"Usman Khan was convicted of convicted of terrorism-related offenses at age 20, and sent to high security prison. He was released eight years later, and allowed to travel to London for an event marking the fifth anniversary of Learning Together, a prison education program he had participated in. On November 29, 2019, he sat with others at Fishmongers' Hall, some of whom he called friends. Then he went to the restroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. Preti Taneja taught fiction writing in prison for three years. Jack Merritt, 25, who was killed in the attack, oversaw the program; Usman Khan was one of her students. "It is the immediate aftermath," Taneja writes. "'I am living at the centre of a wound still fresh.' The I is not mine, it is ours." In this bold and searching lament by the award-winning author of We That Are Young, Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, Taneja draws on history, memory, and powerful poetic predecessors to contemplate the systemic nature of atrocity. Blurring genre and form, Aftermath is an attempt to regain trust after violence and recapture a politics of hope through a determined dream of abolition"--Publisher's description.

THE CHARACTERS IN SCOTT NADELSON'S third collection are living in the wake of momentous events-- the rupture of relationships, the loss of loved ones, the dissolution of dreams, and yet they find new ways of forging on with their lives, making accommodations that are sometimes delusional, sometimes destructive, sometimes even healthy. In "Oslo," a thirteen-year-old boy on a trip to Israel with his grandparents grapples with his father's abandonment and his own rocky coming-of-age. In "The Old Uniform," a young man left by his fiancée revisits the haunts of his single days, and on a drunken march through nighttime Brooklyn, begins to shed the false selves that have kept him from fully living. And in the title story, a couple testing out the waters of trial separation quickly discover how deeply the fault lines of their marriage run and how desperately they want to hang onto what remains. Mining Nadelson's familiar territory of Jewish suburban New Jersey, these fearless, funny, and quietly moving stories explore the treacherous crossroads where disappointments meet unfulfilled desire.

After her brother's death from a heart defect, Lucy starts seventh grade at a new school—whose students survived a shooting four years ago—and must navigate different kinds of grief and healing

Aftermath: Explorations of Loss & Grief is an anthology that weaves together a broad collection of voices to illustrate the many forms of loss. The topics range from the inevitable breakdown of a relationship to an immigrant family struggling to retain their culture as they attempt to assimilate. In their interpretation of the book's theme, the selected stories run the spectrum from heartfelt, raw, and powerful to lighter and humorous. This body of work reveals how, despite the differences of our day-to-day lives, we are all connected. It was named a Bronze Winner 2018 Foreword INDIES Book of the Year Awards.

In 2003, Rachel Cusk published A Life's Work, a provocative and often startlingly funny memoir about the cataclysm of motherhood. Widely acclaimed, the book started hundreds of arguments that continue to this day. Now, in her most personal and relevant book to date, Cusk explores divorce's tremendous impact on the lives of women. An unflinching chronicle of Cusk's own recent separation and the upheaval that followed—"a jigsaw dismantled"—it is also a vivid study of divorce's complex place in our society. "Aftermath" originally signified a second harvest, and in this book, unlike any other written on the subject, Cusk discovers opportunity as well as pain. With candor as fearless as it is affecting, Rachel Cusk maps a transformative chapter of her life with an acuity and wit that will help us understand our own.

Head Cases takes us into the dark side of the brain in an astonishing sequence of stories, at once true and strange, from the world of brain damage. Michael Paul Mason is one of an elite group of experts who coordinate care in the complicated aftermath of tragic injuries that can last a lifetime. On the road with Mason, we encounter survivors of brain injuries as they struggle to map and make sense of the new worlds they inhabit. Underlying each of these survivors' stories is an exploration of the brain and its mysteries. When injured, the brain must figure out how to heal itself, reorganizing its physiology in order to do the job. Mason gives us a series of vivid glimpses into brain science, the last frontier of medicine, and we come away in awe of the miracles of the brain's workings and astonished at the fragility of the brain and the sense of self, life, and order that resides there. Head Cases "[achieves] through sympathy and curiosity insight like that which pulses through genuine literature" (The New York Sun); it is at once illuminating and deeply affecting.

Cecilia has always been secure in her world. A high school cheerleader, she is pretty and popular. And she dates Ryan, one of the cutest boys in her school. She leads a charmed and pampered life. Clearly everyone forgot the warnings buried deep in the quatrains of Nostradamus-- the end of days. When the world they know is destroyed, will their struggle to survive destroy their love? This new normal-- this new life-- is cruel and unpredictable and tests both of them in ways that they've never imagined. But it's not the end, only the beginning, but the beginning of what? From what we've calculated, it's been seven days since The End. We don't really have a more suitable name for it. There was absolutely no warning. It was three days after Christmas. We were alone and scared. Nobody expected the theories and stories to actually come true. After 2012 passed with no strange activity, the whole idea of the apocalypse seemed like rubbish. But we were proven terribly wrong. Nostradamus got it right after all.

An examination of how changing public information infrastructures shaped people's experience of earthquakes in Northern California in 1868, 1906, and 1989. When an earthquake happens in California today, residents may look to the United States Geological Survey for online maps that show the quake's epicenter, turn to Twitter for government bulletins and the latest news, check Facebook for updates from friends and family, and count on help from the Federal Emergency Management Agency (FEMA). One hundred and fifty years ago, however, FEMA and other government agencies did not exist, and information came by telegraph and newspaper. In Documenting Aftermath, Megan Finn explores changing public information infrastructures and how they shaped people's experience of disaster, examining postearthquake information and communication practices in three Northern California earthquakes: the 1868 Hayward Fault earthquake, the 1906 San Francisco earthquake and fire, and the 1989 Loma Prieta earthquake. She then analyzes the institutions, policies, and technologies that shape today's postdisaster information landscape. Finn argues that information orders—complex constellations of institutions, technologies, and practices—influence how we act in, experience, and document events. What Finn terms event epistemologies, constituted both by historical documents and by researchers who study them, explain how information orders facilitate particular possibilities for knowledge. After the 1868 earthquake, the Chamber of Commerce telegraphed reassurances to out-of-state investors while local newspapers ran sensational earthquake narratives; in 1906, families and institutions used innovative techniques for locating people; and in 1989, government institutions and the media developed a symbiotic relationship in information dissemination. Today, government disaster response plans and new media platforms imagine different sources of informational authority yet work together shaping disaster narratives.

In this stunning, Lambda Literary Award-winning debut novel, Amber Dawn subverts the classic hero's quest adventure to create a dark post-feminist vision. Sub Rosa's reluctant heroine is a teenaged runaway named "Little"; she stumbles upon an underground society of ghosts and magicians, missing girls and would-be johns: a place called Sub Rosa. Not long after she is initiated into this family of magical prostitutes, Little is called upon to lead them through a maze of feral darkness: a calling burdened with grotesque enemies, strange allies, and memories from a foggy past. Sub Rosa is a beautiful, gutsy, fantastical allegory of our times.

A commemoration of the 20th anniversary of 9/11 as told through stories and photographs from The Associated Press—covering everything from the events of that tragic day to the rebuilding of the World Trade Center and beyond. This important and comprehensive book commemorates the 20th anniversary of September 11 as told through stories and images from the correspondents and photographers of The Associated Press—breaking news reports, in-depth investigative pieces, human interest accounts, approximately 175 dramatic and moving photos, and first-person recollections. AP’s reporting of the world-changing events of 9/11; the heroic rescue efforts and aftermath; the world’s reaction; Operation Enduring Freedom; the continuing legal proceedings; the building of the National September 11 Memorial & Museum in New York City as a place of remembrance; the rebuilding of downtown NYC and much more is covered. Also included is a foreword by Robert De Niro. The book tells the many stories of 9/11—not only of the unprecedented horror of that September morning, but also of the inspiring resilience and hope of the human spirit.