Vols. 1-3, 8-9, 13, 20, 24, include reports on the work of the society, lists of members, etc.

By examining linguistic variation in Aristophanic comedy, Andreas Willi opens up a new perspective on intra-dialectal diversity in Classical Attic Greek. A representative range of registers, technical languages, sociolects, and (comic) idiolects is described and analyzed. Stylistic and statistical observations are combined and supplemented by typological comparisons with material drawn from sociolinguistic research on modern languages. The resulting portrayal of the Attic dialect deepens our understanding of various socio-cultural phenomena reflected in Aristophanes' work.

Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto “Litteras et artes nobis traditas excolere – Reception and Innovation”. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.

This monograph studies the constructions of ‘impressive’ historical descent manufactured to create ‘national’, regional, or local antiquities in early modern Europe (1500-1700), especially the Netherlands. This was a period characterised by important political changes and therefore by an increased need for legitimation; a need which was met using historical claims. Literature, scholarship, art and architecture were pivotal media that were used to furnish evidence of the impressively old lineage of states, regions or families. These claims related not only to Classical antiquity (in the generally-known sense) but also to other periods that were regarded as periods of antiquity, such as the chivalric age. The authors of this volume analyse these intriguing early modern constructions of appropriate “antiquities” and investigate the ways in which they were applied in political, intellectual and artistic contexts in Europe, especially in the Northern Low Countries. This book is a revised and augmented translation of Oudheid als ambitie: De zoektocht naar een passend verleden, 1400–1700 (Nijmegen: Vantilt, 2017).

Aristophanes' Acharnians was performed at the Lenaia festival in Athens in 425 BCE. OAcharnians itself, at any rate, took first place and is generally regarded as one of Aristophanes' two or three most brilliant surviving comedies. Olson offers the first complete new scholarly edition of the play in almost a century.

Thesmophoriazusae was performed in Athens in 411 BCE, most likely at the City Dionysia, and is among the most brilliant of Aristophanes' eleven surviving comedies. It is the story of the crucial moment in a quarrel between the tragic playwright Euripides and Athens' women, who accuse him of slandering them in his plays and are holding a meeting at one of their secret festivals to set a penalty for his crimes. Thesmophoriazusae is a brilliantly inventive comedy, full of wild slapstick humour and devastating literary parody, and is a basic source for questions of gender and sexuality in late 5th-century Athens and for the popular reception of Euripidean tragedy. Austin and Olson offer a text based on a fresh examination of the papyri and manuscripts, and a detailed commentary covering a wide range of literary, historical, and philological issues. The introduction includes sections on the date and historical setting of the play; the Thesmophoria festival; Aristophanes' handling of Euripidean tragedy; staging; Thesmophoriazusae II; and the history of modern critical work on the text. All Greek in the introduction and commentary not cited for technical reasons is translated.

This volume deals with the comparative study of Old Germanic languages in the Low Countries, in the middle of the seventeenth century; with special attention to the work of the philologist and lawyer Jan van Vliet (1622-1666).

Pindar's Pythian Eleven is a miniature masterpiece: a poem praising a young athlete which presents a vivid and important account of the Agamemnon legend. Yet it contains so many difficulties (of text, metre, dating and interpretation) that even Wilamowitz regarded it as one of Pindar's most obscure poems. This 2007 edition (the first full-scale treatment that the poem had ever received) provides answers to the problems that have prevented proper appreciation of the work. In addition to the full introduction and commentary, the book also has a text based on re-examination of the manuscripts, detailed metrical discussion, and a translation.

This book is a fundamental contribution to well-known debates about intuitionism in ethics in light of older traditions. Debates about moral intuitionism do not take into account the theoretical resources of moderate voluntarism. The author submits that these debates should focus attention on ‘intellectualism versus voluntarism’ instead of ‘intuitionism versus utilitarianism’. Whereas according to moral intellectualism moral duty is seen by intuition or detected otherwise, according to moderate voluntarism moral duty is created or generated by moral commitment, ‘commitment’ being used in a broad, technical sense. The author argues for moderate voluntarism. According to moderate voluntarism moral duty can be explained by bringing out moral commitments which are correctly articulated by principles of moral duty at issue. A question about moral duty is, whether pertinent moral commitments are reasonable and acceptable. Absolute moral duty too is generated or constructed rather than detected. Moderate voluntarism does not deny that moral duties independent of commitment exist. The title of the first edition was: Exploring an Explanation of Moral Duty: Moderate Voluntarism. This second edition is enlarged by a new essay on moderate religious constructivism, which is similar to moderate voluntarism. Moderate constructivism does not explain religion using traditional ways of access such as revelation of a divine message. People may create a higher world by extrapolation from things around us to a higher, religious world. Moderate constructivism holds that certain statements about that higher world are relatively true, that is, true dependent on religious extrapolation.

This comprehensive presentation of Axel Hägerström (1868-1939) fills a void in nearly a century of literature, providing both the legal and political scholar and the non-expert reader with a proper introduction to the father of Scandinavian realism. Based on his complete work, including unpublished material and personal correspondence selected exclusively from the Uppsala archives, A Real Mind follows the chronological evolution of Hägerström’s intellectual enterprise and offers a full account of his thought. The book summarizes Hägerström’s main arguments while enabling further critical assessment, and tries to answer such questions as: If norms are neither true nor false, how can they be adequately understood on the basis of Hägerström’s theory of knowledge? Did the founder of the Uppsala school uphold emotivism in moral philosophy? What consequences does such a standpoint have in practical philosophy? Is he really the inspiration behind Scandinavian state absolutism?A Real Mind places the complex web of issues addressed by Hägerström within the broader context of 20th century philosophy, stretching from epistemology to ethics. His philosophy of law is examined in the core chapters of the book, with emphasis on the will-theory and the relation between law and power. The narrative is peppered with vignettes from Hägerström’s life, giving an insightful and highly readable portrayal of a thinker who put his imprint on legal theory. The appendix provides a selected bibliography and a brief synopsis of the major events in his life, both private and intellectual.