Affinities—that nagging sense of familiarity which we get at particular moments in works of art—offer a key to the ways in which poets and artists work. In nine chapters, this book approaches important aspects of the topic and shows how affinity, intentional or otherwise, can be a signpost to an influence the artist wishes to hide, a route into creativity, a shared feature of a genre at a particular stage of development, or a joyful sharing of a common heritage. It can also be the first step in a lawsuit, when it is confused with plagiarism. The chapters range in topic from Wagner and Meyerbeer, Tchaikovsky to the Hymnal, Thomas Mann and Colm Tóibín, and Agatha Christie and George Eliot to American Naïve Painting.

Affinities--that nagging sense of familiarity which we get at particular moments in works of art--offer a key to the ways in which poets and artists work. In nine chapters, this book approaches important aspects of the topic and shows how affinity, intentional or otherwise, can be a signpost to an influence the artist wishes to hide, a route into creativity, a shared feature of a genre at a particular stage of development, or a joyful sharing of a common heritage. It can also be the first step in a lawsuit, when it is confused with plagiarism. The chapters range in topic from Wagner and Meyerbeer, Tchaikovsky to the Hymnal, Thomas Mann and Colm Tóibín, and Agatha Christie and George Eliot to American Naïve Painting.

This study examines the physical form and cultic function of the biblical cherubim. Previous studies of the cherubim have placed too great an emphasis on archaeological and etymological data. This monograph presents a new synthetic study, which prioritises the evidence supplied by the biblical texts. Biblical exegesis, using literary and historical-critical methods, forms the large part of the investigation (Part I). The findings arising from the exegetical discussion provide the basis upon which comparison with etymological and archaeological data is made (Parts II and III). The results suggest that traditions envisaging the cherubim as tutelary winged quadrupeds, with one head and one set of wings, were supplanted by traditions that conceived of them as more enigmatic, obeisant beings. In the portrayal of the cherubim in Ezekiel and Chronicles, we can detect signs of a conceptual shift that prefigures the description of the cherubim in post-biblical texts, such as The Songs of the Sabbath Sacrifice and the Enochic texts.

Reprint of the original, first published in 1843.

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.