The boys at Linbury Court Prep are eager to speed up space travel. Jennings' task is to find a suitable helmet. But is it really a good idea to take a dome-shaped glass-case, which housed a stuffed woodpecker? Petrified paintpots! Jennings and Darbishire's luck is in when they attempt to apprehend a suspected burglar? Bat-witted clodpoll!

In this new commentary for the Belief series, award-winning author and theologian Willie James Jennings explores the relevance of the book of Acts for the struggles of today. While some see Acts as the story of the founding of the Christian church, Jennings argues that it is so much more, depicting revolutionlife in the disrupting presence of the Spirit of God. According to Jennings, Acts is like Genesis, revealing a God who is moving over the land, "putting into place a holy repetition that speaks of the willingness of God to invade our every day and our every moment." He reminds us that Acts took place in a time of Empire, when the people were caught between diaspora Israel and the Empire of Rome. The spirit of God intervened, offering new life to both. Jennings shows that Acts teaches how people of faith can yield to the Spirit to overcome the divisions of our present world.

Jennings turns journalist when he receives a printing kit for his birthday, and dubs himself editor of the Form Three Times.

For readers of Jill Lepore, Joseph J. Ellis, and Tony Horwitz comes a lively, thought-provoking intellectual history of the golden age of American utopianism—and the bold, revolutionary, and eccentric visions for the future put forward by five of history’s most influential utopian movements. In the wake of the Enlightenment and the onset of industrialism, a generation of dreamers took it upon themselves to confront the messiness and injustice of a rapidly changing world. To our eyes, the utopian communities that took root in America in the nineteenth century may seem ambitious to the point of delusion, but they attracted members willing to dedicate their lives to creating a new social order and to asking the bold question What should the future look like? In Paradise Now, Chris Jennings tells the story of five interrelated utopian movements, revealing their relevance both to their time and to our own. Here is Mother Ann Lee, the prophet of the Shakers, who grew up in newly industrialized Manchester, England—and would come to build a quiet but fierce religious tradition on the opposite side of the Atlantic. Even as the society she founded spread across the United States, the Welsh industrialist Robert Owen came to the Indiana frontier to build an egalitarian, rationalist utopia he called the New Moral World. A decade later, followers of the French visionary Charles Fourier blanketed America with colonies devoted to inaugurating a new millennium of pleasure and fraternity. Meanwhile, the French radical Étienne Cabet sailed to Texas with hopes of establishing a communist paradise dedicated to ideals that would be echoed in the next century. And in New York’s Oneida Community, a brilliant Vermonter named John Humphrey Noyes set about creating a new society in which the human spirit could finally be perfected in the image of God. Over time, these movements fell apart, and the national mood that had inspired them was drowned out by the dream of westward expansion and the waking nightmare of the Civil War. Their most galvanizing ideas, however, lived on, and their audacity has influenced countless political movements since. Their stories remain an inspiration for everyone who seeks to build a better world, for all who ask, What should the future look like? Praise for Paradise Now “Uncommonly smart and beautifully written . . . a triumph of scholarship and narration: five stand-alone community studies and a coherent, often spellbinding history of the United States during its tumultuous first half-century . . . Although never less than evenhanded, and sometimes deliciously wry, Jennings writes with obvious affection for his subjects. To read Paradise Now is to be dazzled, humbled and occasionally flabbergasted by the amount of energy and talent sacrificed at utopia’s altar.”—The New York Times Book Review “Writing an impartial, respectful account of these philanthropies and follies is no small task, but Mr. Jennings largely pulls it off with insight and aplomb. Indulgently sympathetic to the utopian impulse in general, he tells a good story. His explanations of the various reformist credos are patient, thought-provoking and . . . entertaining.”—The Wall Street Journal “As a tour guide, Jennings is thoughtful, engaging and witty in the right doses. . . . He makes the subject his own with fresh eyes and a crisp narrative, rich with detail. . . . In the end, Jennings writes, the communards’ disregard for the world as it exists sealed their fate. But in revisiting their stories, he makes a compelling case that our present-day ‘deficit of imagination’ could be similarly fated.”—San Francisco Chronicle

Set in an English preparatory school, recounts the comical adventures of Jennings.

Draws on medical case histories, scientific findings, and personal research by the author to separate myth from fact and debunk a vast array of parental edicts.

The fascinating history of Mexico that began in the #1 New York Times bestselling novel Aztec continues Juan Rios comes from a long line of Aztec warriors. Slave to a Spanish gun-maker, he becomes the finest gunsmith and sharpshooter in colonial Mexico. But Juan has a secret life as the revolucion's #1 gun-runner. Juan falls for the beautiful Maria, a beautiful writer and fearless revolucionaria whose dream of freedom is a liability for them both. The hard-drinking, womanizing, con-man Luis becomes their last hope against the rack, the stake, and the blood-stained torture dungeons of the Inquisition. Aztec Fire sweeps readers on a perilous journey from the fabled ruins of ancient Tula to the slave-labor galleons of "the Manila Run" to a South Seas jungle island teeming with crocodiles, snakes, and blood-crazed cannibals. When Juan and his friends finally reach home, they find their country in flames, struggling against its hated Spanish oppressors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The British Constitution is accepted, in England at least, as the symbol for soundness and reliability: and yet its unwritten mysteries and its practical resilience are the despair of theorists. It is as unexpected as a person, and seems to be defined only by the fact that it lives and works. This 1966 book, then, might be described as a biography by one who has a first-hand knowledge of his subject. It offers ordinary British citizens a reasonable and detached introduction to the system in which they play so large a part; at the same time it provides, for friends and critics overseas, a simple and reliable account of its growth and functioning.

Constructing the Spanish Empire in Havana examines the political economy surrounding the use of enslaved laborers in the capital of Spanish imperial Cuba from 1762 to 1835. In this first book-length exploration of state slavery on the island, Evelyn P. Jennings demonstrates that the Spanish state’s policies and practices in the ownership and employment of enslaved workers after 1762 served as a bridge from an economy based on imperial service to a rapidly expanding plantation economy in the nineteenth century. The Spanish state had owned and exploited enslaved workers in Cuba since the early 1500s. After the humiliating yearlong British occupation of Havana beginning in 1762, however, the Spanish Crown redoubled its efforts to purchase and maintain thousands of royal slaves to prepare Havana for what officials believed would be the imminent renewal of war with England. Jennings shows that the composition of workforces assigned to public projects depended on the availability of enslaved workers in various interconnected labor markets within Cuba, within the Spanish empire, and in the Atlantic world. Moreover, the site of enslavement, the work required, and the importance of that work according to imperial priorities influenced the treatment and relative autonomy of those laborers as well as the likelihood they would achieve freedom. As plantation production for export purposes emerged as the most dynamic sector of Cuba’s economy by 1810, the Atlantic networks used to obtain enslaved workers showed increasing strain. British abolitionism exerted additional pressure on the slave trade. To offset the loss of access to enslaved laborers, colonial officials expanded the state’s authority to sentence deserters, vagrants, and fugitives, both enslaved and free, to labor in public works such as civil construction, road building, and the creation of Havana’s defensive forts. State efforts in this area demonstrate the deep roots of state enslavement and forced labor in nineteenth-century Spanish colonialism and in capitalist development in the Atlantic world. Constructing the Spanish Empire in Havana places the processes of building and sustaining the Spanish empire in the imperial hub of Havana in a comparative perspective with other sites of empire building in the Atlantic world. Furthermore, it considers the human costs of reproducing the Spanish empire in a major Caribbean port, the state’s role in shaping the institution of slavery, and the experiences of enslaved and other coerced laborers both before and after the beginning of Cuba’s sugar boom in the early nineteenth century.