Known as the kamra-e-faoree ('instant camera'), Afghanistan is one of the last places on Earth where it has continued to be used by photographers as a way of making a living. Under the Taliban, with the banning of photography, it was even outlawed, forcing photographers to hide or destroy their tools. Spanning decades, from peacetime to war, box camera photography in Afghanistan exists within a more sophisticated photographic history. With the help of dozens of Afghan photographers, this book illustrates the technique and artistry of a visually enthralling photographic culture.

"These Polaroids from the Middle Kingdom are a series of images from contemporary China from 2008-2010 but captured on expired film from the 1980s"--p. 7.

In October 2008, Mellissa Fung, a long-time reporter for CBC’s The National, was leaving a refugee camp outside of Kabul. Suddenly, she was grabbed by armed men claiming to be Taliban, stabbed, stuffed into the back of a car and driven off into the desert. When the group finally reached a village in the middle of nowhere, her kidnappers pushed her towards a hole in the ground. For twenty-eight days, Mellissa Fung lived in that hole, which was barely big enough to stand up or lie down in, nursing her injuries, praying, writing in her notebook and, as a veteran journalist, interrogating her own captors. Under an Afghan Sky is the gripping tale of Fung’s days in captivity, and a powerful book about survival and the indomitable spirit of one woman in the most perilous of circumstances.

This resulting journal, Kafkanistan, explores how we are all influenced by the media. Believing that many of us will never visit the region and all we know about it is what we read in the newspapers and what we see on television, the authors were interes

The basis of the film starring Orlando Bloom and Scott Eastwood, The Outpost is the heartbreaking and inspiring story of one of America's deadliest battles during the war in Afghanistan, acclaimed by critics everywhere as a classic. At 5:58 AM on October 3rd, 2009, Combat Outpost Keating, located in frighteningly vulnerable terrain in Afghanistan just 14 miles from the Pakistani border, was viciously attacked. Though the 53 Americans there prevailed against nearly 400 Taliban fighters, their casualties made it the deadliest fight of the war for the U.S. that year. Four months after the battle, a Pentagon review revealed that there was no reason for the troops at Keating to have been there in the first place. In The Outpost, Jake Tapper gives us the powerful saga of COP Keating, from its establishment to eventual destruction, introducing us to an unforgettable cast of soldiers and their families, and to a place and war that has remained profoundly distant to most Americans. A runaway bestseller, it makes a savage war real, and American courage manifest. "The Outpost is a mind-boggling, all-too-true story of heroism, hubris, failed strategy, and heartbreaking sacrifice. If you want to understand how the war in Afghanistan went off the rails, you need to read this book." -- Jon Krakauer

Noted documentary photographer Robert Nickelsberg's photographs help bring into focus the day-to-day consequences of war, poverty, oppression, and political turmoil in Afghanistan. Since the attack on the World Trade Center, Afghanistan has evolved from a country few people thought twice about to a place that evokes our deepest emotions. TIME magazine photographer Robert Nickelsberg has been publishing his images of this distant yet all too familiar country since 1998, when he accompanied a group of Mujahideen across the border from Pakistan. This remarkable volume of photographs is accompanied by insightful texts from experts on Afghanistan and the Taliban. The images themselves are captioned with places, dates, and Nickelsberg's own extensive commentary. Timely and important, the book serves as a reminder that Afghanistan and the rest of the world remain inextricably linked, no matter how much we long to distance ourselves from its painful realities.

Colorful and stylish images--taken with a toy camera--presented in a beautifully designed white box.

A collection of unposed and engaging portraits from around the world.

Winner, International Photography Award, 1st Place, Professional: Book, Documentary, 2016 The Afghan people are standing at a crucial crossroads in history. Can their fragile democratic institutions survive the drawdown of US military support? Will Afghan women and girls be stripped of their modest gains in freedom and opportunity as the West loses interest in their plight? While the media have largely moved on from these stories, Paula Bronstein remains passionately committed to bearing witness to the lives of the Afghan people. In this powerful photo essay, she goes beyond war coverage to reveal the full complexity of daily life in what may be the world's most reported on yet least known country. Afghanistan: Between Hope and Fear presents a photographic portrait of this war-torn country's people across more than a decade. With empathy born of the challenges of being an American female photojournalist working in a conservative Islamic country, Bronstein gives voice to those Afghans, particularly women and children, rendered silent during the violent Taliban regime. She documents everything from the grave trials facing the country—human rights abuses against women, poverty and the aftermath of war, and heroin addiction, among them—to the stirrings of new hope, including elections, girls' education, and work and recreation. Fellow award-winning journalist Christina Lamb describes the gains that Afghan women have made since the overthrow of the Taliban, as well as the daunting obstacles they still face. An eloquent portrait of everyday life, Afghanistan: Between Hope and Fear is the most complete visual narrative history of the country currently in print.