It sucks to be caught off guard, especially before coffee on what's otherwise a perfect, sunny, Florida Keys day. Luckily, Madison and Fabiana have friends who owe favors on speed dial. Travis West, a shady Miami lawyer with a swanky address, is dead, and the prime suspect is Tarpon Cove's very own Professor Crum (first name none of your business). Crum is a lot of things-including a major pain in the booty-but he's no murderer. Mad and Fab set out to prove he's innocent-as long as they stick to their promise to Creole and Didier to stay out of trouble. Like that's going to happen.Before the sand settles, someone's gun is going to end up in an evidence box-and someone's flip-flopped foot may end up with a toe tag.

When Madison Westin's phone rings before dawn, it usually means something smelly has hit the fan, and today is no exception. Young Kyle Dow wants out of his sketchy job as a snitch. But the thugs holding his leash aren't about to let him go without a little help from Tarpon Cove's resident do-gooder. Only this time, it's not Madison. It's her bestie, Fabiana Merceau. Unfortunately, the kid is as tight-lipped as a Florida Keys clam about his past. Digging too deep risks stirring up the kind of bottom-feeders that give Madison and Fab's men, Creole and Didier, premature gray hair. But when have the girls ever shied away from a little trouble? That'd be never.You can bet your slightly used pontoon boat that when the past comes back, aka big-time trouble that it could not only bite Madison and Fab in the back but the friends who stuck out their necks to help.

On January 15, 2000, the bruised body of thirty-four-year-old Lois McMillan, a Connecticut artist vacationing in the British Virgin Islands, was discovered draped across the rocks of an inlet where she had apparently drowned in the Caribbean waves. Local authorities on the little paradise of Tortola quickly confirmed that it was no accident. The police immediately found their suspects-four young, rich American tourists. Within twenty-four hours, the men were arrested for murder and went from a life of carefree luxury to cold jail cells. Each had an alibi. None of them had a motive. And there was no direct evidence linking any of them to Lois's death. Did authorities even have the right men? Was it a rush to judgment-a desperate attempt to save Tortola's reputation for peace and safety-or were these men hiding a terrible crime. A twisting tale of swift island justice that was just beginning. So was the intricate puzzle of the lives of the four men in question, and the truth of what really happened during Lois McMillen's tragic final hours.

Luck - and a few well-placed IOUs - can take you a long way in the Florida Keys. In the case of a young woman that stumbles onto a remote beach road, practically in front of Madison Weston and her bestie, Fabiana Merceau, it saves her life. Fab and their guys, Creole and Didier, know Madison's do-gooder heart can get her in trouble faster than a margarita blender. But when she encounters yet another young girl, this one just trying to survive the mean streets of Tarpon Cove, Madison's determination to help could solve a crime... but draw the wrong kind of attention.Because when you mess with the wrong people, you could wind up as alligator kibble.

Captain Benjamin Nyman Vizcarra, son of the wealthiest man in Mexico, has everything a young man could want. But in the days leading up to the Mexican Revolution of 1910, he finds himself questioning whether he can support the old regime--and more and more distracted by his brother's bewitching fiancee, Isabel. Accused and convicted of his father's murder after a fateful late-night encounter, Benjamin relives the events that led to his imprisonment. As he plots escape, a new question begins to form: will he run, or will he stay to confront his mistakes and win back the woman he loves? -- back cover.

Pitcairn Island -- remote and wild in the South Pacific, a place of towering cliffs and lashing surf -- is home to descendants of Fletcher Christian and the Mutiny on the Bounty crew, who fled there with a group of Tahitian maidens after deposing their captain, William Bligh, and seizing his ship in 1789. Shrouded in myth, the island was idealized by outsiders, who considered it a tropical Shangri-La. But as the world was to discover two centuries after the mutiny, it was also a place of sinister secrets. In this riveting account, Kathy Marks tells the disturbing saga and asks profound questions about human behavior. In 2000, police descended on the British territory -- a lump of volcanic rock hundreds of miles from the nearest inhabited land -- to investigate an allegation of rape of a fifteen-year-old girl. They found themselves speaking to dozens of women and uncovering a trail of child abuse dating back at least three generations. Scarcely a Pitcairn man was untainted by the allegations, it seemed, and barely a girl growing up on the island, home to just forty-seven people, had escaped. Yet most islanders, including the victims' mothers, feigned ignorance or claimed it was South Pacific "culture" -- the Pitcairn "way of life." The ensuing trials would tear the close-knit, interrelated community apart, for every family contained an offender or a victim -- often both. The very future of the island, dependent on its men and their prowess in the longboats, appeared at risk. The islanders were resentful toward British authorities, whom they regarded as colonialists, and the newly arrived newspeople, who asked nettlesome questions and whose daily dispatches were closely scrutinized on the Internet. The court case commanded worldwide attention. And as a succession of men passed through Pitcairn's makeshift courtroom, disturbing questions surfaced. How had the abuse remained hidden so long? Was it inevitable in such a place? Was Pitcairn a real-life Lord of the Flies? One of only six journalists to cover the trials, Marks lived on Pitcairn for six weeks, with the accused men as her neighbors. She depicts, vividly, the attractions and everyday difficulties of living on a remote tropical island. Moreover, outside court, she had daily encounters with the islanders, not all of them civil, and observed firsthand how the tiny, claustrophobic community ticked: the gossip, the feuding, the claustrophobic intimacy -- and the power dynamics that had allowed the abuse to flourish. Marks followed the legal and human saga through to its recent conclusion. She uncovers a society gone badly astray, leaving lives shattered and codes broken: a paradise truly lost.

Hotshot New York criminal defense lawyer Kevin Corvelli was rolling. He had all the right connections to get way ahead. Guilty? Innocent? It didn't matter so long as he won, got in the papers, and got paid. That's until he loses---and loses big---when a client, who was convicted and then killed in jail, is later proven innocent. The media has a field day plastering Corvelli's face all over Manhattan, so Corvelli, disgraced and in a professional free fall, bolts for Hawaii. Committed to being a lawyer if only because of the knee-buckling debts he accumulated becoming one in the first place, he sets up shop in paradise and swears to handle only misdemeanors this time around---no felonies, no murders, no media attention, no high stakes, no real responsibility. But his first case turns out to be exactly that: law student Joseph Gianforte, Jr., is accused of chasing his ex-girlfriend to Hawaii and killing her. He's innocent, same as Corvelli's last case, only this time Corvelli knows it, and with that knowledge comes the chilling realization that the killer is still out there with plenty of incentive to make sure that any proof of Gianforte's innocence doesn't go any further than the three of them. Douglas Corleone's One Man's Paradise, the winner of the Minotaur Books/Mystery Writers of America First Crime Novel Competition, is a gripping story of failure and the search for redemption, and it marks the stellar debut of an exciting new crime-writing voice.

The seventeenth century saw some of the most important jurisprudential changes in England’s history, yet the period has been largely overlooked in the rich field of literature and law. Helping to fill this gap, The Legal Epic is the first book to situate the great poet and polemicist John Milton at the center of late seventeenth-century legal history. Alison A. Chapman argues that Milton’s Paradise Lost sits at the apex of the early modern period’s long fascination with law and judicial processes. Milton’s world saw law and religion as linked disciplines and thought therefore that in different ways, both law and religion should reflect the will of God. Throughout Paradise Lost, Milton invites his readers to judge actions using not only reason and conscience but also core principles of early modern jurisprudence. Law thus informs Milton’s attempt to “justify the ways of God to men” and points readers toward the types of legal justice that should prevail on earth. Adding to the growing interest in the cultural history of law, The Legal Epic shows that England’s preeminent epic poem is also a sustained reflection on the role law plays in human society.