This delightfully tropey teen romance perfect for fans of Ashley Poston and Lyla Lee follows a queer teen actor navigating their gender identity—while pretending to date their co-star. Queer actor Lily Ashton has found fame playing lesbian warrior Morgantha on the hit TV show Galaxy Spark. Lily knows how little representation queer girls have, so when the showrunners reveal that Morgantha’s on-screen love interest, Alietta, is going to be killed off, Lily orchestrates an elaborate fake-dating scheme with the standoffish actress who plays her, to generate press and ensure a happy ending for the #Morganetta ship. But while playing a doting girlfriend on- and off-screen, Lily struggles with whether a word like “girl” applies to them at all. Lily’s always been good at playing a part. But are they ready to share their real self, even if it means throwing everything they’ve fought for away?

"Acting the Part is the first major history of staged photography. Analysing many key works, from Hippolyte Bayard's 1840 self-depiction as a suicide by drowning to Man Ray's 1923 portrait of Marcel Duchamp posing as his alter ego, Rrose Selavy, Cindy Sherman's Untitled Film Stills of the 1970s, and Yinka Shonibare's 1998 Diary of a Victorian Dandy, it traces the genre from its mid-nineteenth-century origins to the present day." "Illustrated throughout with works ranging from the earliest salted paper prints and daguerreotypes to today's digitally manipulated images, Acting the Part is an authoritative survey of this enduring and highly creative branch of photography. It makes an argument for the importance of the staged photograph within the history of the medium and demonstrates its intrinsic artistic value."--BOOK JACKET.

(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel

The third of John Abbott's essential guides to acting introduces young actors to the best performance techniques, old and new.

The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.

Does acting matter? David Thomson, one of our most respected and insightful writers on movies and theater, answers this question with intelligence and wit. In this fresh and thought-provoking essay, Thomson tackles this most elusive of subjects, examining the allure of the performing arts for both the artist and the audience member while addressing the paradoxes inherent in acting itself. He reflects on the casting process, on stage versus film acting, and on the cult of celebrity. The art and considerable craft of such gifted artists as Meryl Streep, Laurence Olivier, Vivien Leigh, Marlon Brando, Daniel Day-Lewis, and others are scrupulously appraised here, as are notions of “good” and “bad” acting. Thomson’s exploration is at once a meditation on and a celebration of a unique and much beloved, often misunderstood, and occasionally derided art form. He argues that acting not only “matters” but is essential and inescapable, as well as dangerous, chronic, transformative, and exhilarating, be it on the theatrical stage, on the movie screen, or as part of our everyday lives.

Many people love acting. Some people are lucky to do it as a job. Other people can do it for fun at school or in their spare time.

(Applause Books). Based on his own experience and the teachings of his celebrated but distant father, Lee, John Strasberg defines the talent of becoming real in a role. He surveys the traditional partition between life and theatre, and urges actors to make it a dynamic living membrane through which vital elements may pass. John Strasberg has written his own intensely personal story about his father's work and the Strasberg dynasty. It is a painful odyssey during which he relives the often demanding role he played as son to a man who was the central father figure to a generation of American actors.

A systematic presentation of activity theory, its application to interaction design, and an argument for the development of activity theory as a basis for understanding how people interact with technology. Activity theory holds that the human mind is the product of our interaction with people and artifacts in the context of everyday activity. Acting with Technology makes the case for activity theory as a basis for understanding our relationship with technology. Victor Kaptelinin and Bonnie Nardi describe activity theory's principles, history, relationship to other theoretical approaches, and application to the analysis and design of technologies. The book provides the first systematic entry-level introduction to the major principles of activity theory. It describes the accumulating body of work in interaction design informed by activity theory, drawing on work from an international community of scholars and designers. Kaptelinin and Nardi examine the notion of the object of activity, describe its use in an empirical study, and discuss key debates in the development of activity theory. Finally, they outline current and future issues in activity theory, providing a comparative analysis of the theory and its leading theoretical competitors within interaction design: distributed cognition, actor-network theory, and phenomenologically inspired approaches.

Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.