Dreams of steady employment in the mining sector led thousands of Ukrainian immigrants to northern Ontario in the early 1900s. As a child, Stacey Zembrzycki listened to her baba’s stories about Sudbury’s small but polarized Ukrainian community and what it was like growing up ethnic during the Depression. According to Baba grew out of those stories, out of a fledgling historian’s desire to capture the experiences of her grandparents’ generation on paper. Eighty-two interviews conducted by Stacey and her grandmother laid the groundwork for this insightful and personal social history of Sudbury’s Ukrainian community. The interviews also brought to light the challenges of doing oral history, particularly as Stacey lost authority to her Baba, wrestled it back, and eventually came to share it. By disclosing the hard work that goes into making communities partners in research, Zembrzycki offers a new paradigm for writing oral history and for studying the politics of memory.

Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.

Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day.

A Study Guide for Khaled Hosseini's "The Kite Runner," excerpted from Gale's acclaimed Literary News For Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Literary News For Students for all of your research needs.

An explanation of the theme of creation and its purpose, by the founder of a new religion.

Baba Yaga is an old hag who lives in a house built on chicken legs and kidnaps small children. She is one of the most pervasive and powerful creatures in all mythology. She appears in many forms: as Pupa, a tricksy, cantankerous old woman who keeps her legs tucked into a huge furry boot; as a trio of mischievous elderly women who embark on the trip of a lifetime to a hotel spa; and as a villainous flock of ravens, black hens and magpies infected with the H5N1 virus. But what story does Baba Yaga have to tell us today? This is a quizzical tale about one of the most pervasive and powerful creatures in all mythology, and an extraordinary yarn of identity, secrets, storytelling and love.

T he material in this volume is culled from over two thousand stories about Maharajji gathered during five years from more than one hundred devotees. To these devotees who shared their treasured memo ries, I wish to express my deep love and appreciation. Some of them felt that no book could or should be written about a being with qualities as vast, formless, and subtle as Maharajji’s, and yet they contributed their stories nevertheless. I honor them for this kindness and I hope that in my zeal to share experiences of Maharajji with others who were not fortu nate enough to have met him, I have not misused their trust. Some devotees tell me that stories told by other devotees are not fac tually accurate. I have no way of ascertaining the authenticity of any single story. All I can report is that those o f us who gathered the stories were impressed by the credibility of those of us who told the stories. Though the responsibility for this manuscript lies solely with me, I am delighted to acknowledge a lot o f loving help from my friends:

From the beloved New York Times bestselling author-illustrator of Thank You, Mr. Falker and Pink and Say. Baba Yaga is a witch famous throughout Russia for eating children, but this Babushka Baba Yaga is a lonely old woman who just wants a grandchild--to love. "Kids will respond to the joyful story of the outsider who gets to join in, and Polacco's richly patterned paintings of Russian peasant life on the edge of the woods are full of light and color." -- Booklist "A warm, lively tale, neatly mixing new and old and illustrated with Polacco's usual energetic action, bright folk patterns, and affectionate characterizations." --Kirkus Reviews