An important and strikingly beautiful new study of the sacred and ancient Hindu practice of threshold drawing (Casebound set of two hardcover volumes)

The Threshold Covenant shows the beginning of religious rites, by which man evidenced a belief, however obtained, in the possibility of covenant relations between God and man; and the gradual development of those rites, with the progress toward a higher degree of civilization and enlightenment.

Who is Hindu, who is Muslim? The answer, according to Dominique-Sila Khan, is not as simple as generally assumed. By analyzing documentary sources as well as original field data, she examines the shaping of religious identities in South Asia, particularly in North India. The author argues that the perception of Islam and Hinduism as two monolithic and perpetually antagonistic faiths coexisting uneasily in South Asia has become so deeply ingrained that the complexity of the historical fabric is often overlooked or ignored. She demonstrates how the emergence of clear-cut categories is a comparatively recent phenomenon, and shows how the past is characterized by a remarkable fluidity and diversity in the social and religious milieus of the two faiths. In exploring the historical mechanisms that have led to the emergence and crystallization of religious identities the author sheds light on the increasing number of conflicts which threaten the harmonious co-existence of South Asian communities today.

In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture. A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/climate-change-and-the-art-of-devotion

Even childbirth is affected by globalization—and in India, as elsewhere, the trend is away from home births, assisted by midwives, toward hospital births with increasing reliance on new technologies. And yet, as this work of critical feminist ethnography clearly demonstrates, the global spread of biomedical models of childbirth has not brought forth one monolithic form of "modern birth." Focusing on the birth experiences of lower-class women in the South Indian state of Tamil Nadu, Birth on the Threshold reveals the complex and unique ways in which modernity emerges in local contexts. Through vivid description and animated dialogue, this book conveys the birth stories of the women of Tamil Nadu in their own voices, emphasizing their critiques of and aspirations for modern births today. In light of these stories, author Cecilia Van Hollen explores larger questions about how the structures of colonialism and postcolonial international and national development have helped to shape the form and meaning of birth for Indian women today. Ultimately, her book poses the question: How is gender—especially maternity—reconfigured as birth is transformed?

The Indian subdistrict of Shahabad, located in the dwindling forests of the southeastern tip of Rajasthan, is an area of extreme poverty. Beset by droughts and food shortages in recent years, it is the home of the Sahariyas, former bonded laborers, officially classified as Rajasthan’s only “primitive tribe.” From afar, we might consider this the bleakest of the bleak, but in Poverty and the Quest for Life, Bhrigupati Singh asks us to reconsider just what quality of life means. He shows how the Sahariyas conceive of aspiration, advancement, and vitality in both material and spiritual terms, and how such bridging can engender new possibilities of life. Singh organizes his study around two themes: power and ethics, through which he explores a complex terrain of material and spiritual forces. Authority remains contested, whether in divine or human forms; the state is both despised and desired; high and low castes negotiate new ways of living together, in conflict but also cooperation; new gods move across rival social groups; animals and plants leave their tracks on human subjectivity and religiosity; and the potential for vitality persists even as natural resources steadily disappear. Studying this milieu, Singh offers new ways of thinking beyond the religion-secularism and nature-culture dichotomies, juxtaposing questions about quality of life with political theologies of sovereignty, neighborliness, and ethics, in the process painting a rich portrait of perseverance and fragility in contemporary rural India.

India’s growing economic and socio-political importance on the global stage has triggered an increased interest in the country. This Handbook is a reference guide, which surveys the current state of Indian politics and provides a basic understanding of the ways in which the world’s largest democracy functions. The Handbook is structured around four main topics: political change, political economy, the diversity of regional development, and the changing role of India in the world. Chapters examine how and why democracy in India put down firm roots, but also why the quality of governance offered by India’s democracy continues to be low. The acceleration of economic growth since the mid-1980s is discussed, and the Handbook goes on to look at the political and economic changes in selected states, and how progress across Indian states continues to be uneven. It concludes by touching on the issue of India’s international relations, both in South Asia and the wider world. The Handbook offers an invigorating initiation into the seemingly daunting and complex terrain of Indian politics. It is an invaluable resource for academics, researchers, policy analysts, graduate and undergraduate students studying Indian politics.

The balance of power in South Asia is tenuous. Neighbouring states with nuclear arsenal pose a serious threat in times of conflict and the danger of escalation into a nuclear holocaust in South are ever-present. This book locates the change in India’s war doctrine at the turn of the century, following the Kargil War in 1999 between India and Pakistan. It examines how war policy was shaped by the threat posed by India’s neighbours and the need for greater strategic assertion. It also reveals that this change was forced by the military’s need to adapt itself to the nuclear age. Finally, it raises questions of whether the Limited War doctrine has made India more secure. An astute analysis of not only India’s military strategy but also of military doctrine in general, this book will be valuable to scholars and researchers of defence and strategic studies, international relations, peace and conflict studies, South Asia studies as well as government and military institutions.

This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.