When best friends Aggie and Fiona drift apart in fifth grade, Aggie grows to understand that fading friendships are normal, and she makes a new friend who shares more of her interests.

Discusses the history and traditions of Texas A & M University.

Texas and whitewater. Who knew? According to veteran paddler Steve Daniel, one doesn't have to be an outdoors expert to find whitewater fun and adventure in the Lone Star State. Sometimes all that's needed is a little rain and perseverance - and this handy guide to Texas rivers and creeks with the greatest prospects for whitewater.

History has until now hidden how close the ambitions of these two men came to carving out a Mormon Kingdom of God in the Republic of Texas.".

Perfect for book clubs or the beach, Aggie Blum Thompson's I Don't Forgive You is a page-turning, thrilling debut "not to be missed." (Wendy Walker) An accomplished photographer and the devoted mom of an adorable little boy, Allie Ross has just moved to an upscale DC suburb, the kind of place where parenting feels like a competitive sport. Allie’s desperate to make a good first impression. Then she’s framed for murder. It all starts at a neighborhood party when a local dad corners Allie and calls her by an old, forgotten nickname from her dark past. The next day, he is found dead. Soon, the police are knocking at her door, grilling her about a supposed Tinder relationship with the man, and pulling up texts between them. She learns quickly that she's been hacked and someone is impersonating her online. Her reputation—socially and professionally—is at stake; even her husband starts to doubt her. As the killer closes in, Allie must reach back into a past she vowed to forget in order to learn the shocking truth of who is destroying her life. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this engrossing and gripping fantasy set in the world of the New York Times bestselling Others series, an inn owner and her friends must find a killer—before it’s too late.… Crowbones will gitcha if you don’t watch out! Deep in the territory controlled by the Others—shape-shifters, vampires, and even deadlier paranormal beings—Vicki DeVine has made a new life for herself running The Jumble, a rustic resort. When she decides to host a gathering of friends and guests for Trickster Night, at first everything is going well between the humans and the Others. But then someone arrives dressed as Crowbones, the Crowgard bogeyman. When the impostor is killed along with a shape-shifting Crow, and the deaths are clearly connected, everyone fears that the real Crowbones may have come to The Jumble—and that could mean serious trouble. To “encourage” humans to help them find some answers, the Elders and Elementals close all the roads, locking in suspects and victims alike. Now Vicki, human police chief Grimshaw, vampire lawyer Ilya Sanguinati, and the rest of their friends have to figure out who is manipulating events designed to pit humans against Others—and who may have put Vicki DeVine in the crosshairs of a powerful hunter.

Born in Dundee in 1938, Maureen Reynolds grew up in wartime Scotland, a young girl surrounded by adult concerns. There was the endless queuing for rations that never seemed to stretch quite far enough, the blackouts and the air raids. But, if times were hard, they were also simpler, and in Voices in the StreetMaureen remembers with great fondness her early years with her wise old grandad, the enjoyment of riding on tram cars, the weekly wash house gossip and the people and places of her childhood. When she left school at fifteen, Maureen immediately started her working life with a job at the local sweetie factory, coming of age in the era of Teddy Boys and rock 'n' roll and enjoying the dancing with her best friend Betty. Then, as Maureen grew up, she found her love, only to see him borrowed in the name of National Service. But, through good times and bad, she would never forget growing up in Dundee.

Today, according to the US Fish and Wildlife Service, more than fifty million Americans feed birds around their homes, and over the last sixty years, billions of pounds of birdseed have filled millions of feeders in backyards everywhere. Feeding Wild Birds in America tells why and how a modest act of provision has become such a pervasive, popular, and often passionate aspect of people’s lives. Each chapter provides details on one or more bird-feeding development or trend including the “discovery” of seeds, the invention of different kinds of feeders, and the creation of new companies. Also woven into the book are the worlds of education, publishing, commerce, professional ornithology, and citizen science, all of which have embraced bird feeding at different times and from different perspectives. The authors take a decade-by-decade approach starting in the late nineteenth century, providing a historical overview in each chapter before covering topical developments (such as hummingbird feeding and birdbaths). On the one hand, they show that the story of bird feeding is one of entrepreneurial invention; on the other hand, they reveal how Americans, through a seemingly simple practice, have come to value the natural world.

The Mexican American community's relationship with the Anglodominated public school system has been multifaceted, complex, and ambiguous to say the least. On one level, an organized community has consistently struggled for equality in the existing educational institutions. Its story, although full of crushed hopes and legal frustrations, is imbued with a sense of accomplishment. At another level, individual Mexican Americans who have attended segregated public schools over the years also have a complex and diverse story to tell. For some, there are fond memories of school activities gone by. For others, the school years have been negative in general_children have been victims of humiliating and depressing incidents of racial discrimination and social ostracism. Texas' public school system is of particular historical interest because of the state's record, according to Guadalupe San Miguel, for providing the least amount of public education for Mexican Americans while fiercely defending its record of inferior and separate schooling. Additionally, Texas was the first state in which Mexican Americans organized to seek educational equality. In "Let All of Them Take Heed," first published in 1987 and one of the earliest books to focus on this plight of the Hispanic community, San Miguel traces the Mexican American quest for educational equality in Texas over a period of fifty years. In describing this struggle over the years, he emphasizes the socioeconomic factors affecting it and the strategies the Hispanic community used to reach its goals.

Aggie and Ben are back with another boy-and-his-dog adventure just right for early and beginning readers. They met and became best friends in Aggie and Ben. They learned to behave in Good Dog, Aggie. Now Aggie and Ben must conquer their fears in their third book for beginning readers. Puppy, Aggie, has to go to the vet, but it's Ben who needs to be brave as he deals with a night without his best friend. When Aggie returns home, she is unable to play. Ben must do his best to take care of her and make her feel better. Frank W. Dormer's expressive illustrations tell the story of the special bond between a boy and his loyal pet dog. Young readers will love the continuing adventures of Aggie and Ben.