This book investigates how decolonization transformed British society in the 1950s and 1960s, and examines the relationship between the postwar and the postimperial.

This book investigates how decolonization transformed British society in the 1950s and 1960s, and examines the relationship between the postwar and the postimperial.

In 1932, Aldous Huxley published Brave New World, his famous novel about a future in which humans are produced to spec in laboratories. Around the same time, Australian legislators announced an ambitious experiment to “breed the colour” out of Australia by procuring white husbands for women of white and indigenous descent. In this study, Nadine Attewell reflects on an assumption central to these and other policy initiatives and cultural texts from twentieth-century Britain, Australia, and New Zealand: that the fortunes of the nation depend on controlling the reproductive choices of citizen-subjects. Better Britons charts an innovative approach to the politics of reproduction by reading an array of works and discourses – from canonical modernist novels and speculative fictions to government memoranda and public debates – that reflect on the significance of reproductive behaviours for civic, national, and racial identities. Bringing insights from feminist and queer theory into dialogue with work in indigenous studies, Attewell sheds new light on changing conceptions of British and settler identity during the era of decolonization.

This book offers a new perspective on the evolution of cities across the Roman Empire in late antiquity and the early Middle Ages.

If the 1619 Project illuminated the ways in which life in the United States has been shaped by the existence of slavery, this “historical, literary masterpiece” (Kiese Laymon, author of Heavy) focuses on emancipation and how its afterlife further codified the racial caste system—instead of obliterating it. To understand why the shadow of slavery still haunts us today, we must look closely at the way it ended. Between the 1770s and 1880s, emancipation processes took off across the Atlantic world. But far from ushering in a new age of human rights and universal freedoms, these emancipations further codified the racial caste systems they claimed to disrupt. In this paradigm-altering book, acclaimed historian and professor Kris Manjapra identifies five types of emancipations across the globe and reveals that their perceived failures were not failures at all, but the predictable outcomes of policies designed first and foremost to preserve the status quo of racial oppression. In the process, Manjapra shows how, amidst this unfinished history, grassroots Black organizers and activists have become custodians of collective recovery and remedy; not only for our present, but also for our relationship with the past. Black Ghost of Empire will rewire readers’ understanding of the world in which we live. Timely, lucid, and crucial to our understanding of contemporary society, this book shines a light into the gap between the idea of slavery’s end and the reality of its continuation—exposing to whom a debt was paid and to whom a debt is owed.

The collapse of the Habsburg Monarchy at the end of World War I ushered in a period of radical change for East-Central European political structures and national identities. Yet this transformed landscape inevitably still bore the traces of its imperial past. Breaking with traditional histories that take 1918 as a strict line of demarcation, this collection focuses on the complexities that attended the transition from the Habsburg Empire to its successor states. In so doing, it produces new and more nuanced insights into the persistence and effectiveness of imperial institutions, as well as the sources of instability in the newly formed nation-states.

This is one of the volumes in the series of 'Afterlives' of the Classics, which is being produced jointly by the Institute of Classical Studies and the Warburg Institute.

A driving, panoramic novel of four strangers whose personal struggles with grief become interconnected through their quest to reunite the body and engine of a vintage car.

In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdülhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn’s transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M’hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources, A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.

A mesmerizing trip across America to investigate the changing face of death in contemporary life Death in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy’s lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife. As an anthropologist and archaeologist, Dawdy knows that how a society treats its dead yields powerful clues about its beliefs and values. As someone who has experienced loss herself, she knows there is no way to tell this story without also reexamining her own views about death and dying. In this meditative and gently humorous book, Dawdy embarks on a transformative journey across the United States, talking to funeral directors, death-care entrepreneurs, designers, cemetery owners, death doulas, and ordinary people from all walks of life. What she discovers is that, by reinventing death, Americans are reworking their ideas about personhood, ritual, and connection across generations. She also confronts the seeming contradiction that American death is becoming at the same time more materialistic and more spiritual. Written in conjunction with a documentary film project, American Afterlives features images by cinematographer Daniel Zox that provide their own testament to our rapidly changing attitudes toward death and the afterlife.