Ernst Levy was a visionary Swiss pianist, composer, and teacher who developed an approach to music theory that has come to be known as "negative harmony." Levy's theories have had a wide influence, from young British performer/composer Jacob Collier to jazz musicians like Steve Coleman. His posthumous text, A Theory of Harmony, summarizes his innovative ideas. A Theory of Harmony is a highly original explanation of the harmonic language of the modern era, illuminating the approaches of diverse styles of music. By breaking through age-old conceptions, Levy was able to reorient the way we experience musical harmony. British composer/music pedagogue Paul Wilkinson has written a new introduction that offers multiple points of entry to Levy’s work to make this text more accessible for a new generation of students, performers, and theorists. He relates Levy's work to innovations in improvisation, jazz, twentieth-century classical music, and the theoretical writings of a wide range of musical mavericks, including Harry Partch, Hugo Riemann, and David Lewin. Wilkinson shows how A Theory of Harmony continues to inspire original musical expression across multiple musical genres.

"Advanced Harmony: Theory and Practice" presents a systematic study of the principles of harmonic composition as developed by the composers of the 17th to the 19th centuries. The text applies an incremental learning approach to the academic aspect of music and applies newly acquired knowledge to the writing of music. Covers topics such as modulation, triads, chords, the 19th century, the 20th century, melody, rhythm, harmony, various composes, and more. For musicians just starting out, or for anyone interested in learning more about music theory.

"One of the worlds great jazz guitarists, Vic Juris shares his insight into the wonderful world of harmony in this book. Not for the fainthearted, Vic teaches polychords and intervallic structures derived from the major, minor, harmonic minor, melodic minor and harmonic major scales in this must have jazz guitar book. Each section has etudes that will help students integrate each concept into their own playing. The companion CD gives students the opportunity to hear and play along with these cutting edge concepts."

Geared to the beginning to intermediate student, this book starts with triadic and four part chords, and transitions into the concept of voice leading via inversions which is the key to moving voicings in a smooth manner. The book then covers the concepts of diatonic harmony and substitutions, playing a left hand voicing with a single-note melodic line, melodic embellishment, improvisation techniques, and note palettes. The topics progress to cadences, the II-7 V7 pattern, secondary dominants, tensions, left hand voicings, spread (2 hand) voicings, and finishing with a discussion of blues progressions and the blues scale. Numerous exercises and examples are included and performed on the accompanying CD. Great for either the classroom or individual study.

This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.

"This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music."

Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.

Following on from Harmony, Melody and Composition. this books aims to introduce harmony as a creative subject, not merely a theoretical one. Each chapter deals first with harmony, then with melody, following by creative work sections. A knowledge of melody will show that harmony is more than a series of chords strung together. A combined study of harmony and melody provides meaning to music as a whole for listening, performing and composing. Students will work with the ingredients of music in a creative way. Composition and its importance as an aid to understanding music from within is endorsed. The music is chosen from a wide range of real music, from plainsong to popular music of the present day and students will find this book's approach enjoyable, creative and musical in the best sense of the word.