A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, Greece, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house. The building addresses the dramatic complexities of the collection and the site with minimalist simplicity by using three main materials—glass, stainless steel, and concrete. "There’s no way at the beginning of the twenty-first century you can try to imitate even superficially the art of 2,500 years ago," Tschumi says. The "precision of the concept was really what counted." The book provides an in-depth look at the creation of the building, set only 280 meters from the Parthenon, as well as the restoration, preservation, and housing of its exhibits through over 200 photographs, drawings, and texts.

One of the most important monuments of human civilisation and the new architectural jewel of Athens are both presented through informative, easy to read texts in a fully illustrated edition with colour representations and detailed site plans. This brand new book begins with a look at the history of Athens and the Acropolis. Starting at prehistoric times, this historical overview describes the town's development, from a quite modest Mycenaean settlement to one of the most powerful city-states of the classical era, the one that gave birth to democracy and theatre, and then its downfall to a small, provincial fortified town of the Byzantine Empire. At the same time, the reader can follow the historical steps of the Acropolis itself, originally a fort, which was transformed to the most glamorous shrine of the city, only to become a fort again, after the end of the ancient world. Then, there is a short account of the Athenian myths, especially the ones concerning the town's patron deity, Athena. After discovering the exciting past of the town and the sacred rock, the reader will get to know the temples, buildings in general, that were constructed at the top of the Acropolis during the archaic and classical era of Greece. Parthenon, the masterpiece of Pheidias, Iktinos and Kallikratis is, of course, the highlight, but there were other important and architecturally innovative structures there, such as the Propylaea and the Erechtheion. This part of the book gives a very good idea of how the ancient hill looked, with all its buildings and its uncountable offerings: statues that ancient Athenians were bringing to their goddess Athena as a present. Then, the reader will have the chance to learn everything about the very important south slope of the Acropolis, with the famous theatre of Dionysus, and enjoy an imaginary walk at the north and east slopes of the ancient rock. The second part of the book is devoted to the admittedly impressive new Acropolis Museum. The reader can "navigate" through the different levels of the museum exhibition, using the book as a guide which gives interesting information and highlights the most important exhibits. "Moschoforos," the Kore of the Acropolis, the Caryatids, Parthenon's frieze are only a few of the ancient pieces of art that this book presents, through captivating pictures and texts. In conclusion, The Acropolis, the New Acropolis Museum is a valuable reading for all those who want to explore and understand one of the major archaeological sites of the world and it's brand new Museum. Katerina Servi was born in Athens and studied archaeology at the National University of Athens. After graduating, she worked for the Greek Ministry of Culture and then in international advertising agencies in the creative department. She is now is a freelance copywriter and translator and also writes children's and archaeological books.

Every day, thousands of people visit the Acropolis Museum in Athens to experience life in 5th-century Greece. The museum integrates art, architecture, and history to create the story of the ancient Greeks. In doing so, it provides the people of Greece today with an important link to their past. Discover more about this incredible museum and its collections in The Acropolis Museum, a Museums of the World book.

The papers in this volume examine the extraordinary problems associated with world heritage momuments, including the challenges in preserving and presenting them for future generations.

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.

"The Acropolis through its Museum is not simply a guidebook to the works of art exhibited at the museum. These are the stimulus for synthesizing the history of the Sacred Rock as part of the cultural and the broader historical process of ancient Athens. The book follows the visitor's tour of the museum, so that he can read about the antiquities displayed before him. However, it is written in such a way that through independent inquiry the reader is able to approach the subjects more deeply and to understand the preconditions -- political, social, economic, ideological, artistic and technological -- that led to the creation of the unique monuments on the Acropolis."--Book flap.

This beautiful and visually immersive book charts the fascinating story of the institution of the Museum, from its origins to the present. Visited by millions around the world every year, museums are one of mankind’s most essential creations. They tell stories, shape cultural identities and hold valuable insight about the past and about the future. This captivating works charts a path from the very first collection through to the latest developments in cultural curation, interweaving Using examples of the greatest cultural institutions to shape the narrative, historian and academic Owen Hopkins draws on his deep knowledge of the field to outline the history of the museum movement. Tracking the evolution from princely collections in Europe and the Enlightenment’s classically inspired temples of curiosities, via the public museums of the late nineteenth century, on to today’s global era oficonic buildings designed by the world’s leading architects, this book is a vital work for anyone seeking to understand the development of the museum into what it is today. Over the course of five chapters filled with stunning imagery that highlights the beauty of these venerated buildings, the origins of key institutions are revealed, including: Louvre Metropolitan Museum of Art British Museum Tate Modern The Hermitage Guggenheim Smithsonian Institute Acropolis Museum Also outlined are the motivations of the architects, curators and patrons who have shaped how we experience the modern museum, a cast that includes names such as King George II, Napoleon, Henry Clay Frick, Peggy Guggenheim, Andrew Carnegie, Alfred Barr, Frank Lloyd Wright, Le Corbusier, Frank Gehry, Richard Rogers, Nicholas Serota and Zaha Hadid. By examining how these venues became intrinsic to our shared cultural experience, analysing the changing roles they play in society and questioning what the future holds in a digital age, this book is for anyone who has stood in awe at the spectacle of a museum.