In 2008, the artist Adam Cullen invited journalist Erik Jensen to stay in his spare room and write his biography. What followed were four years of intense honesty and a relationship that became increasingly claustrophobic. At one point Cullen shot Jensen, in part to see how committed he was to the book. At another, he threw Jensen from a speeding motorbike. The book contract Cullen used to convince Jensen to stay with him never existed. Acute Misfortune is a riveting account of the life and death of one of Australia’s most celebrated artists, the man behind the Archibald Prize–winning portrait of David Wenham. Jensen follows Cullen through drug deals and periods of deep self-reflection, onwards into his court appearance for weapons possession and finally his death in 2012 at the age of forty-six. After much critical acclaim, Acute Misfortune was developed into a feature film, winning The Age Critics Award at the Melbourne International Film Festival in 2018. The story is by turns tender and horrifying: a spare tale of art, sex, drugs and childhood, told at close quarters and without judgement. Winner of the 2015 Nib Waverley Library Award for Literature Shortlisted in the 2015 Victorian Premier's Literary Awards and for the 2015 Walkley Book Award ‘Erik Jensen is a Boswell or Vasari for our baffled, fractured, fucked-up times. Acute Misfortune is the most intimate, revealing, and original take on an artist’s life I know of.’ —Sebastian Smee ‘Erik Jensen gives us that ingenious place where biography is also art.’ —Jennifer Clement ‘This is supposed to be about an artist, a wild man, his lifetime, and it is; but Jensen has written such a beautiful window that all art and life is shining through. I'm supposed to be an artist but I cannot put this down.’ —DBC Pierre

Dedicated to the Sailors and Marines who lost their lives on the final voyage of USS Indianapolis and to those who survived the torment at sea following its sinking. plus the crews that risked their lives in rescue ships. The USS Indianapolis (CA-35) was a decorated World War II warship that is primarily remembered for her worst 15 minutes. . This ship earned ten (10) battle stars for her service in World War II and was credited for shooting down nine (9) enemy planes. However, this fame was overshadowed by the first 15 minutes July 30, 1945, when she was struck by two (2) torpedoes from Japanese submarine I-58 and sent to the bottom of the Philippine Sea. The sinking of Indianapolis and the loss of 880 crew out of 1,196 --most deaths occurring in the 4-5 day wait for a rescue delayed --is a tragedy in U.S. naval history. This historical reference showcases primary source documents to tell the story of Indianapolis, the history of this tragedy from the U.S. Navy perspective. It recounts the sinking, rescue efforts, follow-up investigations, aftermath and continuing communications efforts. Included are deck logs to better understand the ship location when she sunk and testimony of survivors and participants. For additional historical publications produced by the U.S. Naval History and Heritage Command, please check out these resources here: https://bookstore.gpo.gov/agency/naval-history-heritage-command Year 2016 marked the 71st anniversary of the sinking and another spike in public attention on the loss -- including a big screen adaptation of the story, talk of future films, documentaries, and planned expeditions to locate the wreckage of the warship.

"A fragmentary account of life and its complexities, I said the sea was folded charts the first three years of Erik Jensen's relationship with his partner, Evelyn Ida Morris. These are love poems, written against the difficulty of understanding another person" -- back cover.

Pulitzer Prize Finalist | New York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine's 100 Must-Read Books of the Year Named one of the Best Books of the Year by NPR, The Washington Post; O: The Oprah Magazine, Real Simple, Good Housekeeping, Vogue, Refinery29, and Buzzfeed From Ann Patchett, the #1 New York Times bestselling author of Commonwealth, comes a powerful, richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are. At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

A dazzling and insightful look at the Australian federal election 2019 What went wrong for Labor and how did Scott Morrison achieve his remarkable victory? In this dazzling report from the campaign trail, Erik Jensen homes in on the insecurities that drive Bill Shorten and the certainties that helped Scott Morrison win. He considers how each man reflects, challenges and comforts the national character. Who are Morrison's "quiet Australians"? What did Shorten Labor fail to see? And will fear always trump hope in politics? The Prosperity Gospel sheds new light on the politics of a divided nation. "Arthur Sinodinos says the election is a crapshoot. He's in a car park in Nowra, waiting for Morrison. 'The momentum has been with us at different times, especially in Queensland,' he says. 'Central Queensland, even the outer suburbs of Brisbane. It's a narrow pathway to victory, with the odds going the other way. But it ain't over until it's over.' Despite everything, Arthur Sinodinos has an honest face. He does not look confident." –Erik Jensen, The Prosperity Gospel This issue also contains correspondence discussing Quarterly Essay 73, Australia Fair, from Susan Carland, James Walter, Carol Johnson, Travers McLeod, Isabelle Reinecke, and Rebecca Huntley

The poet-herdsmen of Vergil's 'Eclogues' employ differing strategies for coping with acute loss, whether external or internal. The interplay of ideas latent in several of their songs is typically framed in terms of Epicurean concepts.

Crazy Rich Asians meets Love & Gelato in this hilarious, quirky novel about a Chinese-American teen who is thrust into the decadent world of Beijing high society when she is sent away to spend the summer in China. Iris Wang is having a bit of a rough start to her summer: Her boyfriend cheated on her, she didn’t get into any colleges, and she has no idea who she is or what she wants to do with her life. She’s always felt torn about being Chinese-American, feeling neither Chinese nor American enough to claim either identity. She’s just a sad pizza combo from Domino’s, as far as she’s concerned. In an attempt to snap her out of her funk, Iris’s parents send her away to visit family in Beijing, with the hopes that Iris would “reconnect with her culture” and “find herself.” Iris resents the condescension, but even she admits that this might be a good opportunity to hit the reset button on the apocalyptic disaster that has become her life. With this trip, Iris expects to eat a few dumplings, meet some family, and visit a tourist hotspot or two. Instead, she gets swept up in the ridiculous, opulent world of Beijing’s wealthy elite, leading her to unexpected and extraordinary discoveries about her family, her future, and herself.

Following her acclaimed, Los Angeles Times Book Prize–nominated novel, The God of War, Marisa Silver’s extraordinary book, Alone With You, is a starkly elegant and superbly rendered collection of short stories. Marisa Silver dazzled and inspired readers with her critically acclaimed The God of War (a Los Angeles Times Book Prize finalist), praised by Richard Russo as “a novel of great metaphorical depth and beauty.” In this elegant, finely wrought new collection, Alone With You, Silver has created eight indelible stories that mine the complexities of modern relationships and the unexpected ways love manifests itself. Her brilliantly etched characters confront life’s abrupt and unsettling changes with fear, courage, humor, and overwhelming grace. In the O. Henry Prize–winning story “The Visitor,” a VA hospital nurse’s aide contends with a family ghost and discovers the ways in which her own past haunts her. The reticent father in “Pond” is confronted with a Solomonic choice that pits his love for his daughter against his feelings for her young son. In “Night Train to Frankfurt,” first published in The New Yorker, a daughter travels to an alternative-medicine clinic in Germany in a gambit to save her mother’s life. And in the title story, a woman vacations in Morocco with her family while contemplating a decision that will both ruin and liberate them all. From “Temporary,” where a young woman confronts the ephemeral nature of companionship, to “Three Girls,” in which sisters trapped in a snowstorm recognize the boundaries of childhood, the nuanced voices of Alone With You bear the hallmarks of an instant classic from a writer with unerring talent and imaginative resource. Silver has the extraordinary ability to render her fictional inhabitants instantly relatable, in all their imperfections. Her stories have the singular quality of looking in a mirror. We see at once what is familiar and what is strange. In these stirring narratives, we meet ourselves anew.

Some of Australia's best political writing: a dazzling chronicle from the editor of The Saturday Paper Drawn from the first ten years of The Saturday Paper, these editorials tell the story of a country in trouble. They are a penetrating account of the people who have led Australia, fusing character studies with political insights and unvarnished rage. Taken together, they form a sparkling portrait of a lost decade. This is writing that is witty, curious and sharp-eyed. 'These editorials are my guiding light in these terrible times.' —Marcia Langton AO

"This book springs from an unaccountable gap among the rows of "Shakespeare Studies" on bookshop and library shelves. Playgoers and readers with insatiable appetites for every kind of commentary on Shakespeare's work who discover some volumes devoted to his style may find a musical metaphor illuminating: that Shakespeare had three keyboards at his disposal. The first, blank verse, and the second, prose, have attracted some critical attention; but the third, his rime (as his contemporary printers spelled it), has been neglected. This study aims to fill that gap."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved