Every year, American schoolchildren celebrate Black History Month. They study almost exclusively American stories, which are not only rooted in struggle over enslavement or oppression, but also take in only four hundred years of a rich and thrilling history that goes back many millennia across the African continent. Through portraits of ten historical figures - from Menes, the first ruler to be called Pharaoh, to Queen Idia, a sixteenth-century power broker, visionary, and diplomat - African Iconstakes readers on a journey across Africa to meet some of the great leaders and thinkers whose ideas built a continent and shaped our world.

In this expansive collection of history, meet ten real-life kings, queens, inventors, scholars, and visionaries who lived in Africa thousands of years ago and changed the world. Black history begins thousands of years ago with the many cultures and people of the African continent. Through portraits of ten heroic figures, bestselling author Tracey Baptiste takes readers on an empowering, energetic journey through time to meet some of the great leaders and thinkers whose vision built nations and shaped the course of history: Menes: Creator of Dynasties Merneith: A Queen Erased Imhotep: From Peasant to God Aesop: The Wisest Man in the Ancient World Hannibal Barca: Unparalleled Military Strategist Terence: North African Playwright Amanirenas: Warrior, Diplomat, Queen Tin Hinan: Founder of a City on the Dunes Mansa Musa: The Richest Man of All Time Queen Idia: Kingmaker Illustrator Hillary D. Wilson's brilliant portraits accompany each profile, along with vivid, information-filled landscapes, maps, and graphics for readers to pore over and return to again and again. This rich and thrilling work, which celebrates Black excellence and provides an essential correction to Eurocentric tellings of history, will enthrall readers of all ages. “In African Icons, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers . . . This is a great beginner’s guide to pre-colonial Africa.” —Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning and How to Be an Antiracist

This volume offers an examination of African Americans in sports, from a variety of perspectives. It explores the history and lives of complex, multi-layered personages and groups. Also examined is the extent to which modern mass media and popular culture have contributed greatly to the rise, and sometimes fall, of these powerful symbols of athletic, individual, and group excellence.

Perform the national anthem at President Barack Obama's inauguration ceremony. Wow the crowd with a spectacular Super Bowl halftime show. Win a Grammy. When you are legendary singer and performer Beyonce Knowles, this is just a regular month's work. Beyonce went from a child singer in her hometown of Houston, Texas, to one of the most recognizable faces on the planet. She has sold millions of records, made hit movies, and runs a clothing line. This superstar does it all. Author Michael A. Schuman chronicles the life of the amazing Beyonce.

One of the first singles from The Black Album, a famous Jay-Z record, rap "What More Can I Say"? But the real question is what more can this music legend do? From the platinum albums to the sold-out concerts to his Rocawear clothing brand, Jay-Z has done it all. He has sold some 50 million albums worldwide. He even has a sneaker named after him. From the Brooklyn projects to the corner office in Manhattan, Jay-Z made his own way, overcoming many obstacles. Author Jeff Burlingame explores the remarkably interesting life of this hip-hop icon.

Presents the history of Africa's rich cultural empires from the early part of the millennium through the time of Christopher Columbus.

The first visual document of black social and cultural history in America from World War II to the present, In Our Own Image is also a fascinating scrapbook that recounts simple, eloquent stories about home life, family reunions, worship, weddings, funerals, barbeques, barbershops, beauty parlors, nightclubs, civic organizations, and celebrations. The unique recollections of African-Americans from a variety of backgrounds and age groups accompany more than 160 images from personal and archival collections, with such poignant ephemera as programs from cotillions and fashion shows, restaurant menus, movie posters, even ticket stubs. The authors have woven material from university and museum collections in Detroit, New Orleans, Washington, D.C., Los Angeles, and Atlanta into a narrative photo book that forms a warm, loving record of African-American community, traditions, and family life in the latter half of the twentieth century.

In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture explores this presence, examining Mattel's world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers. Because these cultural icons permeate American life, they represent the broader U.S. culture and its relationship to African culture. This study integrates approaches from art history and visual culture studies with those from culture, race, and popular culture studies to analyze this interchange. Two major threads weave throughout. One analyzes how the presentation of African visual culture in these popular culture forms conceptualizes Africa for the American public. The other investigates the way the uses of African visual culture focuses America's own self-awareness, particularly around black and white racialized identities. In exploring the multiple meanings that “Africa” has in American popular culture, Africa in the American Imagination argues that these cultural products embody multiple perspectives and speak to various sociopolitical contexts: the Cold War, civil rights, and contemporary eras of the United States; the apartheid and post-apartheid eras of South Africa; the colonial and postcolonial eras of Ghana; and the European era of African colonization.

What meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography’s role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons “signify”? Nicole R. Fleetwood’s answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis. Offering an overview of photography’s ability to capture shifting race relations, Fleetwood spotlights in each chapter a different set of iconic images in key sectors of public life. She considers flash points of racialized violence in photographs of Trayvon Martin and Emmett Till; the political, aesthetic, and cultural shifts marked by the rise of pop stars such as Diana Ross; and the power and precarity of such black sports icons as Serena Williams and LeBron James; and she does not miss Barack Obama and his family along the way. On Racial Icons is an eye-opener in every sense of the phrase. Images from the book. (http://rutgerspress.rutgers.edu/pages/Fleetwood.aspx)