Accompanied by an elephant, an ant, and a one-eyed monkey, Princess Aditi goes on a magical journey in search of a wayward dragon who holds the key to her future.

Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.

The four friends are adventuring again and get onto prime time news in London!

Aditi and friends go to Australia. Excitement follows with hi-tech gadgets and journeys underwater.

An adventure with a scientific twist - in Canada this time, with the lion cub joining the gang.

Danger! That's what the digital butterflies seem to be spelling out. There is a Word eater at large who snatches words as soon as they are uttered and makes them disappear. The 'monster' turns out to be just a little boy. Otto, Grendel's cousin -but he has formidable mental powers that can be matched only by Monkeyji. Armed with an ammunition of words hoarded by Siril and Gardy, the adventurers roam Hong Kong the city of dragons in search of him. There is tension and taut excitement as they finally take on little Otto and his platoon of crows, in the midst of which the author throws up an interesting idea: does something exist only if it has a name?

Holiday plans for Aditi and the others go off track when a runaway computer programme, the irrepressible Mistress i, decides to take refuge with them. Hot on her heels is the scientist who created her, who threatens to put them in jail for kidnapping. And in the midst of all the commotion, Beautiful the elephant is determined to learn to be everything she thinks she isn't rational, sensible, logical and equable. From their peaceful home in Maharashtra, India, Aditi and her friends are catapulted into a strange encounter with cyberspace. In her astonishingly simple way, Suniti Namjoshi explores the connection between the two worlds cyber and real and throws up some interesting thoughts: Does a computer have a soul? And is 'getting updated' the equivalent of 'growing up'?

Despite the central role that animals play in African writing and daily life, African literature and African thinkers remain conspicuously absent from the field of animal studies. The Postcolonial Animal: African Literature and Posthuman Ethics demonstrates the importance of African writing to animal studies by analyzing how postcolonial African writing—including folktales, religion, philosophy, and anticolonial movements—has been mobilized to call for humane treatment of nonhuman others. Mwangi illustrates how African authors grapple with the possibility of an alternative to eating meat, and how they present postcolonial animal-consuming cultures as shifting toward an embrace of cultural and political practices that avoid the use of animals and minimize animal suffering. The Postcolonial Animal analyzes texts that imagine a world where animals are not abused or used as a source of food, clothing, or labor, and that offer instruction in how we might act responsibly and how we should relate to others—both human and nonhuman—in order to ensure a world free of oppression. The result is an equitable world where even those who are utterly foreign to us are accorded respect and where we recognize the rights of all marginalized groups.