Does Islam as a religion oppress women? Is Islam against democracy? In this classic study, internationally renowned sociologist Fatema Mernissi argues that women's oppression is not due to Islam because this religion celebrates women's power. Women's oppression, she maintains, is due to political manipulation of religion by power-seeking, archaic Muslim male elites. Mernissi explains that early Muslim scholars portrayed women as aggressive hunters who forced men, reduced to weak hunted victims, to control women by imposing institutions such as veiling, which confined women to the private space. In her new introduction, she argues that women's aggressive invasion of the 500-plus Arab satellite channels in the twenty-first century, including as commanding show anchors, film and video stars, supports her theory that Islam as a religion celebrates female power.

Beggars…Outcasts…Homeless Such were the forgotten, uneducated children in China when the Spirit of God fell upon their humble orphanage, the Adullam Home. The boys spent days in powerful meetings, praying and praising God. Under the anointing of the Holy Spirit, they prophesied, saw visions, and discovered: Angels…how they operate and protect us Unbelievers…and their fate Heavenly occupations…what our jobs will be Paradise…revealed through the eyes of children The throne of God…experiencing true worship Death…what happens when we die Demons…and their evil works This mighty outpouring was a fulfillment of God’s promise: “And it shall come to pass in the last days, saith God, I will pour out of My Spirit upon all flesh: and your sons and your daughters shall prophesy, and your young men shall see visions.” Acts 2:17

From the writing of her first book, Beyond the Veil: Male-Female Dynamics in Modern Muslim Society in 1975, Mernissi has sought to reclaim the ideological discourse on women and sexuality from the stranglehold of patriarchy. She critically examines the classical corpus of religious-juristic texts, including the Hadith, and reinterprets them from a feminist perspective. In her view, the Muslim ideal of the silent, passive, obedient woman has nothing to do with the authentic message of Islam. Rather, it is a construction of the 'ulama', the male jurists-theologians who manipulated and distorted the religious texts in order to preserve the patriarchal system. Mernissi's work explores the relationship between sexual ideology, gender identity, sociopolitical organization, and the status of women in Islam; her special focus, however, is Moroccan society and culture. As a feminist, her work represents an attempt to undermine the ideological and political systems that silence and oppress Muslim women.

Just because the marriage is fake doesn't mean the attraction is¿Delilah Barrett is a head-turning beauty on a quest for justice. The former cop with a checkered past has made a career of recovering stolen rare books with her private detective firm. She's level-headed, smart, cool under pressure¿ and entirely unprepared for her new assignment.When a centuries-old book worth an astronomical fortune disappears from Philadelphia's Franklin Museum, Delilah is paired up with Henry Finch, a brilliant rare book librarian and celebrated academic. Their orders: Go undercover as a married couple and recover the book by whatever means necessary.Henry can speak four languages and wear a suit like he was born in Armani. But he's never squared off against criminals. Never operated in this underground society of glamour and greed. And he's certainly never pretended to be married to a woman who both dazzles and distrusts him.Delilah's keen instincts are her greatest gift, but her growing attraction to the sexy librarian is messing with her head. Every feigned caress, every for-the-audience kiss only heightens the seduction, building a fire that refuses to extinguish. As the danger intensifies, so does the temptation to let their fake desire become real. With a priceless artifact at stake, can this undercover couple learn to trust each other¿before it's too late?Author's Note: If fake marriage, closet sex, secret passages, guns and garter belts, high-society galas, mysterious code words, and danger pushes your pleasure buttons Behind the Veil is for you!

Reads Romantic literature through the lens of 21st century speculative realist philosophyRead and download the series editor's preface (by Graham Harman) and the Introduction to Romantic Realities for free nowSpeculative realism is one of the most exciting, influential and controversial new branches of philosophy to emerge in recent years. Now, Evan Gottlieb shows that the speculative realism movement bears striking a resemblance to the ideas and beliefs of the best-known British poets of the Romantic era.Romantic Realities analyses the parallels and echoes between the ideas of the most influential contemporary practitioners of speculative realism and the poetry and poetics of the most innovative Romantic poets. In doing so, it introduces you to the intellectual precedents and contemporary stakes of speculative realism, together with new understandings of the philosophical underpinnings and far-reaching insights of British Romanticism.Readings include:The poetry and poetics of Wordsworth in relation to Graham Harman's object-oriented ontology and Timothy Morton's dark ecologyColeridge's poems and ideas in relation to Ray Brassier's philosophical nihilism and Iain Hamilton Grant's revisionist readings of SchellingShelley's oeuvre in relation to Quentin Meillassoux's radical immanentism and Manuel DeLanda's process ontologyByron's best-known poems in relation to Alain Badiou's truth procedures and Bruno Latour's actor-network-theoryKeats' oeuvre in relation to Levi Bryant's onticology and Ian Bogost's alien phenomenology"e;

The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.

In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers—Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley—to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other—intersubjective, pre-discursive, and sensuous—forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.

This book looks into the increasing conflict between the demand of economic growth and the already fragile ecological system condition in China. The prolonged urbanization process has escalated the erosion of natural environments and is increasing energy consumption. China’s role as a “world plant” is also demanding more and more resource supply as well as energy consumption. This book argues that to correctly respond to these emerging issues, apart from upgrading industry and improves environmental protection techniques, China needs to establish an “ecological civilization” that provides an ideological basis for the construction of a green low-carbon model of economic growth.

For anyone to say that no mysteries or secrets are contained within the Word of Yahweh (God), that the Torah is done away with, or that God's plan includes the destruction of the world, he is surely misinformed.