The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition: "... an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." --African Studies Review "... leav es] the reader with a sense of the vitality, dynamism, and complexity of Ogun and the cultural contexts in which he thrives.... magnificent contribution to the literature on Ogun, Yoruba culture, African religions, and the African diaspora." --International Journal of Historical Studies

This landmark work of ethnography explores the enduring, global worship of the African god of war—with five new essays in this new, expanded edition. Ogun—the ancient African god of iron, war, and hunting—is worshiped by more than forty million adherents in Western Africa, the Caribbean, and the Americas. This rich, interdisciplinary collection draws on field research from several continents to reveal Ogun’s dramatic power and enduring appeal. Contributors examine the history and spread of Ogun throughout old and new worlds; the meaning of Ogun ritual, myth, and art; and the transformations of Ogun through the deity’s various manifestations. This edition includes five new essays focusing mainly on Ogun worship in the new world. “[A]n ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas.” —African Studies Review

In this collection authors apply spatial analysis to case studies of social, economic, and political dynamics in West, Central, and East Africa during the nineteenth and twentieth century. Also included is a lengthy essay re-interpreting tropical Africa, 1800-1930, using spatial theory.

This book is a richly detailed comparative analysis of endogenous, Muslim, and Christian religious thought and practice in sub-Saharan Africa. Organized thematically, the book presents a conceptual and analytical framework for the study of religious traditions as complex and constantly evolving social phenomena. The most salient theme in the book is how different religious traditions defined and provided for the personal and communal wellbeing of their adherents. Other major themes explore how religious traditions have influenced one another, how religious practitioners conceptualized and interacted with spiritual entities, how religious knowledge and expertise were acquired and transmitted, how rituals were organized and structured in order to achieve their aims, and how rituals affected those who performed them. Additional topics analysed include the personalization of relationships with spiritual entities, the gendering of religious thought and practice, how personal transformative rituals were conceptualized and enacted with reference to stages of the life cycle, such as birth, marriage and death, and how suffering was seen as integral to the process of personal transformation. Overall, the book engages with issues that continue to animate the study of religious thought and practice in Africa and African studies more generally.

"A working guide on how to achieve financial success by working with the lwa, the spirits of Haitian Vodou"--Provided by publisher.

Christianity and Culture in the City: A Postcolonial Approach offers an introduction to the broad diversity of contemporary Christianities in a rich, complex, changing, and challenging city context. Cruz focuses upon a variety of changing communities with dynamic and striking cultural experiences, and the volume provides both scholarly and practical insights as to how Christianities in the city relate to and transform city institutions and communities that are undergoing dramatic shifts and invite opportunities for intentional study. This book offers a provocative interdisciplinary examination to shed light upon the ways in which diverse city communities appropriate Christianity to better engage their economic, cultural, political, and religious environment. A post-colonial theoretical framework will help inform how Christianity serves to empower and reinvent fragmented, oppressed, and struggling city populations. The reader is offered various conceptual, theoretical, and pragmatic insights and knowledge for better interpreting, affirming, and engaging diverse Christianities in the city in a postcolonial era.

As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas. Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.

This is the first book to examine the connections between diaspora - the movement, whether forced or voluntary, of a nation or group of people from one homeland to another - and its representations in visual culture. Two foundational articles by Stuart Hall and the painter R.B. Kitaj provide points of departure for an exploration of the meanings of diaspora for cultural identity and artistic practice. A distinguished group of contributors, who include Alan Sinfield, Irit Rogoff, and Eunice Lipton, address the rich complexity of diasporic cultures and art, but with a focus on the visual culture of the Jewish and African diasporas. Individual articles address the Jewish diaspora and visual culture from the 19th century to the present, and work by African American and Afro-Brazilian artists.

This volume honours one of the great scholars of our era, Professor Jacob Olupona. Although he has conducted significant portions of his career outside of Nigeria, he has not separated himself from his colleagues or from interests in religions in Nigeria and elsewhere in Africa. His publications and presentations offer the international scholarly community important critical insights into a range of religious activities, life ways and ideas originating in Africans and the African Diaspora. In spite of the diversity in the thoughts and opinions expressed, and equally of the range of disciplines and topics contained in the book, one can say that the contributors have developed a shared concern about the role of African Indigenous Religious Traditions in the processes of development and the context within which it (development) had or is taking place. The book guides us to a deep understanding and appreciation of how Africans in their varied situations grapple with existential problems through philosophical ruminations, complex ritual processes, cultivated memory and organized coping strategies.