Marco Perella is a very successful actor. Which is not to say that he is a famous actor. The co-star in some made-for-TV movies, a bit player in major Hollywood productions, guest star on a late night cable TV series-Marco has seen every aspect of what is, by anyone's account, an absurd business. Whether he has been hired to float down the Guadalupe River dressed in a Jester's suit, recruited to teach Kevin Costner how to dance, or paid $250 to stand in front of a plate glass window while a runaway convertible hurtles through it, screeching to a halt only inches from his body, Marco Perella has met his acting challenges head on. In Adventures of a No Name Actor, he recounts his experiences with a storyteller's eye for detail and a Texan's light touch, proving that you don't have to be famous to be funny.

Two of the top casting directors in the business offer an insider's tour of their crucial craft--spotting stars in the making--in this lively memoir, full of the kind of backroom detail loved by movie fans and aspiring actors alike.

Born and raised in Brooklyn with a street fighter's instinct and sharp Jewish wit, Mickey Knox leaves the army for the bright lights of Hollywood. But when the rise of McCarthyism puts an abrupt end to his hopes of working in American films, Knox debarks to France and Italy to work in European cinema. It turns out to be the best move of his life. This book—where every major film actor and writer of the last century appears—is a wonderful, gossipy history of European cinema as seen through the observant eye of Knox. From arguing with John Wayne, teaching Anna Magnani to articulate English, to fending off Zsa Zsa Gabor's advances and getting lost in Italy with a hungry Orson Welles, Knox was in the midst of it all, watching with a dry smile and a witty comeback. Of the colorful cast of characters who have passed through his life—Burt Lancaster, Kirk Douglas, Ava Gardner, Anthony Quinn, Henry Fonda, Burt Reynolds, Sam Fuller, Elvis Presley, Gore Vidal—one lasting friendship runs throughout the text. That friend—Norman Mailer—writes a preface to "a rare warrior of that rarely heroic world of stage and screen." Black-and-white photographs are included.

Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common? Curtis Armstrong. A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there’s more to Curtis’ story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was coined there in 1951, and, improbably, Geneva, Switzerland. His adolescence and early adulthood was spent primarily between the covers of a book and indulging his nerdy obsessions. It was only when he found his true calling, as an actor and unintentional nerd icon, that he found true happiness. With whip-smart, self-effacing humor, Armstrong takes us on a most unlikely journey—one nerd’s hilarious, often touching rise to the middle. He started his life as an outcast and matured into...well, an older, slightly paunchier, hopefully wiser outcast. In Hollywood, as in life, that counts as winning the game.

New York Times bestseller A. J. Harley brings us a fantasy with plenty of mystery and adventure, set in a mythical world reminiscent of Shakespearean England and told by a morally dubious apprentice actor called Will Hawthorne who finds himself in serious trouble with the local authorities and casts himself on the mercies of a band of principled adventurers.

This book contains such anecdotes as these: 1) In his Answer Man column, film critic Roger Ebert answered a question by Matt Sandler about who was the world's most beautiful woman by saying that she was Indian actress Aishwarya Rai. In a later Answer Man column, a reader stated that Mr. Ebert should have answered the question by saying, "My wife." However, Mr. Ebert had a good reason for not answering the question that way: "Matt Sandler asked about women, not goddesses." 2) To advertise its Razzles candy, Mars Candy decided to use a Cleveland, Ohio, show in which comedian Ron Sweed, aka The Ghoul, hosted several mostly bad horror movies. The Ghoul criticized the candy for weeks, and the more he criticized it, the more its sales went up. In gratitude, Mars Candy delivered a case of Razzles to The Ghoul. The case of candy remained on the set of The Ghoul's show for year--unopened.

You may not know it, but you've seen Vic Armstrong's work in countless movies. From performing stunts in the James Bond movie You Only Live Twice to directing the actions scenes for recent blockbusters The Green Hornet and Thor, the Academy Award-winning Vic Armstrong has been a legend in the movie industry for over 40 years. Along the way he's been the stunt double for a whole host of iconic heroes, including 007, Superman, and most memorably, Indiana Jones - as Harrison Ford once joked to him, "If you learn to talk I'm in deep trouble." As a stunt co-ordinator and second unit director, Vic is behind the creation of such movies as Total Recall, The Mission, Dune, Rambo III, Terminator 2, Charlie's Angels, Gangs of New York, War of the Worlds, I Am Legend and Mission: Impossible III, to name but a few, as well as several Bond films. He's got a lot of amazing stories to tell, and they're all here in this hugely entertaining movie memoir, which also features exclusive contributions from many of Vic's colleagues and friends, including Harrison Ford, George Lucas, Martin Scorsese, Pierce Brosnan, Arnold Schwarzenegger, Angelina Jolie, Kenneth Branagh and Sir Christopher Lee. With an introduction by Steven Spielberg, and over 100 previously unpublished on-set photos from Vic's own collection.

This guide documents SQL: 1999Us advanced features in the same practical, "programmercentric" way that the first volume documented the language's basic features. This is no mere representation of the standard, but rather authoritative guidance on making an application conform to it, both formally and effectively.

CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.

The actor and founder of the Alan Alda Center for Communicating Science traces his personal quest to understand how to relate and communicate better, from practicing empathy and using improv games to storytelling and developing better intuitive skills.