This rich and imaginative book investigates the cultural connection between new media and architectural imaging.

The universe of being is subject to changes in its periodical manifestations. Man is the little universe (Microcosm) made in the image of his creator, the Great Universe (Macrocosm). The matter composing the objects we see and touch, continually returns to its pre-primordial condition of purity and light, which no mortal eye can see or bear its radiance. The man of clay was the first human being to appear on earth, the animal kingdoms coming after him. Animals were “created” much later than Adam, and brought to him to be named. Their bodies have been formed out of the cast off atoms of human life-waves that preceded ours. The constitution of man is seven-fold: his Immortal Higher Triad (Divine Self or Spiritual Soul) is his True Individuality; his Lower Tetrad, overshadowed by the Divine Self, is the false individuality (I-ness or “personality”) or soul of the man of clay who, being of the earth earthly, his animal soul and body are perishable — though his molecules are thrown off for the benefit of lower kingdoms. Nirvana is an actionless yet impersonal subjective state, rooted in non-being, and a refuge against rebirth — but the nirvanee can no longer return to earth, should he change his mind. Nirvana is illusion for it does not exist for us. The immortality of Spirit is inculcated on the neophyte by the Hierophant, and realised during Initiation. At the solemn moment of death, no man can fail to see himself under his true colours, and no self-deception is of use to him any longer. Even when drowning, man follows with his mind’s eye the whole of his life marshalling past, with all its events (causes and effects) to the minutest detail, and sees himself as he truly is, in all his moral nakedness, unadorned by either human flattery or self-adulation.

This brief book presents the strong fractional analysis of Banach space valued functions of a real domain. The book’s results are abstract in nature: analytic inequalities, Korovkin approximation of functions and neural network approximation. The chapters are self-contained and can be read independently. This concise book is suitable for use in related graduate classes and many research projects. An extensive list of references is provided for each chapter. The book’s results are relevant for many areas of pure and applied mathematics. As such, it offers a unique resource for researchers, and a valuable addition to all science and engineering libraries.

The Routledge Handbook of Postsecularity offers an internationally significant and comprehensive interdisciplinary collection which provides a series of critical reviews of the current state of the art and future trends in philosophical, theoretical, and conceptual terms. The volume likewise presents a range of empirical knowledges and engagements with postsecularity. A critical yet sympathetic dialogue across disciplinary divides in an international context ensures that the volume covers a wide and interrelated intellectual and geographical scope. The editor’s introduction with Klaus Eder offers a robust foundation for the volume, setting out the central aims and objectives, the rationale for the contributions, and an outline of the structure. Thorny issues of normativity and empirical challenges are highlighted for the reader. The handbook comprises four interrelated sections. Part I: Philosophical meditations discusses postsecularity from philosophical standpoints, and Part II: Theological perspectives presents contributions from a variety of theological viewpoints. Part III: Theory, space, social relations contains pieces from geography, planning, sociology, and religious studies that delve into theoretically informed empirical implications of postsecularity. Part IV: Political and social engagement offers chapters that emphasize the political and social implications of the debate. In the Afterword, Eduardo Mendieta joins the editor to reflect on the notion of reflexive secularization across the volume as a whole, alluding to new lines of inquiry. The handbook is an invaluable guide for graduate and advanced undergraduate teaching, and a key reference for students and scholars of human geography, sociology, political science, applied philosophy, urban and public theology, planning, and urban studies.

On the peripheries of UK poetry culture during his lifetime, W. S. Graham is now recognized one of the great poets of the twentieth century. In the first concerted study of Graham's poetics in a generation, David Nowell Smith argues that Graham is exemplary for the poetics of the mid-century: his extension of modernist explorations of rhythm and diction; his interweaving of linguistic and geographic places; his dialogue with the plastic arts; and the tensions that run through his work, between philosophical seriousness and play, solitude and sociality, regionalism and cosmopolitanism, the heft and evanescence of poetry's medium. Drawing on newly unearthed archival materials, Nowell Smith orients Graham's poetics around the question of the 'art object'. Graham sought to craft his poems into honed, finished 'objects'; yet he was also aware that the poem's 'finished object' is never wholly finished. Graham's work thus facilitates a broader reflection on language as a medium for art-making.

This book pursues an original perspective on Europe's shifting extent and geopolitical standing: how countries and spaces marginal to it impact on Europe as a center. A theoretical discussion of borders and margins is developed, and set against nine studies of countries, regions, and identities seen as marginal to Europe.

There is a growing discussion on the cultural meaning and politics of urban commons, and Stavrides uses examples from Europe and Latin America to support the view that a world of mutual support and urban solidarity emerges today in, against, and beyond existing societies of inequality.