Reprint of the work originally published by the University of Illinois Press in 1981. Annotation copyright by Book News, Inc., Portland, OR

Finalist for the 2017 Foreword INDIES Book of the Year Award in the Regional category The Adirondack Architecture Guide, Southern-Central Region provides a professional and insightful survey of the built environment of a unique area within New York's Adirondack Park. This book is the first field guide to the architecture of the Park, revealing the ordinary and the extraordinary, the remarkable buildings by prominent designers, as well as the hidden, unexpected gems few know exist. Based on more than seven thousand miles of fieldwork and years of research, the guide comprises more than seven hundred sites traversing the geographic range, socioeconomic strata, and historical span of the region from the late 1700s to the present. Organized according to clearly marked travel routes and fourteen tours on the ground and on the water, it features detailed maps and coordinates for each site, along with many beautiful photographs. Also included are eleven companion essays drawing on the expertise of professionals, local historians, and Adirondack residents that delve into the what, where, and why people built in the Adirondacks.

Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority

Attitudes about land use, Catherine Henshaw Knott suggests, may reflect profound differences in class, religion, and life experience, pitting urban Americans who see nature at risk against rural Americans whose lives are dominated by nature's forces. She documents the thoughts and feelings of people whose lives are intimately connected to the forest, including loggers, trappers, craftspeople, and guides, as well as tree farmers and maple syrup producers. After describing the key players in the conflict and chronicling battles and bridge-building between stake-holders, Knott concludes that the participation of local people in decision making is the only process that can shift an increasingly hostile cycle toward resolution.

Barbara McMartin narrates the history of Adirondack environmental policy in depth, beginning with the 1970 formation of the Adirondack Park Agency, set up to regulate private development and to oversee the planning of public terrain. Although hailed as the most innovative land-use legislation of its time, it ignited a wildfire of controversy, creating a landscape of conflict. Park residents protested. Government stood firm. Over the decades, disparate groups have sought to shape an effective program to protect Adirondack wildland but cannot seem to work together. This is the first comprehensive account of that ongoing drama: a stirring story of the environmental movement, public action, and government failure and success.

Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of "great camps" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcards serious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.

This work shows how expectations about land use, combined with interactions with nature have defined the Adirondacks. Outlining the disputes for the control of the land, the author introduces the key players from the residents, landholders, to preservationists and developers.

Any landscape has an unseen component: a subjective component of experience, memory, and narrative which people familiar with the place understand to be an integral part of its geography but which outsiders may not suspect the existence ofOCounless they listen and read carefully. This invisible landscape is make visible though stories, and these stories are the focus of this engrossing book. Traveling across the invisible landscape in which we imaginatively dwell, Kent RydenOCohimself a most careful listener and readerOCoasks the following questions. What categories of meaning do we read into our surroundings? What forms of expression serve as the most reliable maps to understanding those meanings? Our sense of any place, he argues, consists of a deeply ingrained experiential knowledge of its physical makeup; an awareness of its communal and personal history; a sense of our identity as being inextricably bound up with its events and ways of life; and an emotional reaction, positive or negative, to its meanings and memories. Ryden demonstrates that both folk and literary narratives about place bear a striking thematic and stylistic resemblance. Accordingly, "Mapping the Invisible Landscape" examines both kinds of narratives. For his oral materials, Ryden provides an in-depth analysis of narratives collected in the Coeur d'Alene mining district in the Idaho panhandle; for his consideration of written works, he explores the OC essay of place, OCO the personal essay which takes as its subject a particular place and a writer's relationship to that place. Drawing on methods and materials from geography, folklore, and literature, "Mapping the Invisible Landscape" offers a broadly interdisciplinary analysis of the way we situate ourselves imaginatively in the landscape, the way we inscribe its surface with stories. Written in an extremely engaging style, this book will lead its readers to an awareness of the vital role that a sense of place plays in the formation of local cultures, to an understanding of the many-layered ways in which place interacts with individual lives, and to renewed appreciation of the places in their own lives and landscapes."

The author follows a trip through the Adirondack Park taken a century earlier by George Washington Sears.