Steve Hutchison reviews 400 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.

Action horror is subgenre combining the intrusion of an evil force, event, or personage of horror movies with the weapon fights and frenetic chases of the action genre. Themes or elements often prevalent in typical action-horror films include gore, demons, aliens, vicious animals, vampires, and, most commonly, zombies. This category also fuses the fantasy genre. Examples include: Aliens, Predator, Dog Soldiers, Blade, From Dusk till Dawn, I Saw the Devil, Resident Evil, Feast, Train to Busan, The Purge series, and Upgrade. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: Aliens, Arachnicide, Blade, Blood: The Last Vampire, The Cat, Day Watch, The Era of Vampires, Faust: Love of the Damned, Frankenstein's Army, From Dusk till Dawn, The Host, House on Willow Street, Intensive Care, I Saw the Devil, Land of the Dead, Revenge, Santo contra el cerebro diabolico, Satan Returns, Snake Island, Train to Busan, Vampire Controller, Violent Shit III, WolfCop, Action horror films by country: American action horror films, Australian action horror films, British action horror films, German action horror films, Indian action horror films, Japanese action horror films, Philippine action horror films.

Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.

A brutal and unflinching tale that takes many of its cues from both cinema and pulp horror, Wraiths of the Broken Land is like no Western you’ve ever seen or read. Desperate to reclaim two kidnapped sisters who were forced into prostitution, the Plugfords storm across the badlands and blast their way through Hell. This gritty, character-driven piece will have you by the throat from the very first page and drag you across sharp rocks for its unrelenting duration. Prepare yourself for a savage Western experience that combines elements of Horror, Noir and Asian ultra-violence. You’ve been warned. Praise from Kurt Russell, Joe R. Lansdale, Booklist, Jack Ketchum, and Ed Lee: "Zahler's a fabulous story teller whose style catapults his reader into the turn of the century West with a ferocious sense of authenticity." -Kurt Russell, star of Tombstone, Escape from New York, Dark Blue, and Death Proof "If you're looking for something similar to what you've read before, this ain't it. If you want something comforting and predictable, this damn sure ain't it. But if you want something with storytelling guts and a weird point of view, an unforgettable voice, then you want what I want, and that is this." -Joe R. Lansdale, author of The Bottoms, Mucho Mojo, and Savage Season" "[C]ompulsively readable.... Fans of Zahler's A Congregation of Jackals (2010) will be satisfied; think Quentin Tarantino's Django Unchained. [C]lever mayhem ... leads to a riveting climax." -Booklist "[A] classic Western that's been twisted into the shape of a snarling monster...." -Gabino Iglesias, Out Of The Gutter Online "It would be utterly insufficient to say that WRAITHS is the most diversified and expertly written western I've ever read."-Edward Lee, author of The Bighead and Gast. "WRAITHS always rings true, whether it's visiting the depths of despair, the fury of violence, or the fragile ties that bind us together for good or ill. It's a Western with heart and intelligence, always vivid, with characters you will detest or care about or both, powerfully written." -Jack Ketchum, author of Off Season and The Girl Next Door

Can you tell your Dagobah from your Delos and your Ming from your Morlock? Do you need help understanding 2001: A SPACE ODYSSEY? From the classic low-budget Flash Gordon tales to the slick CGI-realised world of THE MATRIX, science-fiction films have long pushed the boundaries of the visually and dramatically fantastic. 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE is your perfect one-stop guide to them all. Science fiction allows every other movie genre to leap - quite literally - into another dimension. Take a classic police chase and set it on Mars. Create a haunted house story, then add the robots. Take the classic boy-meets-girl story, then make them mutants. Great sci-fi movies turn the known world onto its head, play with the laws of physics and all the while hold the viewer spellbound with a gripping vision of future worlds. With insight from critics, film historians, and academics, 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE, applies knowledge and passion to a century of close encounters, distant planets, time travel, black holes, strange outfits, futuristic technology, inexplicable forces, fantastic spaceships, fluorescent drinks and subterranean societies. Strap yourself in: you′re set for a rocket ride to sci-fi heaven.

Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.

The original edition of Planks of Reason was the first academic critical anthology on horror. In retrospect, it appeared as a kind of homage to the "golden age" of the American horror film, as this genre played an increasing role in film culture and American life. This revised edition retains the spirit of the original, but also offers new takes on rediscovered classics and recent developments in the genre.

"24 year old ed Becker purchases a house for himself and his expecting wife; a two-flat apartment building, which would allow them to live in one apartment and rent the other. What Ed doesn't know, is that there are already tenants residing in this building that he cannot evict ... Skeptical and street-smart, Ed has a difficult time coming to the realization that this apartment is home to the paranormal. As tensions begin to build between his spouse and himself, he attributes the stress to the new lifestyle they had accumulated, as both property owners and new parents. Coupled with the efforts of working long hours and restoring a dilapidated home, Ed ignores the unusual happenings that have no viable explanation. And what happens when something that wants to be noticed goes unacknowledged? Things escalate ... Read this hauntingly true story, of one of the earliest televised exorcisms in the nation, brought to the forefront by NBC. Interviewed and reported by nationally known news correspondent, Carole Simpson, and conducted by nationally known psychic Joseph DeLouise and exorcist, Rev. William Derl-Davis. Go behind the scenes of the known history of this truly haunted home--one that shattered the dreams of a young couple, and the family that can never leave it."--Page 4 of cover

Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.

Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.