacy How young boys are targeted and slowly drawn in Where this ideology shows up in our everyday lives in mainstream media, our playgrounds, and our government By turns fascinating and horrifying, Men Who Hate Women is a broad, unflinching account of the deep current of loathing toward women and anti-feminism that underpins our society and is a must-read for parents, educators, and anyone who believes in equality for women. Praise for Men Who Hate Women: "Laura Bates is showing us the path to both intimate and global survival."—Gloria Steinem "Well-researched and meticulously documented, Bates's book on the power and danger of masculinity should be required reading for us all."—Library Journal "Men Who Hate Women has the power to spark social change."—Sunday Times

Jaime Manrique has been named the recipient of the 2019 Bill Whitehead Award for Lifetime Achievement, presented by the Publishing Triangle Like This Afternoon Forever has been named a finalist for the Lambda Literary Award for Gay Fiction "The author's sixth novel weaves together a series of murders and the story of two gay Catholic priests who become lovers." --New York Times Book Review, "Globetrotting," April 2019 "A seasoned and venerated writer, Manrique sets his newest novel in his native Colombia, to reckon with the 'false positive' scandal, in which the military lured unsuspecting civilians to their deaths and then presented the bodies as defeated insurgents in order to inflate their victories...Manrique's elegant prose anchors this explosive storyline to the intimacy of love...Another excellent novel by a master storyteller." --NBC News, included in 10 New Latino Books "Jaime Manrique's new literary novel of love and murder is based on a shocking (and little-reported in US media) crime--up to 10,000 poor and mentally disabled Colombian citizens were lured to remote areas of the country by the Colombian military, murdered, then presented to superiors as 'guerilla fighters' to inflate casualty numbers, in what's been dubbed the 'false positives' scandal. In Like This Afternoon Forever, two priests already forced to hide their forbidden love come across evidence of widespread government violence." --CrimeReads, included in the Most Anticipated Crime Books of Summer 2019 "Jaime Manrique's dreamy Like This Afternoon Forever...tells the story of two gay priests against the backdrop of drug cartels in Colombia." --Kirkus Reviews, included in Radha Vatsal's "Beyond Nordic Noir: On International Crime Fiction" column "Against the backdrop of guerrilla warfare in Colombia, two young men fall in love while studying to become Catholic priests. Manrique, a recipient of Colombia's National Poetry Award as well as a Guggenheim fellowship, weaves into his story the 'false positives' scandal, in which members of the Colombian military sought to drum up the number of guerilla fighters they'd killed by murdering and misidentifying innocent civilians." --Publishers Weekly, included in LGBTQ Feature "Manrique's drama of a dangerous love affair in a world of blood, terror, displacement, and desperation grapples with profound and persistent conflicts." --Booklist For the last fifty years, the Colombian drug cartels, various insurgent groups, and the government have fought over the control of the drug traffic, in the process destroying vast stretches of the Amazon, devastating Indian communities, and killing tens of thousands of homesteaders caught in the middle of the conflict. Inspired by these events, Jaime Manrique's sixth novel, Like This Afternoon Forever, weaves in two narratives: the shocking story of a series of murders known internationally as "the false positives," and the related story of two gay Catholic priests who become lovers when they meet in the seminary. Lucas (the son of farmers) and Ignacio (a descendant of the Barí indigenous people) enter the seminary out of a desire to help others and to get an education. Their visceral love story undergoes stages of passion, indifference, rage, and a final commitment to stay together until the end of their lives. Working in a community largely composed of people displaced by the war, Ignacio stumbles upon the horrifying story of the false positives, which will put the lives of the two men in grave danger.

Finalist, 2021 Wall Award (Formerly the Theatre Library Association Award) The untold story behind one of America’s greatest dramas In early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view. Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men. Reginald Rose and the Journey of “12 Angry Men” tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day—from racial prejudice to juvenile delinquency to civil liberties—and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose’s long and successful career, its origins and accomplishments, into view at long last. By placing 12 Angry Men in its historical and social context—the rise of television, the blacklist, and the struggle for civil rights—author Phil Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS’s Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet’s casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores the various drafts of the drama, with characters modified and scenes added and deleted, with Rose settling on the shattering climax only days before filming began. Drawing on extensive research and brimming with insight, this book casts new light on one of America’s great dramas—and about its author, a man of immense talent and courage. Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.