Every once in a while there emerges a literary voice with the power and urgency to immerse readers deep within a previously "invisible" culture. From a young African writer who has already earned comparisons to Salman Rushdie and Gabriel Garcia Marquez comes this masterful saga of life in 20th-century Uganda. The teller of this panoramic tale is Mugezi, a quick-witted, sharp-eyed man whose life encompasses the traditional and the modern, the peaceful and the insanely violent, the despotic and the democratic. Born in a rural community in the early 1960s, he is raised by his grandfather, a deposed clan chief, and his great-aunt, or "grandmother," after his parents immigrate to the capital city of Kampala. At age nine, he leaves behind his secure life in the village to join his parents and siblings in the city, where he is first exposed to the despotism and hardship that he will contend with in the years to come. The nightmare reign of Idi Amin and its chaotic aftermath are the backdrop to Mugezi's troubled coming-of-age: his constant struggle with his harsh mother and austere father; his years spent as caregiver to his parents' ever-growing brood of children; his sojourn in a horrifically repressive Catholic seminary. He goes to work as a high school teacher, becomes enmeshed in a tragic romance, finds himself drawn into a dubious, potentially dangerous alliance with the military after Amin's fall and witnesses the widespread ravages of the AIDS virus. Finally, sickened by personal loss and national tragedy, he manages to immigrate to Amsterdam. The details of Mugezi's life provide a foundation for Isegawa's brilliant and profoundly illuminating portrait of the contemporary, postcolonial African experience. Filled with extraordinary characters, animated by a wicked sense of humor and guided by an intense yet clear-eyed compassion, Abyssianian Chronicles is our introduction to a superlative new writer.

Praised on both sides of the Atlantic as well as in the author’s native Uganda, Moses Isegawa’s first novel Abyssinian Chronicles was a “big, transcendently ambitious book” (Boston Globe) that “blasts open the tidy borders of the conventional novel and redraws the literary map to reveal a whole new world” (Elle). In Snakepit, Isegawa returns to the surreal, brutalizing landscapes of his homeland during the time of dictator Idi Amin, when interlocking webs of emotional cruelty kept tyrants gratified and servants cooperative, a land where no one–not husbands or wives, parents or lovers–is ever safe from the implacable desires of men in power. Men like General Bazooka, who rues the day he hired Cambridge-educated Bat Katanga as his “Bureaucrat Two”–a man too good at his job–and places in his midst (and his bed) a seductive operative named Victoria, whose mission and motives are anything but simple. Ambitious and acquisitive, more than a little arrogant, Katanga finds himself steadily boxed in by events spiraling madly out of control, where deception, extortion, and murder are just so many cards to be played.

What would it be like to become Idi Amin's personal physician? Giles Foden's bestselling thriller is the story of a young Scottish doctor drawn into the heart of the Ugandan dictator's surreal and brutal regime. Privy to Amin's thoughts and ambitions, he is both fascinated and appalled. As Uganda plunges into civil chaos he realises action is imperative - but which way should he jump?

Following in the tradition of the classic "I Dream a World", this photographic journal highlights the country's most famous African-American congregation: the Abyssinian Baptist Church in Harlem. 90 duotone photos.

Brenda Cooper examines the work of the new generation of African writers who have placed migration as central to their writing

From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city's religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity. Published in conjunction with a New-York Historical Society exhibition, From Abyssinian to Zion is a sometimes quirky, always intriguing journey of discovery for tourists as well as native New Yorkers. Which popular pizzeria occupies the site of the cradle of the Christian and Missionary Alliance movement, the Gospel Tabernacle? And where can you find the only house of worship in Manhattan built during the reign of Caesar Augustus? Arranged alphabetically, this handy guide chronicles both extant and historical structures and includes 650 original photographs and 250 photographs from rarely seen archives 24 detailed neighborhood maps, pinpointing the location of each building concise listings, with histories of the congregations, descriptions of architecture, and accounts of prominent priests, ministers, rabbis, imams, and leading personalities in many of the congregations

This third volume in the series presents more exemplars of armchair reading (in this case, armchair listening), taking people away from daily routine to exotic, often remote settings.

The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.