The circus has been an art form since early Roman times, and was the best and only local, traveling entertainment, before huge electronic technology advances of the twentieth century. The history of the circus from early times to present is important, fascinating, and disappearing. There is another piece of history, soon to disappear forever, and sometimes linked with circus life, the cultural ethnic group of peoples called Gypsys. The gypsy world is underdocumented and somehow linked to a lifestyle of traveling and entertaining people. What is a circus without animals or a gypsy camp without horses? The main character of Adorina and the Elephant Choir is a gypsy girl, called Dori, who started life as an abandoned baby, and grew up to become the star of a circus. She became an animal trainer or one of those people who have an affinity with animals and a special way to communicate with them. Dori had no mother, in the beginning, but during her life in the circus is given, two special mothers. She is a twin and finds herself in danger, from her gypsy brother. She is by birth order, first born, and therefore Queen of the Gypsys. Dori also finds her selfworth and a boy to love. The circus she lived in, is a place most kids would love to run away to. Adorina and the Elephant Choir tells the story of the circus and the people who live and breathe circus. Also, the book deals with human relationships, trials and tribulations, emotions, and resolution. The book is generally geared for children and young people, but adults will enjoy reading the book also.

This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.

Hailed as “the heir to Roald Dahl” by The Spectator, the UK’s #1 bestselling children’s author, David Walliams, will have fans of Jeff Kinney and Rachel Renee Russell in stitches! David Walliams burst on to the American scene with his New York Times bestseller Demon Dentist, and now he’s bringing his signature humor to this story of a ten-year-old orphan and a 10,000-year-old mammoth. When Elsie, an orphan on the streets of Victorian London, hears about the mysterious Ice Monster—a woolly mammoth found at the North Pole—she’s determined to discover more.... Luckily, a chance encounter brings Elsie face to face with the creature, sparking the adventure of a lifetime—from London to the heart of the Arctic!

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 21 of the J. Paul Getty Museum Journal includes articles by John Walsh, Barbara C. Anderson, Ariel Herrmann, Jill Finsten, Lynn F. Jacobs, And Peter J. Holliday.

"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

Includes music.