Accompanying CD-ROM includes catalog of Freud's library including descriptions of titles, ownership signatures, dedications, and marginalia, with illustrations in JPEG format.

Freud spent the final year of his life in London surrounded by all his possessions in exile from the Nazis. His home in Vienna emptied of his belongings left devoid. Now, in both these places, museums have been created and have held many exhibitions. Joanne Morra offers a nuanced analysis of them.

An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis From 1952 to 1985, Louise Bourgeois (1911-2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition--and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois's work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois's literary archivist, provides an overview of the artist's life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst's viewpoint on the artist's long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud's own relationship to art and artists. Featuring excerpts from Bourgeois's copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud's Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.

Today many view Sigmund Freud as an elitist whose psychoanalytic treatment was reserved for the intellectually and financially advantaged. However, in this new work Elizabeth Ann Danto presents a strikingly different picture of Freud and the early psychoanalytic movement. Danto recovers the neglected history of Freud and other analysts' intense social activism and their commitment to treating the poor and working classes. Danto's narrative begins in the years following the end of World War I and the fall of the Habsburg Empire. Joining with the social democratic and artistic movements that were sweeping across Central and Western Europe, analysts such as Freud, Wilhelm Reich, Erik Erikson, Karen Horney, Erich Fromm, and Helene Deutsch envisioned a new role for psychoanalysis. These psychoanalysts saw themselves as brokers of social change and viewed psychoanalysis as a challenge to conventional political and social traditions. Between 1920 and 1938 and in ten different cities, they created outpatient centers that provided free mental health care. They believed that psychoanalysis would share in the transformation of civil society and that these new outpatient centers would help restore people to their inherently good and productive selves. Drawing on oral histories and new archival material, Danto offers vivid portraits of the movement's central figures and their beliefs. She explores the successes, failures, and challenges faced by free institutes such as the Berlin Poliklinik, the Vienna Ambulatorium, and Alfred Adler's child-guidance clinics. She also describes the efforts of Wilhelm Reich's Sex-Pol, a fusion of psychoanalysis and left-wing politics, which provided free counseling and sex education and aimed to end public repression of private sexuality. In addition to situating the efforts of psychoanalysts in the political and cultural contexts of Weimar Germany and Red Vienna, Danto also discusses the important treatments and methods developed during this period, including child analysis, short-term therapy, crisis intervention, task-centered treatment, active therapy, and clinical case presentations. Her work illuminates the importance of the social environment and the idea of community to the theory and practice of psychoanalysis.

Reveals Saidâe(tm)s abiding interest in Freudâe(tm)s work and its important influence on his own.

This is the second volume in Brett Kahr's 'Interviews with Icons' series, following on from Tea with Winnicott. Professor Kahr, himself a highly regarded psychoanalyst, turns his attention to the work of the father of psychoanalysis. The book is lavishly illustrated by Alison Bechdel, winner of the MacArthur Foundation 'Genius' Award.Sigmund Freud pays another visit to Vienna's renowned Cafe Landtmann, where he had often enjoyed reading newspapers and sipping coffee. Freud explains how he came to invent psychoanalysis, speaks bluntly about his feelings of betrayal by Carl Gustav Jung, recounts his flight from the Nazis, and so much more, all the while explaining his theories of symptom formation and psychosexuality.Framed as a 'posthumous interview', the book serves as the perfect introduction to the work of Freud while examining the context in which he lived and worked. Kahr examines his legacy and considers what Freud has to teach us. In a world where manifestations of sexuality and issues of the mind are ever more widely discussed, the work of Sigmund Freud is more relevant than ever.

***Information is forthcoming from the Hayward Gallery

These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's naïve pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.

Sigmund Freud was a passionate collector of ancient art, ultimately amassing some 2000 works from Egypt, Greece, Rome and the near East and Asia. This book - originally published in conjunction with the Freud Museum in London and a touring exhibition of the finest pieces in the collection - examines what the works meant to Freud and the connections he made between art, antiquities, archaeology and psychoanalysis. The illustrations include colour plates of almost 90 antiquities, as well as documentary pictures of Freud's life and home.