Acadian French in Time and Space is concerned with varieties of French spoken in Canada's four Atlantic Provinces and in parts of eastern Quebec, along with a close relative, Louisiana French. Ruth King triangulates from evidence for francophone speech communities past and present the grammatical history of these varieties, drawing on contemporary methodology and theory in quantitative and qualitative sociolinguistics and in generative grammar. Of particular interest to sociolinguists who focus on the study of grammatical variation and change and to dialectologists interested in the comparison of geographically dispersed but closely related language varieties, this book will also interest specialists in other North American varieties, such as Quebec French, along with specialists in sociosyntax and in language contact. King explores the preservation of rich verbal morphology and its consequences, mechanisms involved in the spread of particular instances of grammatical change, and the relationship between discourse phenomena and grammar. In addition to bringing to light new data and presenting new analyses, this volume also makes recent scholarship on the evolution and contemporary situation of French accessible to anglophone audiences. Ruth King is professor of linguistics at York University in Toronto. She has published widely on grammatical variation and change in contemporary French varieties and on the sociolinguistic history of the language. Her research areas include language and dialect contact, minority language varieties in the media, and language and identity.

The Acadian Diaspora tells the extraordinary story of thousands of Acadians expelled from Nova Scotia and scattered throughout the Atlantic world beginning in 1755. Following them to the Caribbean, the South Atlantic, and western Europe, historian Christopher Hodson illuminates a long-forgotten world of imperial experimentation and human brutality.

Drawing on examples from a wide range of languages and social setting, The Routledge Handbook of Sociolinguistics Around the World is the first single-volume collection surveying current and recent research trends in international sociolinguistics. With over 30 chapters written by leading authorities in the region concerned, all continents and their respective regions are covered. The book will serve as an important tool to help widen the perspective on sociolinguistics to readers of English. Divided into sections covering: The Americas, Asia, Australasia, Africa and the Middle East, and Europe, the book provides readers with a solid, up-to-date appreciation of the interdisciplinary nature of the field of sociolinguistics in each area. It clearly explains the patterns and systematicity that underlie language variation in use, as well as the ways in which alternations between different language varieties mark personal style, social power and national identity. The Routledge Handbook of Sociolinguistics around the World is the ideal resource for all students on undergraduate sociolinguistics courses and researchers involved in the study of language, society and power. English Language and Linguistics / Sociolinguistics

Place has always been central to studies of language, variation and change. Since the eighteenth century, dialectologists have been mapping language features according to boundaries - both physical and institutional. In the twentieth century, variationist sociolinguists developed techniques to correlate language use with speakers' orientations to place. More recently, perceptual dialectologists are examining the cognitive and ideological processes involved in language-place correlations and working on ways to understand how speakers mentally process space. Bringing together research from across the field of language variation, this volume explores the extent of twenty-first century approaches to place. It features work from both established and influential scholars, and up and coming researchers, and brings language variation research up to date. The volume focuses on four key areas of research: processes of language variation and change across time and space; methods and datasets for regional analysis; perceptions of the local in language research; and ideological representations of place.

Music is used to sell everything from cars to political candidates. How can words and melody so successfully manipulate us? This volume provides answers by examining the ways in which music of various genres, including folk, popular music, rock, and rap, is used to protest and to promote structures of political, commercial, and religious authority. Students, teachers, musicians, historians, policy makers, and fans of music and popular culture will find answers to questions such as: How does music help to build national identity, foster a sense of patriotism, and reflect changes in society? What role did music play in building socialism in Czechoslovakia and in Belarus’ 2020 democratic movement? What are the most important features of Ukrainian songs of resistance? The book highlights the role of music in the feminist movement by analysing the Riot Grrrl movement and the history of Olivia Records, as well as the use of music as propaganda in the education system and as “purity propaganda” in religion. Two chapters focus on famous American protest singers, Woody Gurthie and Phil Ochs, and one highlights an ex-socialist society’s response to David Bowie’s music.

This volume explores how the patterning of surface variation can shed light on the grammatical representation of variable phenomena. The authors explore variation in several domains, addressing intra- and inter-dialectal patterns, using diverse sources of data including corpora of naturally-occurring speech and judgment studies, and drawing on lesser-studied varieties of familiar languages, such as Northwest British Englishes and varieties of Canadian French. Ultimately, the contributions serve to expand our understanding of the nature of the mental representations and abstract processes required to support variation in language. Originally published as special issue of Linguistic Variation 16:2 (2016)

How does Cajun literature, emerging in the 1980s, represent the dynamic processes of remembering in Cajun culture? Known for its hybrid constitution and deeply ingrained oral traditions, Cajun culture provides an ideal testing ground for investigating the collective memory of a group. In particular, francophone and anglophone Cajun texts by such writers as Jean Arceneaux, Tim Gautreaux, Jeanne Castille, Zachary Richard, Ron Thibodeaux, Darrell Bourque, and Kirby Jambon reveal not only a shift from an oral to a written tradition. They also show hybrid perspectives on the Cajun collective memory. Based on recurring references to place, the texts also reflect on the (Acadian) past and reveal the innate ability of the Cajuns to adapt through repeated intertextual references. The Cajun collective memory is thus defined by a transnational outlook, a transversality cutting across various ethnic heritages to establish and legitimize a collective identity both amid the linguistic and cultural diversity in Louisiana, and in the face of American mainstream culture. Cajun Literature and Cajun Collective Memory represents the first analysis of the mnemonic strategies Cajun writers use to explore and sustain the Cajun identity and collective memory.

This volume brings together a group of most highly acclaimed Canadian writers and distinguished international experts on Canadian literature to discuss what potential Janice Kulyk Keefer's concept of "historiographic ethnofiction" has for ethnic writing in Canada. The collection builds upon Kulyk Keefer's idea but also moves beyond it by discussing such realms of the concept as its ethics and aesthetics, multiple and multilayered sites, generic intersections, and diasporic (con-)texts. Thus, focusing on Canadian historiographic ethnofiction, "Land Deep in Time" is the first study to define and explore a type of writing which maintains a marked presence in Canadian literature but has not yet been recognized as a separately identifiable genre.

This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an verview and orientation. To attain these objectives, the series will aim for a standard comparable to that of the leading handbooks in other disciplines, and to this end will strive for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The languages of publication are English, German, and French. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will be imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume will be a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editor of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editor only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume.