Adventures of a Dyslexic Poet By: Sean M. Riedl A collection of Sean M. Riedl’s poems and short stories, the various chapters of Adventures of a Dyslexic Poet flash by like short films. With poetic descriptiveness reminiscent of Edgar Allan Poe but with none of the gore, this book takes the reader through different worlds—some real and some imagined. Riedl’s work has the power to confound and enlighten, to soothe and excite. Inspired by the author’s relationships with others and his interest in places and objects with storied pasts, Adventures of a Dyslexic Poet has something to offer any thoughtful reader.

This is the first of Marcia’s children’s books, and the first in Timothy’s Rainbow Mouse Adventures series!! Timothy Mouse is a very shy mouse, always deferring to adults whenever something new arises. But when Timothy’s little sister Squeaky has an accident, will Timothy and his friends be able to save the day? Come and join Timothy and his friends to find out more!! NB: The text in this book is set with OpenDyslexic font, which makes it easier for those with reading challenges. Proudly printed in Canada by Friesens Corporation, on Forest Stewardship Council (FSC)-certified paper.

Look out for the tree that saved a town; dip your toe in the Milky Way; sing the City Seed Song; play in Kitty Cat Street - and then come home to Belonging Street. Poems about nature and protecting our planet mingle with puzzle poems, riddles, family life and belonging, in this magical and warm-hearted new collection from an acclaimed poet and performer in schools and at festivals across the UK.

Life passes quickly. I guess you could say I am near the end of my life span. ! The experience I have had I would like to share. ! The poetry I have written is somewhat like a diary. A lot of it was written at crucial periods in my life. As I look back, my writing was significant at that time and proves to be somewhat of a time capsule. I hope you will enjoy the experience and maybe see things a little more differently. I guess you could say I was successful. I made it through life and achieved the things that most people want and need a lot of; it is just vanity. So, I lift my glass and salute the future and hope our new technology can overcome our current challenges, thus allowing a new freedom for those of us who endured the hardships of a learning disability.

The adventures of the time witches is a sequel to the eight skulls of Teversham, after following the family line of witches through the ages to the modern times in the twentieth century, two time travelling witches journey through time and space seeking answers to many unanswered questions about their origin and about the many secrets kept by the cave dwellers of northern Scotland then known as Alba. Natasha and Crystal meet up with witches, vampires and many strange aliens as they pursue their quest with them at the start of the journey is a android called Foster, a goblin called Shimick and Shanice a teenage witch. They travel back where the witches began, at their origins in Scotland. They were said to have obtained their powers as a result of super nova in space, this caused meteors to hail from the skies containing high levels of gamma radiation, which as a rule would be harmful to anybody. The energy omitted from the rock gave them great powers that they were unable to understand or appreciate in some cases, this caused a division in the tribe of cave dwellers resulting in the introduction of two kinds of witches, the white witches who were peace lovers who used their powers for good and the dark witches who were evil and used their powers to destroy and dominate other species.

A humorous, poetic adventure leads readers across the savannah, into fairy tale realms, back into the playground and through the seasons, introducing a whole host of animals along the way.

“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.” —Leonardo da Vinci Based on this simple statement by Leonardo, eighteen poets have written new poems inspired by some of the most popular works in the collection of The Metropolitan Museum. The collection represents a wide range of poets and artists, including acclaimed children’s poets Marilyn Singer, Alma Flor Alda, and Carole Boston Weatherford and popular artists such as Mary Cassatt, Fernando Botero, Winslow Homer, and Utagawa Hiroshige. Accompanying the artwork and specially commissioned poems is an introduction, biographies of each poet and artist, and an index.

In a “trenchantly observed and moving debut” (John James, Kenyon Review), Anders Carlson-Wee mines nourishment and holiness from the darkest of our human origins. Explosive and incantatory, The Low Passions traces the fringes of the American experiment through the eyes of a young drifter. Pathologically frugal, reckless, and vulnerable, the narrator of these viscerally compelling poems hops freight trains, hitchhikes, dumpster dives, and sleeps in the homes of total strangers, scavenging forgotten and hardscrabble places for tangible forms of faith.

"The American Sonnet: An Anthology of Poems and Essays showcases the diversity of the American sonnet. 800 years after the sonnet's invention, this volume celebrates the extraordinary development of the sonnet in the hands of American poets-and those living under US empire-from traditional to experimental, political and personal. Edited by poet and scholar team Dora Malech and Laura T. Smith, this anthology collects and foregrounds an impressive range of 20th and 21st century sonnets, including formal and formally subversive sonnets by established and emerging poets, and presents these alongside a selection of earlier American sonnets, highlighting connections across literary moments and movements. The critical essays likewise draw together diverse voices, methodologies, and historical and theoretical perspectives that represent the burgeoning field of American sonnet studies. Malech and Smith capture the central questions for American sonneteers. Who belongs to the tradition of the American sonnet? How do translation and multicultural and transnational identities complicate the Americanness of the "American" sonnet? How do Black, queer, trans, neurodiverse, working class, Appalachian, and Deaf poets claim the sonnet and how does it serve them? How do American poets experiment with meter, stanza, rhyme, lineation, and visuality to make the sonnet their own? And how are American sonneteers writing about love, loss, and trauma in new ways that change the sonnet tradition? The American Sonnet shows the form continuing to function as a poetic bellwether as centuries of poets use its peculiar confines to negotiate questions of nation, race, class, gender, sexuality, diaspora, and poetic tradition"--