There is a divine pronouncement among the Akan that all human beings are children of God (Nana Nyame), none a child of the earth (mother); meaning that human beings are spiritual in origin, descending directly from God via the Abosom (gods and goddesses). Every person then has a deity as father (Ᾱgya-bosom), recognition of which existentially enables a person to fulfil one’s career or professional blueprint (Nkrabea). Intrinsically, therefore, human beings embody the very essence of the Abosom, which manifests itself behaviorally and psychologically in a manner identical to those of the gods and goddesses. African Personality and Spirituality: The Role of Abosom and Human Essence therefore addresses ultimate existential concerns of the Akan, revealing the essence of the primeval gods and goddesses and how they transform themselves into human beings, as well as the psychology of personality characteristic attributes, the phenomenon of spirit alightment, and other manifestations of the gods and goddesses, and the imperative of ethical existence and generativity (Ↄbra bᴐ) as basis of eternal life.

Using the Akan in Ghana as a paradigmatic African representative group, African Spirituality: On Becoming Ancestors, Third Edition offers a unique African developmental praxis to eternal life immortality. Indeed, this way of life is predicated on the awareness and application of certain intrinsic values, which, if followed, lead to eternal life. As a way of living, African spirituality begins when an individual becomes morally and ethically responsible for one’s own actions while engaged on an ethical path (Ɔbra Bↄ) in pursuance of one’s unique career endeavor (Nkrabea). Though an individual quest, society is, however, the arbiter of one’s ethical and moral life, when society confers on the person adjudged a success the stage title of Nana. At old age, Ɔbra Bↄ ends as an active endeavor. However, as repositories of wisdom, senior elders continue to inculcate in succeeding generations the principles, art, and mastery of ideal life (Ɔbra pa). Then upon death, senior elders are transformed into deities, bequeathing to living descendants names worthy of evocation and worship. Indeed, this book is the first study of its kind to draw on the experiences of an entire people, their psychological dispositions and effects on the Akan during adulthood. Thus, this book brings a unique perspective to the study of spirituality, religion, developmental psychological theory, what it means to achieve perfection as an elder on earth, and upon death join the esteemed company of the Nananom Nsamanfo (Ancestors).

African religion is ancestor worship; that is, funeral preparations, burial of the dead with ceremony and pomp, belief in eternal existence of souls of the dead as ancestors, periodic remembrance of ancestors, and belief that they influence the affairs of their living descendants. Whether called Akw?sidai, Homowo, Voodoo, Nyant?r (Aboakyir), CandomblZ, or Santeria in Africa or the African Diaspora, ancestor worship centers on the ancestors and deities. This makes it a tenably viable religion, because living descendants are genetically linked to their ancestors. The author, a traditional king and professor, studies the Akan in Ghana to demonstrate that ancestor worship is as pragmatic, systematic, theological, teleological, soteriological — with a highly trained clerical body and elders as mediators — and symbolic as any other religion in the world. Ancestor worship follows prescribed rites and rituals, formulas, precepts for ritual efficacy, and festivities of honor with music and dances to provoke ancestors and deities into joining in the celebration.

This book connects traditional religions to the thriving religious activity in Africa today.

African American spirituality plays a central role in the formation and practice of Black freedom in America. This freedom is primarily spiritual and cultural and has a significant role in shaping Black consciousness, behavior and belief.It has created a cultural archive or black culture soul, which shapes the colors, content, timber and texture of the African American communities.Unlike other paradigms which posit the social, political and economic imperatives of freedom, the African American model stipulates the vital role of Black spirituality. This spirituality embodies the creation and sustenance of Black culture, establishes psychological and spiritual relocation in response to oppression, and equips African Americans with the spiritual tools for their physical, vocational and institutional survival.A central thesis of the book is that African American spirituality, by the way it shapes and informs black life, creates a unique praxis of freedom. Most importantly is the way Black spirituality is expressed in Black culture, the Black church and Black life values.Creativity is, therefore, essential to freedom. That freedom is manifested in everything from the development of jazz as a sui generis and indigenous art form, to the ways Black people walk, talk, interpret and oppositionally express themselves in the world.Such creativity is indispensable to the formation and preservation of Black life. It has been used by African Americans as a powerful weapon in maintaining identity and creating a spirituality of culture and a culture of spirituality, which have largely thwarted their complete psychological and physical annihilatio

This updated edition of The Oxford Handbook of Psychology and Spirituality codifies the leading empirical evidence in the support and application of postmaterial psychological science. Lisa J. Miller has gathered together a group of ground-breaking scholars to showcase their work of many decades that has come further to fruition in the past ten years with the collective momentum of a Spiritual Renaissance in Psychological Science. With new and updated chapters from leading scholars in psychology, medicine, physics, and biology, the Handbook is an interdisciplinary reference for a rapidly emerging approach to contemporary science. Highlighting fresh ideas and supporting science, this overarching work provides both a foundation and a roadmap for what is truly a new ideological age.

This handbook places emphasis on modern/contemporary times, and offers relevant sophisticated and comprehensive overviews. It aims to emphasize the religious, economic, political, cultural and social connections between Africa and the rest of the world and features comparisons as well as an interdisciplinary approach in order to examine the place of Africa in global history. "This book makes an important contribution to the discussion on the place of Africa in the world and of the world in Africa. An outstanding work of scholarship, it powerfully demonstrates that Africa is not marginal to global concerns. Its labor and resources have made our world, and the continent deserves our respect." – Mukhtar Umar Bunza, Professor of Social History, Usmanu Danfodiyo University, Sokoto, and Commissioner for Higher Education, Kebbi State, Nigeria "This is a deep plunge into the critical place of Africa in global history. The handbook blends a rich set of important tapestries and analysis of the conceptual framework of African diaspora histories, imperialism and globalization. By foregrounding the authentic voices of African interpreters of transnational interactions and exchanges, the Handbook demonstrates a genuine commitment to the promotion of decolonized and indigenous knowledge on African continent and its peoples." – Samuel Oloruntoba, Visiting Research Professor, Institute of African Studies, Carleton University

Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.