Classical Greeks considered the Mycenaean civilization to be the basis of their glorious and heroic heritage, but its material existence was not confirmed until the excavations of Heinrich Schliemann in the late nineteenth century. In the ensuing years, as with the field of archaeology in general, emphasis has shifted from revealing monuments and finding treasure to dealing with less glamorous, more scientifically-oriented investigations concerning aspects such as social and political organization, economic functions and settlement patterns. With its more than 2000 entries, this reference work serves as both an introduction to and a summary of the study of ancient Mycenaean civilization. Considerably expanded from the first edition, there are 500 new entries representing materials published since 1991. The largest part of the book is made up of annotated bibliography entries arranged topically with introductory material for each section. The book also includes a general introduction to Mycenaean civilization, a glossary, and author, place and subject indexes.

Consists of 20 chapters in 2 parts; pt. 1 contains chapters on Aegean prehistory and the East and pt. 2 contains chapters on classical Greece, Etruria, and Rome.

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Our knowledge of ancient Greece has been transformed in the last century by an increased understanding of the cultures of the Ancient Near East. This is particularly true of ancient religion. This book looks at the relationship between the religious systems of Ancient Greece and the Hittites, who controlled Turkey in the Late Bronze Age (1400-1200 BC). The cuneiform texts preserved in the Hittite archives provide a particularly rich source for religious practice, detailing festivals, purification rituals, oracle-consultations, prayers, and myths of the Hittite state, as well as documenting the religious practice of neighbouring Anatolian states in which the Hittites took an interest. Hittite religion is thus more comprehensively documented than any other ancient religious tradition in the Near East, even Egypt. The Hittites are also known to have been in contact with Mycenaean Greece, known to them as Ahhiyawa. The book first sets out the evidence and provides a methodological paradigm for using comparative data. It then explores cases where there may have been contact or influence, such as in the case of scapegoat rituals or the Kumarbi-Cycle. Finally, it considers key aspects of religious practices shared by both systems, such as the pantheon, rituals of war, festivals, and animal sacrifice. The aim of such a comparison is to discover clues that may further our understanding of the deep history of religious practices and, when used in conjunction with historical data, illuminate the differences between cultures and reveal what is distinctive about each of them.

This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.

This volume presents a series of reflections on modes of communication in the Bronze Age Aegean, drawing on papers presented at two round table workshops of the Sheffield Centre for Aegean Archaeology on ‘Technologies of Representation’ and ‘Writing and Non-Writing in the Bronze Age Aegean’. Each was designed to capture current developments in these interrelated research areas and also to help elide boundaries between ‘science-based’ and ‘humanities-based’ approaches, and between those focused on written communication (especially its content) and those interested in broader modes of communication. Contributions are arranged thematically in three groups: the first concerns primarily non-written communication, the second mainly written communication, and the third blurs this somewhat arbitrary distinction. Topics in the first group include use of color in wall-paintings at Late Bronze Age Pylos; a re-interpretation of the ‘Harvester Vase’ from Ayia Triada; re-readings of the sequence of grave stelae at Mycenae, of Aegean representations of warfare, and of how ritual architecture is represented in the Knossos wall-paintings; and the use of painted media to represent depictions in other (lost) media such as cloth. Topics in the second group range from defining Aegean writing itself, through the contexts for literacy and how the Linear B script represented language, to a historical exploration of early attempts at deciphering Linear B. In the third group Linear B texts and archaeological data are used to explore how people were represented diacritically through taste and smell, and how different qualities of time were expressed both textually and materially; the roles of images in Aegean scripts, complemented by a Peircian analysis of early Cretan writing; a consideration of the complementary role of (non-literate) sealing and (literate) writing practices; and concludes with a further exploration of the color palette used at Pylos.