Anarchy rules in Britannia as the Roman Empire collapses, and two men fight to build stable lives among the chaos.

After more than four hundred years of Roman rule, the island its conquerors called Britannia was abandoned-left to its own devices as the Roman empire contracted in a futile effort to defend itself from the barbarian hordes encroaching upon its heart. As Britannia falls into anarchy and the city of Viroconium is left undefended, two cousins who remained behind when the imperial forces withdrew pursue very different courses in the ensuing struggle to unite the disparate tribes and factions throughout the land. In Morgan Llywelyn's stunning medieval novel After Rome, passionate, adventurous Dinas recruits followers and dreams of kingship. Thoughtful Cadogan saves a group of citizens when Saxons invade and burn Viroconium, then becomes the reluctant founder and leader of a new community that rises in the wilderness. The two cousins could not be more different, but their parallel stories encapsulate the era of a new civilization struggling to be born in the Middle Ages. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In his 1992 book Campagna Romana. The Countryside of Ancient Rome Joel Sternfeld focused on the ruins of grand structures with a clear warning: great civilizations fall, ours may too. Now in Rome after Rome, containing images from the previous book as well as numerous unpublished pictures, Sternfeld's questions multiply: who are these modern Romans? What is their relationship to the splendor that was? What is the nature of sullied modernity in relation to the Arcadian ideal? Is there, at this late moment, any chance for Utopia? The Campagna, the countryside south and east of Rome occupies a special place in Roman--and human history. With the rise of Ancient Rome, this once polluted, malarial landscape was restored by emperors and thrived with some 20 towns and numerous wealthy villas on the rolling plains among the mighty aqueducts that fed water to Rome. After the city fell, the Campagna once again became desolate and dangerous. The gloomy tombs, broken homes and aqueducts sat in a kind of no man's land for over 1,000 years. To this landscape came the painters: Dürer, Lorrain, Poussin, and later, Corot, Turner, and Americans such as Thomas Cole. In the ruins they sought the origins of Rome's greatness and the meaning of her fall. Later they depicted a place where Roman gods cavorted and mankind lived in a golden age, an Arcadia. Central Rome was rebuilt with Baroque apartments hiding the past: in the Campagna the past was visible and all imaginings possible. Sternfeld juxtaposes the ruins of a powerful, ancient civilization with the new construction and the debris of our own time. Avoiding obvious contrasts, eschewing heavy-handed irony, this contemporary artist draws our attention to both despoliation and lasting beauty; he suggests many reasons for despair, yet he also has something to say about the nobility of the human spirit. Theodore E. Stebbins Jr.

The 500 years following the collapse of the Roman Empire is still popularly perceived as Europe's 'Dark Ages', marked by barbarism and uniformity. Julia Smith's masterly book sweeps away this view, and instead illuminates a time of great vitality and cultural diversity. Through a combination of cultural history, regional studies, and gender history, she shows how men and women at all levels of society ordered their world, and she allows them to speak to the reader directly in their. own words. This is the first single-author study in over fifty years to offer an integrated appraisal of all asp.

The enormous hoard of beautiful gold military objects found in 2009 in a field in Staffordshire has focused huge attention on the mysterious world of 7th and 8th century Britain. This book discusses the tumultuous centuries between the departure of the Roman legions and the arrival of Norman invaders nearly seven centuries later.

The chapters in this volume, each written by a leading scholar of the period, analyze in turn the different nationalities and kingdoms that existed in the British Isles from the end of the Roman empire to the coming of the Vikings, the process of conversion to Christianity, the development of art and of a written culture, and the interaction between this written culture and the societies of the day.

This collection of essays deals with a broad range of issues within the study, past and present, of the early Middle Ages. Subjects include war, power, ethnicity, gender, Charlemagne and Carolingian history. The book is largely concerned with reading the sources, both medieval and modern, and interpreting their narrators.

Examines Tacitus' understanding of political liberty through his portrayals of Roman emperors and senators

Slavery After Rome, 500-1100 offers a substantially new interpretation of what happened to slavery in Western Europe in the centuries that followed the fall of the Roman Empire. The periods at either end of the early middle ages are associated with iconic forms of unfreedom: Roman slavery at one end; at the other, the serfdom of the twelfth century and beyond, together with, in Southern Europe, a revitalized urban chattel slavery dealing chiefly in non-Christians. How and why this major change took place in the intervening period has been a long-standing puzzle. This study picks up the various threads linking this transformation across the centuries, and situates them within the full context of what slavery and unfreedom were being used for in the early middle ages. This volume adopts a broad comparative perspective, covering different regions of Western Europe over six centuries, to try to answer the following questions: who might become enslaved and why? What did this mean for them, and for their lords? What made people opt for certain ways of exploiting unfree labor over others in different times and places, and is it possible, underneath all this diversity, to identify some coherent trajectories of historical change?