The author discusses the writers and trends in Texas literature beginning with early twentieth-century writer J. Frank Dobie and Larry McMurtry during the 1960s and places writers, politicians, and cultural leaders in the context of each age.

A collection of fifteen essays which cover Indians, Mexican Americans, African Americans, women, religion, war on the homefront, music, literature, film, art, sports, philanthropy, education, the environment, and science and technology in twentieth-century Texas.

From the Guadalupe Mountains of the Chihuahuan Desert to the Hill Country to the Red River, the vast geographic landscape of Texas has afforded the cultural depth and diversity to inspire its writers. The richness of Texas folklore, history, and traditions has left an unmistakable mark on the art of the region. Both native and transplant Texas writers alike have been keenly shaped by the distinctive aroma of fresh corn tortillas, tales of Mescalero Apaches, and Tejano and ranchera music. Jameson has compiled an assorted collection of fourteen essays by some of the most prominent Texas writers through which he hopes to explore the following questions: “How did they accomplish their goals? Why did they choose the writing life? What influence did the history, lore, and culture of Texas play in their creative process?” While readily citing the “decidedly Texas flavor” in his own fiction, Jameson seeks to uncover the inspirations in other writers from both the expansive and rugged Texas terrain as well as the varied people therein. The fourteen writers who comprise Notes from Texas range from the captivating and often humorous essayist Larry L. King to the beloved historical novelist Elmer Kelton. Other contributors include James Ward Lee, known for his expertise in Texas cuisine and culture, and poet and songwriter Red Steagall. This collection bestows each with a “chance to express what they wished to share about their art and their life as a Texas writer.”

The history of New Texas, the Texas we know today—oil-rich, insufferably loud, and unbearably proud of itself—begins in the late 1920s, when a horned frog wakes from its thirty-one-year nap in a courthouse cornerstone and flabbergasts the nation. In slightly over two decades ten individuals—their words, actions, and accomplishments—come to define the New Texas of the twenty-first century. While the history of Old Texas rests on oft-told legends of Houston, Austin, Travis, Crockett, Rusk, Lamar, and Seguin, today’s New Texas—proud, loud, self-promotional, sports-crazy, and too rich for its own good—is the Texas that percolates throughout the nation’s popular culture. In Texas Loud, Proud, and Brash: How Ten Mavericks Created the Twentieth-Century Lone Star State, author Rusty Williams profiles ten largely unsung men and women responsible for the Texas you love, hate, and (secretly) envy today.

The Texas Folklore Society is one of the oldest and most prestigious organizations in the state. Its secret for longevity lies in those things that make it unique, such as its annual meeting that seems more like a social event or family reunion than a formal academic gathering. This book examines the Society's members and their substantial contributions to the field of folklore over the last century. Some articles focus on the research that was done in the past, while others offer studies that continue today. This book does more than present a history of the Texas Folklore Society: it explains why the TFS has lasted so long, and why it will continue.

According to Renaissance woman and Pepper Lady Jean Andrews, although food is eaten as a response to hunger, it is much more than filling one's stomach. It also provides emotional fulfillment. This is borne out by the joy many of us feel as a family when we get in the kitchen and cook together and then share in our labors at the dinner table. Food is comfort, yet it is also political and contested because we often are what we eat--meaning what is available and familiar and allowed. Texas is fortunate in having a bountiful supply of ethnic groups influencing its foodways, and Texas food is the perfect metaphor for the blending of diverse cultures and native resources. Food is a symbol of our success and our communion, and whenever possible, Texans tend to do food in a big way. This latest publication from the Texas Folklore Society contains stories and more than 120 recipes, from long ago and just yesterday, organized by the 10 vegetation regions of the state. Herein you'll find Senator Kay Bailey Hutchinson’s Family Cake, memories of beef jerky and sassafras tea from John Erickson of Hank the Cowdog fame, Sam Houston's barbecue sauce, and stories and recipes from Roy Bedichek, Bob Compton, J. Frank Dobie, Bob Flynn, Jean Flynn, Leon Hale, Elmer Kelton, Gary Lavergne, James Ward Lee, Jane Monday, Joyce Roach, Ellen Temple, Walter Prescott Webb, and Jane Roberts Wood. There is something for the cook as well as for the Texan with a raft of takeaway menus on their refrigerator.

Set primarily during the early 1940s, A Texas Jubilee is a collection of short stories about life in fictional Bodark Springs, Texas. Through these stories, author Jim Lee paints a humorous picture of the politics, friendships, and secrets that are part of day-to-day life in this eccentric little Texas town. Stories like “Rock-ola” and “Pink-Petticoat” reveal secrets and raise questions about many of the town’s more colorful characters. Will Grady Dell reunite with his lost love, Eva? Is there a connection between Edna Earle Morris’s murder and her mysterious visit from Jesus? Other stories like “Navy, Blue, and Gold” highlight the ways that World War II is causing life to change for everyone in the town. Young Tommy Earl Dell and Fred Hallmark now spend their afternoons staring at the pictures of boys from Eastis County on the Gold Star shelf in the power company's window, dreaming of the day when they will be old enough to join the army. Townspeople now hold their breaths any time John Ed Hallmark, the town’s official messenger, drives his “Chariot of Death” up the street to deliver the news to one of his neighbors that a brother, son, or husband is not coming home from war. Although the pace of life in this small town is slow, there is never a dull moment in A Texas Jubilee. From the first to last page, readers will be constantly entertained by the exotic and unexpected in this imaginative collection of tales. A Texas Jubilee includes a preface by Jeff Guinn.

Winifred Sanford is generally regarded by critics as one of the best and most important early twentieth-century Texas women writers, despite publishing only a handful of short stories before slipping into relative obscurity. First championed by her mentor, H. L. Mencken, and published in his magazine, The American Mercury, many of Sanford’s stories were set during the Texas oil boom of the 1920s and 1930s and offer a unique perspective on life in the boomtowns during that period. Four of her stories were included in The Best American Short Stories of 1926. Questioning the sudden end to Sanford’s writing career, Wiesepape, a leading literary historian of Texas women writers, delved into the author’s previously unexamined private papers and emerged with an insightful and revealing study that sheds light on both Sanford’s abbreviated career and the domestic lives of women at the time. The first in-depth account of Sanford’s life and work, Wiesepape’s biography discusses Sanford’s fiction through the lens of the sociohistorical contexts that shaped and inspired it. In addition, Wiesepape has included two previously unpublished stories as well as eighteen previously unpublished letters to Sanford from Mencken. Winifred Sanford is an illuminating biography of one of the state’s unsung literary jewels and an important and much-needed addition to the often overlooked field of Texas women’s writing.

The vast, disparate region called West Texas is both sparsely populated and scarcely recognized. Yet it has given voice to a surprising number of women writers who have left more than a faint impression on its hardscrabble terrain and consciousness. These writers do much more than evoke the land and its celebrated skies. Often with humor and alw...

An interdisciplinary study of Katherine Anne Porter’s troubled relationship to her Texas origins and southern roots, South by Southwest offers a fresh look at this ever-relevant author. Today, more than thirty years after her death, Katherine Anne Porter remains a fascinating figure. Critics and biographers have portrayed her as a strikingly glamorous woman whose photographs appeared in society magazines. They have emphasized, of course, her writing— particularly the novel Ship of Fools, which was made into an award-winning film, and her collection Pale Horse, Pale Rider, which cemented her role as a significant and original literary modernist. They have highlighted her dramatic, sad, and fragmented personal life. Few, however, have addressed her uneasy relationship to her childhood in rural Texas. Janis P. Stout argues that throughout Porter’s life she remained preoccupied with the twin conundrums of how she felt about being a woman and how she felt about her Texas origins. Her construction of herself as a beautiful but unhappy southerner sprung from a plantation aristocracy of reduced fortunes meant she construed Texas as the Old South. The Texas Porter knew and re-created in her fiction had been settled by southerners like her grandparents, who brought slaves with them. As she wrote of this Texas, she also enhanced and mythologized it, exaggerating its beauty, fertility, and gracious ways as much as the disaffection that drove her to leave. Her feelings toward Texas ran to both extremes, and she was never able to reconcile them. Stout examines the author and her works within the historical and cultural context from which she emerged. In particular, Stout emphasizes four main themes in the history of Texas that she believes are of the greatest importance in understanding Porter: its geography and border location (expressed in Porter’s lifelong fascination with marginality, indeterminacy, and escape); its violence (the brutality of her first marriage as well as the lawlessness that pervaded her hometown); its racism (lynchings were prevalent throughout her upbringing); and its marginalization of women (Stout draws a connection between Porter’s references to the burning sun and oppressive heat of Texas and her life with her first husband).