Ten highly popular and acclaimed film directors whose careers began in front of the cameras candidly offer their insights into the all-important and unexplored subject of directing actors. Each actor-turned-director discusses film making and acting as observed from and practised on both sides of the camera and offers invaluable guidelines and tips on casting, rehearsing, communicating and working with actors, and the whole of the movie making process. Jon Stevens is a writer/director whose most recent feature film is Irish Whiskey. He serves on the publications committee of the Directors Guide of America, with whose support this book was prepared.

Decreed by David Letterman (tongue in cheek) on CBS TV’s The Late Show to be the pick of “Dave’s Book Club 2006,” Candy Girl is the story of a young writer who dared to bare it all as a stripper. At the age of twenty-four, Diablo Cody decided there had to be more to life than typing copy at an ad agency. She soon managed to find inspiration from a most unlikely source— amateur night at the seedy Skyway Lounge. While she doesn’t take home the prize that night, Diablo discovers to her surprise the act of stripping is an absolute thrill. This is Diablo’s captivating fish-out-of-water story of her yearlong walk on the wild side, from quiet gentlemen’s clubs to multilevel sex palaces and glassed-in peep shows. In witty prose she gives readers a behind-the-scenes look at this industry through a writer’s keen eye, chronicling her descent into the skin trade and the effect it had on her self-image and her relationship with her now husband.

Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction." --Variety "For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments." --Washington Post Book World

Sondra Locke tells the story of her childhood in Tennessee, her career as an actress and director, her relationship and breakup with actor Clint Eastwood, and her experience with breast cancer.

Thirty-five directors reveal which overlooked or critically savaged films they believe deserve a larger audience while offering advice on how to watch each film.

Based on the author's experience of presenting directing and acting workshops around the world for over 10 years, this book is a creative exploration on how to access and stimulate the filmmaker's most precious assets - instinct, imagination and intuition.

The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.

This book provides an accessible overview of each director’s contribution to cinema, incorporating a discussion of their career, major works and impact.

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Karen Kondazian's newly revised and edited "e;The Actor's Encyclopedia of Casting Directors,"e; compiles valuable inside information from over 100 premier casting directors, as regards to both Hollywood and New York film, television, theater and commercial auditioning. Bonus conversations included are discussions on film acting, with award-winning directors James Cameron and John Woo - and interviews with renowned acting coaches 'to the stars,' Larry Moss, Milton Katselas and Jeff Corey.Great casting directors have the talent to identify which actor will fit that 'one role,' filtering through hundreds of 'potentials,' eventually delivering that actor into the hands of the decision makers. This in-depth book about the casting process informs actors what it's like to be on the other side of the desk, what each casting director likes, dislikes and is searching for in the audition process. "e;The Actor's Encyclopedia of Casting Directors"e; exists to educate, inspire and empower actors because far too much in this business is out of their control. You have at your fingertips an invaluable resource that serves the actor in any number of ways - one unique example being, it includes a photo of each casting director. (How many actors are in a daze when they walk into the audition room wondering if they are auditioning for the casting director or their assistant - now they will know). Karen Kondazian's experience as an award-winning actor and author ("e;The Whip,"e; inspired by a true story) and her previous long running column for "e;Backstage,"e; enabled her to ask questions on behalf of actors everywhere. The answers Kondazian has garnered for this book will hopefully give the actor real knowledge and confidence, so that when they walk out of the audition room, they know that they did their best.