Religion and spirituality have been key elements of African-American life since the earliest days of the slave trade

BLACK STARS Meet the black religious leaders who helpedshape the AfricanAmerican experience--from colonial to modern times * Absalom Jones * Richard Allen * Jarena Lee * Lemuel Haynes * Peter Williams Sr. * Peter Williams Jr. * John Marrant * Denmark Vesey * Sojourner Truth * Nat Turner * Maria Stewart * John Jasper * Alexander Crummell * Henry Highland Garnett * Henry McNeal Turner * Richard Henry Boyd * Bishop C. M. "Sweet Daddy" Grace * Vernon Johns * Elijah Muhammad * Howard Thurman * Adam Clayton Powell Jr. * Joseph E. Lowery * Malcolm X * Martin Luther King Jr. * Andrew J. Young * James L. Bevel * John Lewis * Prathia Hall Wynn * Jesse L. Jackson * Vashti Murphy McKenzie * Fredrick J. Streets * Al Sharpton * Renita J. Weems * T. D. Jakes

This interdisciplinary project features scholars in African-American Studies, Philosophy, Religious Studies, Women's Studies, History, Communication, Political Science, Social Work and Organizational Behavior.

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

Using the successful model of The Summit Group, the authors of this compiled volume guide the reader through the process of preparing the next African American ministry leaders to be ready for the leadership. The book provides teaching and case studies for successful succession of leadership in ministries, businesses and churches. Today's leaders must prepare future leaders, preparing their organizations for change, to be ready for future leaders, and exercising grace and wisdom during and after the transition of leadership. African American leaders will find this book to be an essential guide through that process. Parker Books are written to equip and encourage African American ministry leaders.

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Analysis of Martin Luther King, Jr., Malcolm X, Joseph H. Jackson, & Adam Clayton Powell Jr.

Professor Clarence Taylor sheds some much-needed light on the rich intellectual and political tradition that lies in the black religious community. From the Pentecostalism of Bishop Smallwood Williams and the flamboyant leadership of the Reverend Al Sharpton, to the radical Presbyterianism of Milton Arthur Galamison and the controversial and mass-mobilization by Minister Louis Farrakhan, black religious leaders have figured prominently in the struggle for social equality in America.