Many African countries achieved independence from their colonisers over five decades ago, but the people and the continent largely remain mere spectators in the arena of their own dance. The post-independence states are supposed to be sovereign, but the levers of economic and political powers still reside in the donor states. Not in many fora is the complex reality that defines Africa more trenchantly articulated than in imaginative literature produced about and on the continent. This is the crux of the essays collected in African Literature and the Future. The book reflects on Africa's past and present, addressing anxieties about the future through the epistemological lens of literature. The contributors peep ahead from a backward glance. They dissect the trend and tenor of politics and their impact on the socio-cultural and economic development of the continent as portrayed in imaginative writings over the years. One salient feature of African literature is the close affinity between art and politics in its polemics. This is well established in all the six essays in the book as the authors stress the interconnections between literature and society in their textual analyses. On the whole, there is an overwhelming feeling of angst and pessimism, but the authors perceive a glimmer of hope despite daunting odds, under different conditions. Thus, they depict the plausible fate of Africa in the twenty-first century, as informed by its ancient and recent past, gleaned from primary texts.

Many African countries achieved independence from their colonisers over five decades ago, but the people and the continent largely remain mere spectators in the arena of their own dance. The post-independence states are supposed to be sovereign, but the levers of economic and political powers still reside in the donor states. Not in many fora is the complex reality that defines Africa more trenchantly articulated than in imaginative literature produced about and on the continent. This is the crux of the essays collected in African Literature and the Future. The book reflects on Africas past and present, addressing anxieties about the future through the epistemological lens of literature. The contributors peep ahead from a backward glance. They dissect the trend and tenor of politics and their impact on the socio-cultural and economic development of the continent as portrayed in imaginative writings over the years. One salient feature of African literature is the close affinity between art and politics in its polemics. This is well established in all the six essays in the book as the authors stress the interconnections between literature and society in their textual analyses. On the whole, there is an overwhelming feeling of angst and pessimism, but the authors perceive a glimmer of hope despite daunting odds, under different conditions. Thus, they depict the plausible fate of Africa in the twenty-first century, as informed by its ancient and recent past, gleaned from primary texts.

AFRICAN LITERATURE TODAY was established at a time of uncertainty and reconstruction but for 50 years it has played a leading role in nurturing imaginative creativity and its criticism on the African continent and beyond. Contemporary African creative writers have confidently taken strides which resonate all over the world. The daring diversities, stylistic innovations and enchanting audacities which characterize their works across many different genres resonate with readers beyond African geographic and linguistic boundaries. Writers in Africa and the diaspora seem to be speaking with collective and individual voices that compel world attention and admiration. And they arebeing read in numerous world languages. This volume's contributors recognize the foundations laid by the pioneer African writers as they point vigorously to contemporary writers who have moved African imaginative creativityforward with utmost integrity, and to the critics who continue to respond with unyielding tenacity. The founding Editor of ALT, Professor Eldred Durosimi Jones, recalls in an interview in this volume, the role ALT played in the evolution and stimulation of a wave of African literary studies and criticism in mid-20th century: "The 1960s saw a good deal of activity among scholars teaching African Literature throughout Africa and the world, and this ledto a series of conferences in African Literature in Dakar, Nairobi, and Freetown.around the idea of communication between the various English Departments which took an interest in African Literature. We decided on a bulletin, which was just a kind of newsletter between departments saying what was going on....it was that bulletin that showed the potential of this kind of communication... after that we started African Literature Today as a journal inviting articles on the works of African writers." Contributors to the series demonstrate the impact of the growth in studies and criticism of African Literature in the 50 years since its founding. Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

Engaging important discussions about social conflict, environmental change, and imperialism in Africa, Different Shades of Green points to legacies of African environmental writing, often neglected as a result of critical perspectives shaped by dominant Western conceptions of nature and environmentalism. Drawing on an interdisciplinary framework employing postcolonial studies, political ecology, environmental history, and writing by African environmental activists, Byron Caminero-Santangelo emphasizes connections within African environmental literature, highlighting how African writers have challenged unjust, ecologically destructive forms of imperial development and resource extraction. Different Shades of Green also brings into dialogue a wide range of African creative writing—including works by Chinua Achebe, Ngũgĩ wa Thiong’o, Bessie Head, Nadine Gordimer, Zakes Mda, Nuruddin Farah, Wangari Maathai, and Ken Saro-Wiwa—in order to explore vexing questions for those involved in the struggle for environmental justice, in the study of political ecology, and in the environmental humanities, urging continued imaginative thinking in effecting a more equitable, sustain¬able future in Africa.

The Columbia Guide to South African literature in English since 1945 Gareth Cornwell, Dirk Klopper and Craig MacKenzie This guide captures the pulsating diversity of South African literature in English since 1945 in a single volume, with a strong range of entries, richness of detail and critical sophistication. With some 400 entries on post-1945 writers, and a particular emphasis on writers emerging in the last 20 years or so, it is both comprehensive and concise on major writers and themes, and provides key background information on major historical and cultural events. The introduction provides a context for the entries, which include emerging writers, major post-1945 writers, and detailed subject entries. An appendix on some 30 essential pre-1945 writers ensures that the literary history is presented in a balanced way. The guide concludes with an extensive bibliography including primary works, critical literature, and anthologies, as well as a detailed index. From Afrika to Zwi, with Baderoon, Coovadia, and Duiker in between - not to mention Essop, Fugard, Galgut, Head, Jensma, Kozain, La Guma, Magona, Ndebele, Oliphant, Paton, Rampolokeng, Slovo, Themba, Uys, VladislaviÃ?Â, Wicomb, Zadok . . . this is the indispensible guide to South African literature in English.

Since the end of the cold war, Africa has seen a dramatic rise in new political and religious phenomena, including an eviscerated privatized state, neoliberal NGOs, Pentecostalism, a resurgence in accusations of witchcraft, a culture of scamming and fraud, and, in some countries, a nearly universal wish to emigrate. Drawing on fieldwork in Togo, Charles Piot suggests that a new biopolitics after state sovereignty is remaking the face of one of the world’s poorest regions. In a country where playing the U.S. Department of State’s green card lottery is a national pastime and the preponderance of cybercafés and Western Union branches signals a widespread desire to connect to the rest of the world, Nostalgia for the Future makes clear that the cultural and political terrain that underlies postcolonial theory has shifted. In order to map out this new terrain, Piot enters into critical dialogue with a host of important theorists, including Agamben, Hardt and Negri, Deleuze, and Mbembe. The result is a deft interweaving of rich observations of Togolese life with profound insights into the new, globalized world in which that life takes place.

This book investigates how African authors and artists have explored themes of the future and technology within their works. Interdisciplinary in its approach, this book will be an important resource for researchers across the fields of African literature, philosophy, culture and politics.

Exploring the idea of a ‘Global Africa’, this book examines how African literary and cultural productions have changed due to the social and political influences brought about by increased globalisation. A variety of European theoretical concepts are applied to Africa, demonstrating the universality of the African experience.

Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.

Akata Woman is the New York Times bestselling third book in the series that started with Akata Witch, named one of Time magazine's "100 Best Fantasy Books of All Time" and "100 Best YA Books of All Time," from award-winning author Nnedi Okorafor. "In this series, Okorafor creates a stunningly original world of African magic that draws on Nigerian folk beliefs and rituals instead of relying on the predictable tropes of Western fantasy novels." —Time magazine From the moment Sunny Nwazue discovered she had mystical energy flowing in her blood, she sought to understand and control her powers. Throughout her adventures in Akata Witch and Akata Warrior, she had to navigate the balance between nearly everything in her life—America and Nigeria, the "normal" world and the one infused with juju, human and spirit, good daughter and powerful Leopard Person. Now, those hard lessons and abilities are put to the test in a quest so dangerous and fantastical, it would be madness to go...but may destroy the world if she does not. With the help of her friends, Sunny embarks on a mission to find a precious object hidden deep in an otherworldly realm. Defeating the guardians of the prize will take more from Sunny than she has to give, and triumph will mean she will be forever changed.